What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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224 NOTES TO THE INTRODUCTION<br />
2. Vladimír Karpenko, “The Chemistry and Metallurgy of<br />
Transmutation,” Ambix 39 no. 2 (1992):47–62, especially 56–59.<br />
3. From A Compendium of Alchemical Processes (York Beach, Maine:<br />
Samuel Weiser; and Dening<strong>to</strong>n Estate, Wellingborough,<br />
Northhamp<strong>to</strong>nshire: Aquarian Press, 1981 [1894]), in the section<br />
“Some Modern Alchemical Experiments,” 18–19.<br />
4. This recipe is from Lawrence Principe (personal communication,<br />
1991); I have altered his description slightly and added the<br />
symbols. Mosaic gold is also called aurum musitum, aurum musicum,<br />
and Porporina.<br />
5. Principe adds: “Note: exercise extreme caution in carrying out this<br />
process. Mercury and its compounds are all extremely poisonous.<br />
Do not <strong>to</strong>uch the mercury or mercury-tin alloy with bare hands.<br />
The heating must be carried out in a fume hood, as <strong>to</strong>xic fumes are<br />
released. Dispose of the broken glass safely, as mercury<br />
compounds will be adhering <strong>to</strong> it.”<br />
6. The Strassburg Manuscript: A Medieval Painter’s Handbook, translated<br />
by Viola and Rosamund Borradaile, foreward by John Harthan<br />
(London: Alec Tiranti, 1966), 27 and 95 n. 21, with a reference <strong>to</strong><br />
Cennino Cennini.<br />
7. Jean [Jan]-Baptise Van Helmont, Ortus medicinœ (Amsterdam:<br />
Ludovico Elzevir, 1648), quoted in Jacques Sadoul, Alchemists and<br />
Gold, translated by O.Sieveking (London: Neville Spearman, 1972),<br />
138–39. Ortus medicines appeared in English in Van Helmont’s<br />
Works, translated by John Chandler (London: Printed for<br />
Lodowick Lloyd, 1662).<br />
8. Abraham von Frankenburg, Raphael oder Artzt-Engel (Amsterdam:<br />
Jacob von Felsen, 1676), 45. Frankenburg is discussed in my<br />
Domain of Images: The Art His<strong>to</strong>rical Study of Visual Artifacts (Ithaca:<br />
Cornell University Press, forthcoming).<br />
9. Philalethes, “A Brief Guide <strong>to</strong> the Celestial Ruby,” op. cit., p. 249,<br />
also quoted in John Read, Prelude <strong>to</strong> Chemistry, An Outline of<br />
Alchemy, its Literature and Relationships (New York: MacMillan,<br />
1937), 129.<br />
10. The Philippine tree is Pterocarpus indica, Burmese rosewood.<br />
D.J.Mabberly, The Plant Book (Cambridge: Cambridge University<br />
Press, 1987). I thank Curtis Bohlen for this reference.<br />
11. Lumen Novum Phosphoris Accensum (Amsterdam: Joannem<br />
Oosterwyk, 1717), title page.<br />
12. Johann Heinrich Schulze, Sco<strong>to</strong>phorus pro phosphoro inventus, seu<br />
experimentum curiosum de effectu radiorum solarium, Acta physicomedica<br />
Academiæ Cæsareæ Leopoldino-Carolinæ naturæ<br />
curiosum, vol. 1, obs. CCXXXIII (Nürnberg: Prostat in Officina<br />
W.H. Endteriana, 1727), reprinted, with a German translation, in