SAGA-BOOK - Viking Society Web Publications
SAGA-BOOK - Viking Society Web Publications SAGA-BOOK - Viking Society Web Publications
12 Saga-Book of the Viking Society in Pomerania, the one carved in ivory and the other in elk horn. 34 The main features of this style are the billeting of the body of the animals and the luxuriant and fleshy foliation of the motif - whether an animal or interlace pattern or merely an acanthus tendril. Details of the style are already evident in the preceding Jellinge style 3 5 and I have no doubt that it grew directly out of that style in the Vikings' homeland. The two finest Manx stones decorated in this style indeed two of the finest stones in the island - are Braddan 135 (108) and 136 (roo). The first of these, illustrated in fig. 2, bears on one side the inscription in runes: Irorleifr hnakki reisti kross penna ept Fiak, son sinn, bronurson. Hafrs. "Thorleif 'nape' erected this cross after Fiac, his son, brother's son of Hafr." The cross is free-standing, 212 em. high, and has a ring head. One edge of the shaft bears the runic inscription and the other edge bears an animal with its head at the bottom; it has a sinuous billeted body which is interlaced with the lappet of the animal and produces a series of semi-foliate offshoots. The two main faces are filled by a series of animals with double contours and billeted bodies, heavily involved in interlacing limbs and lappets. The other stone is broken half way up the shaft, the top half is missing. This, like the previous stone, has an inscription on one side: Oddr reisti kross penna ept Frakka, hour sinn, en Po(rbjprn sonr ...) "Odd erected this cross after Frakki, his father, but Thojrbjorn son ...)"36 One of the main faces of the cross is decorated with animal ornament similar to that on the other Braddan .libid., pI. LIV-LVI. .6 ibid., pl. XXXVII. • 6 The last letters were recorded in the nineteenth century, but are now missing. Olsen, op, cit., 191, suggests that the inscription continued "... of N.N. made this cross".
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- Page 3: REV lEW S PAGE A HISTORY OF THE VIK
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12 Saga-Book of the <strong>Viking</strong> <strong>Society</strong><br />
in Pomerania, the one carved in ivory and the other in<br />
elk horn. 34 The main features of this style are the<br />
billeting of the body of the animals and the luxuriant and<br />
fleshy foliation of the motif - whether an animal or<br />
interlace pattern or merely an acanthus tendril. Details<br />
of the style are already evident in the preceding Jellinge<br />
style 3 5 and I have no doubt that it grew directly out of that<br />
style in the <strong>Viking</strong>s' homeland.<br />
The two finest Manx stones decorated in this style <br />
indeed two of the finest stones in the island - are Braddan<br />
135 (108) and 136 (roo). The first of these, illustrated in<br />
fig. 2, bears on one side the inscription in runes:<br />
Irorleifr hnakki reisti kross penna ept Fiak, son sinn,<br />
bronurson. Hafrs.<br />
"Thorleif 'nape' erected this cross after Fiac, his son,<br />
brother's son of Hafr."<br />
The cross is free-standing, 212 em. high, and has a ring<br />
head. One edge of the shaft bears the runic inscription<br />
and the other edge bears an animal with its head at the<br />
bottom; it has a sinuous billeted body which is interlaced<br />
with the lappet of the animal and produces a series of<br />
semi-foliate offshoots. The two main faces are filled by<br />
a series of animals with double contours and billeted<br />
bodies, heavily involved in interlacing limbs and lappets.<br />
The other stone is broken half way up the shaft, the top<br />
half is missing. This, like the previous stone, has an<br />
inscription on one side:<br />
Oddr reisti kross penna ept Frakka, hour sinn, en<br />
Po(rbjprn sonr ...)<br />
"Odd erected this cross after Frakki, his father, but<br />
Thojrbjorn son ...)"36<br />
One of the main faces of the cross is decorated with<br />
animal ornament similar to that on the other Braddan<br />
.libid., pI. LIV-LVI.<br />
.6 ibid., pl. XXXVII.<br />
• 6 The last letters were recorded in the nineteenth century, but are now<br />
missing. Olsen, op, cit., 191, suggests that the inscription continued "... of<br />
N.N. made this cross".