SAGA-BOOK - Viking Society Web Publications
SAGA-BOOK - Viking Society Web Publications SAGA-BOOK - Viking Society Web Publications
104 Saga-Book of the Viking Society there is no difference between 6i5inn's manner of speech and Vaiprurinir's. On the other hand the subject-matter and framework of Valuspa can hardly be separated, as has already been shown. This demonstrates at once that Valuspa was hammered out in a hotter forge. The organisation of content and the cohesion of Vafpruonismal show this even better. 6i5inn's first question (st. 20) is, it is true, about the origin of heaven and earth, and his next to last (st. 52) about his fall in Ragnarok, but in st. 17 there is talk of the battlefield of Surtr and the gods, in st. 48, right in the middle of other material, of the noms, and so on. The poem is a jumble of odd fragments of erudition without any proper organisation, and no attempt is made to trace the causal connection of events. In Valuspa it is quite different. There the tale of the life of the gods is followed in strict chronological order and each event is tied up with the next, even though the pace is quick. The poem is sustained by a strong framework of art and philosophy. In Vafpruonismal the treatment of the subject is cool and dry. The poem is clear and easily understood, full of names and facts. On the other hand there is the swell of poetic excitement in Valuspa. It is true that the principal events of the mythology had to be mentioned, but the poet merely uses these as stepping-stones. In Vafpruonismal they are like stones threaded on a string, in Valuspa like gravel rolled onward by a rushing current. This is why the poem is so obscure that hardly a single stanza can be completely explained, and the way to understanding is rather by living at the speed of the current than by staring at individual pebbles. The understanding of individual events is different. In Vafpruonismal a crude imagination and an unpolished taste, which swallows every camel of popular credulity, produce such curious things as: Undir hendi vaxa kvMu hrimpursi
Voluspci mey ok mog saman; f6tr vid fceti gat ens frMa j otuns sexhof6al'5an son. 64 105 The descriptions in V oluspd are drawn from a, very different world.P The earth is not made from Ymir, but has risen out of the sea; dew is not the drops from the muzzle of Hrimfaxi but the spray from the holy river which cascades down over the ash of Yggdrasill; the sun is not caught by the wolf, it is darkened; Fenrir does not swallow 6l'5inn, who is killed without further description; Vil'5arr does not tear Fenrir's jaws apart, but stabs him to the heart.56 Where the rebirth of the world is described there emerges a twofold philosophy of life, as will be shown later. Vaffiruonismdl speaks both of the terrible winter and of the flame of Surtr without integrating them (Hoddmimis holt, st. 45, could guard against the winter but not the burning of the world). In V oluspd the various ideas about the end of the world are welded into a consistent whole. A comparison of V olusPd with the other Eddaic mythological poems, in so far as it could be carried out, would produce a similar result. They have little of its majesty and inspiration. Their appearance is quite different. It is enough to mention the catalogues of names in Grimnismdl, the word-count of Alvissmdl, the threats of Skirnismdl, the humour of Prymskvioa, the mockery of Hcirbaroslj60 and the scabrousness of Lokasenna. In Prymskvioa the giant sits on the mound, cuts the manes of his horses and makes collars for his dogs. In V oluspd he sits on the mound and - plays the harp! The giants of V oluspd, Hrymr with his linden shield, Surtr with the bright sword, are polished personages in comparison with the giants of popular mythology. 51 VafprMnismlil st. 33. .. See Olrik, Om Ragnarok, I 269. 5' Cf. VafprMnismlil st. 14, 21, 47 and 53.
- Page 59 and 60: The Death of Turgesius 53 were kill
- Page 61 and 62: The Death of Turgesius 55 Cornelius
- Page 63 and 64: The Death of Turgesius 57 Gerald's
- Page 65 and 66: A FRAGMENT OF VIKING HISTORY By J6N
- Page 68 and 69: 62 Saga-Book of the Viking Society
- Page 70 and 71: Saga-Book of the Viking Society war
- Page 72 and 73: 66 Saga-Book oj the Viking Society
- Page 74 and 75: 68 Saga-Book of the Viking Society
- Page 77 and 78: A Fragment oj Viking History 7 1 If
- Page 79 and 80: A Fragment of Viking History 73 coa
- Page 81 and 82: A Fragment of Viking History 7S In
- Page 83 and 84: A Fragment oj Viking History 77 war
- Page 85 and 86: THREE ESSAYS ON VOLuspA By SIGURDUR
- Page 87 and 88: Voluspd 81 difficult it was to catc
- Page 89 and 90: Voluspci in an emended conflated te
- Page 91 and 92: Voluspd M. Olsen-" advanced the str
- Page 93 and 94: 170luspd appears to have no support
- Page 95 and 96: Voluspci 8g interest; but to us the
- Page 97 and 98: Valuspd 9 1 Valuspd is in complete
- Page 99 and 100: Vahtspd 93 the dowsing-rods with wh
- Page 101 and 102: Voluspa 95 thought unnatural.s" but
- Page 103 and 104: Voluspa 97 With st. 65 the prophecy
- Page 105: Voluspd 99 There is no room here to
- Page 108: 102 Saga-Book of the Viking Society
- Page 113 and 114: Vbluspd r07 V oluspd and the skaldi
- Page 115 and 116: Voluspa 109 by a new light. This ne
- Page 117 and 118: Voluspd III When was Voluspd compos
- Page 119 and 120: Valuspd II3 This would hardly have
- Page 121 and 122: Voluspd IIS measured. It was more n
- Page 123 and 124: Voluspa II7 preach an entirely joyo
- Page 125 and 126: Voluspd II9 more times. The poem de
- Page 127 and 128: Valuspa 121 - as corrupt as before.
- Page 129 and 130: Voluspd 123 Inspiration nannten? Im
- Page 131 and 132: Voluspd 125 3. Introite, nam et hie
- Page 133 and 134: Voluspa 127 he composed the first p
- Page 135 and 136: Voluspa 129 want to have others wor
- Page 137 and 138: Voluspd I3I The lEsir's counsel of
- Page 139 and 140: Voluspd 133 Baldr and H65r can larg
- Page 141 and 142: Voluspd 135 found rest for his wear
- Page 143 and 144: On Arons saga Hjbrleifssonar 137 co
- Page 145 and 146: On Arons saga Hjbrleifssonar 139 an
- Page 147 and 148: On .1rons saga Hjorleifssonar also
- Page 149 and 150: On Arons saga HjOrleifssonar 143 te
- Page 151 and 152: On Arons saga Hjiirleifssonar 145 s
- Page 153 and 154: On Arons saga Hjiirleifssonar 147 p
- Page 155 and 156: On Arons saga Hjorleifssonar 149 Ot
- Page 157 and 158: On Arons saga Hjiirleifssonar lSI c
Voluspci<br />
mey ok mog saman;<br />
f6tr vid fceti<br />
gat ens frMa j otuns<br />
sexhof6al'5an son. 64<br />
105<br />
The descriptions in V oluspd are drawn from a, very<br />
different world.P The earth is not made from Ymir,<br />
but has risen out of the sea; dew is not the drops from the<br />
muzzle of Hrimfaxi but the spray from the holy river<br />
which cascades down over the ash of Yggdrasill; the sun is<br />
not caught by the wolf, it is darkened; Fenrir does not<br />
swallow 6l'5inn, who is killed without further description;<br />
Vil'5arr does not tear Fenrir's jaws apart, but stabs him to<br />
the heart.56 Where the rebirth of the world is described<br />
there emerges a twofold philosophy of life, as will be shown<br />
later. Vaffiruonismdl speaks both of the terrible winter<br />
and of the flame of Surtr without integrating them<br />
(Hoddmimis holt, st. 45, could guard against the winter<br />
but not the burning of the world). In V oluspd the various<br />
ideas about the end of the world are welded into a<br />
consistent whole.<br />
A comparison of V olusPd with the other Eddaic<br />
mythological poems, in so far as it could be carried out,<br />
would produce a similar result. They have little of its<br />
majesty and inspiration. Their appearance is quite<br />
different. It is enough to mention the catalogues of names<br />
in Grimnismdl, the word-count of Alvissmdl, the threats<br />
of Skirnismdl, the humour of Prymskvioa, the mockery<br />
of Hcirbaroslj60 and the scabrousness of Lokasenna. In<br />
Prymskvioa the giant sits on the mound, cuts the manes of<br />
his horses and makes collars for his dogs. In V oluspd he<br />
sits on the mound and - plays the harp! The giants of<br />
V oluspd, Hrymr with his linden shield, Surtr with the<br />
bright sword, are polished personages in comparison with<br />
the giants of popular mythology.<br />
51 VafprMnismlil st. 33.<br />
.. See Olrik, Om Ragnarok, I 269.<br />
5' Cf. VafprMnismlil st. 14, 21, 47 and 53.