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SAGA-BOOK - Viking Society Web Publications

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Manx Memorial Stones 9<br />

possible that he also carved crosses like the Truian cross<br />

II8 (92). His style may well have developed in the course<br />

of his life-time and his repertoire may well have been<br />

larger than the motifs found on the few crosses which<br />

bear his name. Such a thesis, however, cannot be proved<br />

and one must treat the other crosses in groups or<br />

individually.<br />

A cross which bears Gaut's ring-chain pattern but which,<br />

by the different techniques used and by the clumsiness of<br />

the design cannot be attributed to Gaut, is the cross at<br />

Bride 124 (97). This cross exhibits crude spiral patterns,<br />

various types of frets and interlaces, and a wealth of<br />

mythological scenes which may be drawn from Norse<br />

sources. One of the scenes, however - the hare-andhound<br />

motif - is commonly found in Ireland and in<br />

north-western Englands" and has Christian significance.<br />

The same motif is found on the Sandulf cross at Andreas<br />

131 (103), on the Mal Lumkun cross at Kirk Michael 130<br />

(104) (which may indeed be by the same hand), on the<br />

cross at Maughold 97 (66), possibly on the Jurby stone<br />

125 (98) - which I consider to be rather later - and<br />

possibly on the so-called Roolwer Stones" at Maughold 98<br />

(72). The latest example of the scene occurs on the JoaHr<br />

slab at Kirk Michael 132 (105). Perhaps carved by the<br />

same hand as Bride 124 (97) is Maughold II4 (91), which<br />

has a double-contoured version of Gaur's ring-chain motif<br />

but no zoomorphic characteristics, apart from a rather<br />

doubtful snake's head at two places in the ring. All these<br />

stones were almost certainly not carved by Gaut but must<br />

be very close in date to some part of his career. Likewise<br />

it would seem reasonable to assume that four crosses,<br />

Ballaugh 106 (77), Jurby 125 (98), Kirk Michael 126 (100)<br />

and Jurby 134 (107), which bear many of Gaut's motifsthe<br />

ring-chain and the tendril pattern, for example - must<br />

.. F. Henry, La sculpture irlandaise (1933), pls, 36 and 46, Wilson and Klindt­<br />

Jensen, op. cit., pl. XXXIXc.<br />

2. Identified by Kerrnode, op. cit., 142, as the memorial stone of Bishop<br />

Roolwer, There is no evidence to support the theory.

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