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SAGA-BOOK - Viking Society Web Publications

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10 Saga-Book of the <strong>Viking</strong> <strong>Society</strong><br />

also be very close in date to Gaut's series. But the<br />

presence of beading in the ribbons, together with certain<br />

more elaborate tricks of interlace, suggests that we are on<br />

the threshold of the Mammen style which in the Isle of<br />

Man reaches its heights on the two Kirk Braddan crosses,<br />

135 (108) and 136 (109)' It is interesting that one of<br />

these four crosses, Kirk Michael 126 (100), bears human<br />

and animal figures not dissimilar to those found on the<br />

Sandulf cross at Andreas 131 (103), mentioned above.<br />

Such scenes, which are of fairly frequent occurrence, are<br />

difficult to interpret. Certain tales from Norse mythology<br />

and legend can almost certainly be identified. Thus<br />

scenes from the Sigurd cycle can be seen at Jurby II9<br />

(93), Malew 120 (94). Andreas 121 (95) and on the slab<br />

from Ramsey, now Maughold 122 (96). Odin occurs on<br />

the fragmentary slab Andreas 128 (102) and possibly<br />

Jurby 125 (98), and it is conceivable that Heimdall occurs,<br />

blowing his horn to summon the gods before Ragnarok,<br />

on Jurby 127 (99). Certain definite Christian symbols<br />

(other than the cross itself) do, of course, appear: Christ,<br />

for example, is portrayed crucified on Kirk Michael 129<br />

(101). But such identifiable scenes and representations<br />

are rare and the significance of many of the creatures<br />

and scenes portrayed is obscure. Sometimes we may<br />

guess at the meaning of a motif, but our guesses may be<br />

far away from the original sense. Thus it might be<br />

possible to identify the riders on Andreas 131 (103) and<br />

Kirk Michael 132 (105) as the men commemorated by<br />

the stones, but this is pure hypothesis. It is possible that<br />

Thor is represented on Bride 124 (97), as Kermode<br />

suggested, but this interpretation no longer convinces.<br />

Knowledge of Scandinavian symbolism in the <strong>Viking</strong><br />

colonies in the tenth century is tenuous and we cannot say<br />

how many of the motifs, like the undoubtedly non­<br />

Scandinavian hart-and-hound, are indigenous. We cannot<br />

even be sure whether some of the scenes are Christian<br />

or pagan.

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