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Color Plates All color plates except PLATE 8 are by the author. 1 Sassetta, Madonna and Child, detail, c. 1435. National Gallery of Art, Washington. 2 Claude Monet, Artist’s Garden at Vetheuil, detail. 1880. National Gallery of Art, Washington. 3 Jean Dubuffet, The Ceremonious One, detail of left flank. 1954. National Gallery of Art, Washington. 4 Alessandro Magnasco, Christ at the Sea of Galilee, detail, c. 1740. National Gallery of Art, Washington. 5 Jackson Pollock, No. 1, 1950 (Lavender Mist), detail of lower left center. National Gallery of Art, Washington. 6 Claude Monet, Rouen, West Façade, Sunlight, detail of clock. 1894. National Gallery of Art, Washington. 7 Rembrandt van Rijn, Self-Portrait, detail. 1659. National Gallery of Art, Washington. 8 Emil Nolde, Autumn Sea XVIII, entire. 1911. Stiftung Ada und Emil Nolde, Seebüll, Germany. 9 Francis Bacon, Triptych Inspired by T.S.Eliot’s Poem “Sweeney Agonistes,” detail of central canvas. 1957. Hirshhorn Museum, Washington. 10 Cross section of paint from Cima da Conegliano, The Incredulity of St.Thomas. National Gallery, London, no. 816. Photomicrograph courtesy of Ashok Roy. 11 Titian, Venus with a Mirror, detail, c. 1555. National Gallery of Art, Washington. 12 Mosaic gold. 13 Christ and a phoenix, from Heinrich Khunrath, Amphitheatrum Sapientiæ Æternæ (Hamburg: s.n., 1595). Hand-colored copy, with gold and silver paint, in the Duveen collection. Courtesy of University of Wisconsin, Madison. 14 Jacopo Tintoretto, The Worship of the Golden Calf, detail, c. 1560. National Gallery of Art, Washington.
viii 15 Jean-Baptiste Camille Corot, View Near Epernon, detail. 1850– 60. National Gallery of Art, Washington.
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More praise for What Painting Is
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Published in 2000 by Routledge 29 W
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Wer lange lebt, hat viel erfahren,
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Introduction WATER AND STONES. Thos
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INTRODUCTION 3 moment, and in the s
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INTRODUCTION 5 So this is not a boo
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INTRODUCTION 7 way to understand ho
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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Tin is made from pure quicksilver m
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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WHAT PAINTING IS 45 mark on it. As
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WHAT PAINTING IS 47 they are entire
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WHAT PAINTING IS 49 will tell you
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WHAT PAINTING IS 51 but a source of
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WHAT PAINTING IS 53 be more monstro
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WHAT PAINTING IS 55 lower one blue.
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WHAT PAINTING IS 57 they are painte
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WHAT PAINTING IS 59 other garden pl
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WHAT PAINTING IS 61 FIG. 1 Oppopana
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English mystic Robert Fludd, air is
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WHAT PAINTING IS 65 the same as wat
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WHAT PAINTING IS 67 alchemists saw
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3 The mouldy materia prima IT IS PO
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WHAT PAINTING IS 71 repression: the
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WHAT PAINTING IS 73 oil, canvas, sq
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WHAT PAINTING IS 75 alchemist could
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WHAT PAINTING IS 77 live in murky u
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WHAT PAINTING IS 79 last, and then
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hapsody on salt. Welling says that
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WHAT PAINTING IS 83 mysterious ladd
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WHAT PAINTING IS 85 FIG. 2 Noah’s
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WHAT PAINTING IS 87 half-light and
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WHAT PAINTING IS 89 he could make,
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WHAT PAINTING IS 91 arm’s length
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WHAT PAINTING IS 93 with the correc
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WHAT PAINTING IS 95 an experienced
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WHAT PAINTING IS 97 tunnel view thr
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WHAT PAINTING IS 99 probably stumbl
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WHAT PAINTING IS 101 (an odd mistak
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WHAT PAINTING IS 103 driest and mos
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all put in a crucible in a darkened
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WHAT PAINTING IS 107 It’s importa
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WHAT PAINTING IS 109 qualities, pri
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WHAT PAINTING IS 111 spoon as it is
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5 Coagulating, cohobating, macerati
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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COAGULATING, COHOBATING, MACERATING
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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7 Steplessness IN THE BEGINNING the
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WHAT PAINTING IS 167 just above the
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WHAT PAINTING IS 169 (6) Set the lo
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WHAT PAINTING IS 171 to unify it. O
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WHAT PAINTING IS 173 image from man
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WHAT PAINTING IS 175 others have th
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8 The beautiful reddish light of th
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THE BEAUTIFUL REDDISH LIGHT OF THE
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THE BEAUTIFUL REDDISH LIGHT OF THE
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THE BEAUTIFUL REDDISH LIGHT OF THE
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THE BEAUTIFUL REDDISH LIGHT OF THE
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9 Last words IN THE END, what is pa
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WHAT PAINTING IS 189 social nicetie
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WHAT PAINTING IS 191 reason has to
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WHAT PAINTING IS 193 last fifty yea
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NOTES TO CHAPTER I 195 source is Cr
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NOTES TO CHAPTER I 197 1. On this q
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NOTES TO CHAPTER I 199 1655), 90, 1
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NOTES TO CHAPTER I 201 6. The conce
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NOTES TO CHAPTER I 203 “Gnosticis
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NOTES TO CHAPTER I 205 Antimony, tr
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NOTES TO CHAPTER I 207 1. Emmens, A
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NOTES TO CHAPTER I 209 19. Titus Bu
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35. A theory of pictorial chaos is
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auriferœ, quam chemiam vocant, 3 v
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NOTES TO CHAPTER I 215 until all (o
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NOTES TO CHAPTER I 217 Make an amal
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NOTES TO CHAPTER I 219 the “alreo
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32. Ibid., 144. 33. For the mixture
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NOTES TO CHAPTER I 223 “Place 8 g
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J.M. Eder, Quellenschriften zu den
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Abstract Expressionism, 89-94, 153
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lapis lazuli; ultramarine; Woad bod
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Duenech, 126-7 Dürer, Albrecht, 17
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heart, human, 27 heat, see fire; te
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lioness, 53 liquids, 1-2, 110 see a
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pine, 123 poppyseed, 123 precious,
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for gold, using silver and a burnin
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stannic sulfide, 183 star of David,
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sulfur virgin, 82 of the sun, 177 V
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