What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
lapis lazuli; ultramarine; Woad body, soul, and spirit 55–6 bole, 120 Bombast of Hohenheim, Aureolus Phillippus Theophrastus, see Paracelsus borax, 33 Born Under Saturn, 76 Bose-Einstein condensate, 25 botheration, 145 Botticelli, Sandro, 85 Bouvard and Pécuchet, 198 Boyle, Robert, 26, 112 boys, 149–50 brain, 149–50 brandy, 116 bread, 24 breasts, virgin’s, heat of, 29 bride, 82 bromine, 29 bronchitis, 70 bronze, 1, 88 brother, 53, 151 brown, 51, 119 sauce, 70 see also Burnt Sienna; earth tones; Ochre; Raw Sienna; Sienna Burggrav, Johann Ernst, 194 Burckhardt, Titus, 81 Burnt Sienna, 106, 110, 115, 195 butter, 57, 83, 162 see also paint, “buttery” or “creamy” cadmium, 88 Cadmium Yellow, 41 Cadmium Yellow Window, 44, 196 calamine, 28 calcination, 141, 144–5, 150 INDEX 229 calcium oxide, 87 polysulfide, 88 calf hoofs, 21 caput mortuum, 141, 183 carbon atoms, 25–26 carbon humanum, 149 Carmine, 21 cat, 185 cauda pavonis, 66 caves, 28 cement, 21 Cennini, Cennino, 169 ceration, 139–40 Cerulean Blue, 12, 14, 66, 106 Cézanne, Paul, 10 chakras, 164 chalk, 27, 169 chaos, 46, 77, 79–80, 82, 84–5, 94 chaotic dynamics, 34 charcoal, 21, 110 chemicals, 110 catalogues of, 65 chemistry, 9–39 cherry blossoms, 150 choleric humor, 61 Christianity, 154–7 chroma, 70 Chromium Green, 41, 119 cibation, 145 Cima da Conegliano, 170–1 cinders, 69 cinis qui est in cinere, 49 cinnabar, 20, 82, 103 “sweats” mercury, 183 symbol of, 65, 183 circulation, 132–7, 161 citrinitas, 63, 178 clarification, 145 clay, 27–28, 71 bole, 120 red, 21
230 WHAT PAINTING IS Cleidophorus Mystagogus, 77 Clouzot, Henri-Georges, 171 cloves, 20 coagulation, 56, 145 coal, 28 Cobalt Blue, 15, 66 cocks, 83, 145–6 coction, 145 coffin, 141 Cohausen, Johann Heinrich, 185 cohobation, 128, 150–1, 183 coins, alchemical tricks with, 197 colophony, 127 colors, see Jung, Carl; Kandinsky, Wassily; and under individual colors condoms, 70 congelation, 122–4, 145 coniunctio, 163, 178–9 Constantine of Pisa, 109 convalescence, 76 convection, 36 copal, 123 Copernicus, 108 copper, 23, 27, 30, 31, 56, 109, 146 as Venus, 65 black, 82 burnt, 82 color of flame, 66 resinate, 19, 170 sulfate, 33, 35, 116 symbols of, 79, 101, 179 copperas, 28 coral, 24, 28 extract of, 65 cornstarch, 22 Corot, Jean-Baptiste Camille, 196 counting, 43 Courbet, Gustave, 37 cream, 57, 140 creation of the world, 72, 77–78, 84 creative process, 121 crocus, 53 Croll, Oswald, 198 Cronos, 64 crow, 141 crucible, 29 symbol of, 182 crystals, 27, 36, 38–39, 82, 105, 140 rock crystal, 56 cuchul, 32 cucurbit, 127 Culling, Louis, 164 Damisch, Hubert, 45, 110, 196 dammar, 123 darkness, 85 death, 141–4, 185 decoction, 145 decrepitation, 144 Dee, John, 44, 46, 57, 78–9, 113, 168 deer, see stag delimiter, salt as, 105 deliquium, 144 denary, 47 depression, see melancholic humor dew, 72, 81, 126 see also fog, rain, water Devil, see Lucifer diad, see dyad diaphoretic, 126 diarrhea, 70 digestion, 137–9, 161 dipingere di tocco, 52 dissolution, 27 distillation, 54, 125–30, 144–5, 150– 1 of Eve, 161 symbol of, 125 doctor philosophies, 165 Doerner, Max, 171–3 double coiler, see balneum Mariæ double saline mediator, 55 dragon, 24, 49, 77, 185 wingless, 123 dualism, 42–3 Dubuffet, Jean, 37–8, 45 Du Chesne, Joseph, 116
- Page 188 and 189: THE BEAUTIFUL REDDISH LIGHT OF THE
- Page 190 and 191: THE BEAUTIFUL REDDISH LIGHT OF THE
- Page 192 and 193: THE BEAUTIFUL REDDISH LIGHT OF THE
- Page 194 and 195: THE BEAUTIFUL REDDISH LIGHT OF THE
- Page 196 and 197: 9 Last words IN THE END, what is pa
- Page 198 and 199: WHAT PAINTING IS 189 social nicetie
- Page 200 and 201: WHAT PAINTING IS 191 reason has to
- Page 202 and 203: WHAT PAINTING IS 193 last fifty yea
- Page 204 and 205: NOTES TO CHAPTER I 195 source is Cr
- Page 206 and 207: NOTES TO CHAPTER I 197 1. On this q
- Page 208 and 209: NOTES TO CHAPTER I 199 1655), 90, 1
- Page 210 and 211: NOTES TO CHAPTER I 201 6. The conce
- Page 212 and 213: NOTES TO CHAPTER I 203 “Gnosticis
- Page 214 and 215: NOTES TO CHAPTER I 205 Antimony, tr
- Page 216 and 217: NOTES TO CHAPTER I 207 1. Emmens, A
- Page 218 and 219: NOTES TO CHAPTER I 209 19. Titus Bu
- Page 220 and 221: 35. A theory of pictorial chaos is
- Page 222 and 223: auriferœ, quam chemiam vocant, 3 v
- Page 224 and 225: NOTES TO CHAPTER I 215 until all (o
- Page 226 and 227: NOTES TO CHAPTER I 217 Make an amal
- Page 228 and 229: NOTES TO CHAPTER I 219 the “alreo
- Page 230 and 231: 32. Ibid., 144. 33. For the mixture
- Page 232 and 233: NOTES TO CHAPTER I 223 “Place 8 g
- Page 234 and 235: J.M. Eder, Quellenschriften zu den
- Page 236 and 237: Abstract Expressionism, 89-94, 153
- Page 240 and 241: Duenech, 126-7 Dürer, Albrecht, 17
- Page 242 and 243: heart, human, 27 heat, see fire; te
- Page 244 and 245: lioness, 53 liquids, 1-2, 110 see a
- Page 246 and 247: pine, 123 poppyseed, 123 precious,
- Page 248 and 249: for gold, using silver and a burnin
- Page 250 and 251: stannic sulfide, 183 star of David,
- Page 252: sulfur virgin, 82 of the sun, 177 V
lapis lazuli;<br />
ultramarine;<br />
Woad<br />
body, soul, and spirit 55–6<br />
bole, 120<br />
Bombast of Hohenheim, Aureolus<br />
Phillippus Theophrastus, see<br />
Paracelsus<br />
borax, 33<br />
Born Under Saturn, 76<br />
Bose-Einstein condensate, 25<br />
botheration, 145<br />
Botticelli, Sandro, 85<br />
Bouvard and Pécuchet, 198<br />
Boyle, Robert, 26, 112<br />
boys, 149–50<br />
brain, 149–50<br />
brandy, 116<br />
bread, 24<br />
breasts, virgin’s, heat of, 29<br />
bride, 82<br />
bromine, 29<br />
bronchitis, 70<br />
bronze, 1, 88<br />
brother, 53, 151<br />
brown, 51, 119<br />
sauce, 70<br />
see also Burnt Sienna;<br />
earth <strong>to</strong>nes;<br />
Ochre;<br />
Raw Sienna;<br />
Sienna<br />
Burggrav, Johann Ernst, 194<br />
Burckhardt, Titus, 81<br />
Burnt Sienna, 106, 110, 115, 195<br />
butter, 57, 83, 162<br />
see also paint, “buttery” or<br />
“creamy”<br />
cadmium, 88<br />
Cadmium Yellow, 41<br />
Cadmium Yellow Window, 44, 196<br />
calamine, 28<br />
calcination, 141, 144–5, 150<br />
INDEX 229<br />
calcium<br />
oxide, 87<br />
polysulfide, 88<br />
calf<br />
hoofs, 21<br />
caput mortuum, 141, 183<br />
carbon<br />
a<strong>to</strong>ms, 25–26<br />
carbon humanum, 149<br />
Carmine, 21<br />
cat, 185<br />
cauda pavonis, 66<br />
caves, 28<br />
cement, 21<br />
Cennini, Cennino, 169<br />
ceration, 139–40<br />
Cerulean Blue, 12, 14, 66, 106<br />
Cézanne, Paul, 10<br />
chakras, 164<br />
chalk, 27, 169<br />
chaos, 46, 77, 79–80, 82, 84–5, 94<br />
chaotic dynamics, 34<br />
charcoal, 21, 110<br />
chemicals, 110<br />
catalogues of, 65<br />
chemistry, 9–39<br />
cherry blossoms, 150<br />
choleric humor, 61<br />
Christianity, 154–7<br />
chroma, 70<br />
Chromium Green, 41, 119<br />
cibation, 145<br />
Cima da Conegliano, 170–1<br />
cinders, 69<br />
cinis qui est in cinere, 49<br />
cinnabar, 20, 82, 103<br />
“sweats” mercury, 183<br />
symbol of, 65, 183<br />
circulation, 132–7, 161<br />
citrinitas, 63, 178<br />
clarification, 145<br />
clay, 27–28, 71<br />
bole, 120<br />
red, 21