What Painting Is: How to Think about Oil Painting ... - Victoria Vesna

Recommendations

Info

More praise for What Painting Is “A truly original book. It will make you look at paintings differently and think about paint differently.”—Boston Globe “ This is a novel way of considering paintings, and excitingly different from standard art criticism.”—Atlantic Monthly “The best books often introduce new worlds. What Painting Is exposes the reader to painting materials, brushstroke techniques, and alchemy of all things, in a book filled with rich descriptions and illuminating insight. Read this and you’ll never look at paintings in the same way again.”— Columbus Dispatch “ James Elkins, his academic laces untied, traces a mysterious, evocation and an utterly convincing parallel between two spirits grounded in the earth—alchemy and painting. The author is an alchemist of ideas, and a painter. His openness to the love of quicksilver and sulfur, to putrefying animal excretions, and his expertise in imprimaturas, his feeling for the mysteries of the brushstroke —all of these allow him to concoct a heady elixir.” —Roald Hoffmann, Winner of the Noble Prize in Chemistry, 1981
What Painting Is How to Think about Oil Painting, Using the Language of Alchemy James Elkins Routledge New York London
Page 4 and 5: Published in 2000 by Routledge 29 W
Page 6 and 7: Wer lange lebt, hat viel erfahren,
Page 8 and 9: Color Plates All color plates excep
Page 10 and 11: Introduction WATER AND STONES. Thos
Page 12 and 13: INTRODUCTION 3 moment, and in the s
Page 14 and 15: INTRODUCTION 5 So this is not a boo
Page 16 and 17: INTRODUCTION 7 way to understand ho
Page 18 and 19: A SHORT COURSE IN FORGETTING CHEMIS
Page 36 and 37: Tin is made from pure quicksilver m
Page 52 and 53:
A SHORT COURSE IN FORGETTING CHEMIS
Page 54 and 55:
WHAT PAINTING IS 45 mark on it. As
Page 56 and 57:
WHAT PAINTING IS 47 they are entire
Page 58 and 59:
WHAT PAINTING IS 49 will tell you
Page 60 and 61:
WHAT PAINTING IS 51 but a source of
Page 62 and 63:
WHAT PAINTING IS 53 be more monstro
Page 64 and 65:
WHAT PAINTING IS 55 lower one blue.
Page 66 and 67:
WHAT PAINTING IS 57 they are painte
Page 68 and 69:
WHAT PAINTING IS 59 other garden pl
Page 70 and 71:
WHAT PAINTING IS 61 FIG. 1 Oppopana
Page 72 and 73:
English mystic Robert Fludd, air is
Page 74 and 75:
WHAT PAINTING IS 65 the same as wat
Page 76 and 77:
WHAT PAINTING IS 67 alchemists saw
Page 78 and 79:
3 The mouldy materia prima IT IS PO
Page 80 and 81:
WHAT PAINTING IS 71 repression: the
Page 82 and 83:
WHAT PAINTING IS 73 oil, canvas, sq
Page 84 and 85:
WHAT PAINTING IS 75 alchemist could
Page 86 and 87:
WHAT PAINTING IS 77 live in murky u
Page 88 and 89:
WHAT PAINTING IS 79 last, and then
Page 90 and 91:
hapsody on salt. Welling says that
Page 92 and 93:
WHAT PAINTING IS 83 mysterious ladd
Page 94 and 95:
WHAT PAINTING IS 85 FIG. 2 Noah’s
Page 96 and 97:
WHAT PAINTING IS 87 half-light and
Page 98 and 99:
WHAT PAINTING IS 89 he could make,
Page 100 and 101:
WHAT PAINTING IS 91 arm’s length
Page 102 and 103:
WHAT PAINTING IS 93 with the correc
Page 104 and 105:
WHAT PAINTING IS 95 an experienced
Page 106 and 107:
WHAT PAINTING IS 97 tunnel view thr
Page 108 and 109:
WHAT PAINTING IS 99 probably stumbl
Page 110 and 111:
WHAT PAINTING IS 101 (an odd mistak
Page 112 and 113:
WHAT PAINTING IS 103 driest and mos
Page 114 and 115:
all put in a crucible in a darkened
Page 116 and 117:
WHAT PAINTING IS 107 It’s importa
Page 118 and 119:
WHAT PAINTING IS 109 qualities, pri
Page 120 and 121:
WHAT PAINTING IS 111 spoon as it is
Page 122 and 123:
5 Coagulating, cohobating, macerati
Page 124 and 125:
COAGULATING, COHOBATING, MACERATING
Page 126 and 127:
Page 128 and 129:
Page 130 and 131:
Page 132 and 133:
Page 134 and 135:
Page 136 and 137:
Page 138 and 139:
Page 140 and 141:
Page 142 and 143:
Page 144 and 145:
Page 146 and 147:
Page 148 and 149:
Page 150 and 151:
THE STUDIO AS A KIND OF PSYCHOSIS 1
Page 152 and 153:
Page 154 and 155:
Page 156 and 157:
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
Page 168 and 169:
Page 170 and 171:
Page 172 and 173:
Page 174 and 175:
7 Steplessness IN THE BEGINNING the
Page 176 and 177:
WHAT PAINTING IS 167 just above the
Page 178 and 179:
WHAT PAINTING IS 169 (6) Set the lo
Page 180 and 181:
WHAT PAINTING IS 171 to unify it. O
Page 182 and 183:
WHAT PAINTING IS 173 image from man
Page 184 and 185:
WHAT PAINTING IS 175 others have th
Page 186 and 187:
8 The beautiful reddish light of th
Page 188 and 189:
THE BEAUTIFUL REDDISH LIGHT OF THE
Page 190 and 191:
Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
9 Last words IN THE END, what is pa
Page 198 and 199:
WHAT PAINTING IS 189 social nicetie
Page 200 and 201:
WHAT PAINTING IS 191 reason has to
Page 202 and 203:
WHAT PAINTING IS 193 last fifty yea
Page 204 and 205:
NOTES TO CHAPTER I 195 source is Cr
Page 206 and 207:
NOTES TO CHAPTER I 197 1. On this q
Page 208 and 209:
NOTES TO CHAPTER I 199 1655), 90, 1
Page 210 and 211:
NOTES TO CHAPTER I 201 6. The conce
Page 212 and 213:
NOTES TO CHAPTER I 203 “Gnosticis
Page 214 and 215:
NOTES TO CHAPTER I 205 Antimony, tr
Page 216 and 217:
NOTES TO CHAPTER I 207 1. Emmens, A
Page 218 and 219:
NOTES TO CHAPTER I 209 19. Titus Bu
Page 220 and 221:
35. A theory of pictorial chaos is
Page 222 and 223:
auriferœ, quam chemiam vocant, 3 v
Page 224 and 225:
NOTES TO CHAPTER I 215 until all (o
Page 226 and 227:
NOTES TO CHAPTER I 217 Make an amal
Page 228 and 229:
NOTES TO CHAPTER I 219 the “alreo
Page 230 and 231:
32. Ibid., 144. 33. For the mixture
Page 232 and 233:
NOTES TO CHAPTER I 223 “Place 8 g
Page 234 and 235:
J.M. Eder, Quellenschriften zu den
Page 236 and 237:
Abstract Expressionism, 89-94, 153
Page 238 and 239:
lapis lazuli; ultramarine; Woad bod
Page 240 and 241:
Duenech, 126-7 Dürer, Albrecht, 17
Page 242 and 243:
heart, human, 27 heat, see fire; te
Page 244 and 245:
lioness, 53 liquids, 1-2, 110 see a
Page 246 and 247:
pine, 123 poppyseed, 123 precious,
Page 248 and 249:
for gold, using silver and a burnin
Page 250 and 251:
stannic sulfide, 183 star of David,
Page 252:
sulfur virgin, 82 of the sun, 177 V
show all

What Painting Is: How to Think about Oil Painting ... - Victoria Vesna

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?