What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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NOTES TO CHAPTER I 223<br />
“Place 8 g. of iron…in a crucible. Cover, and heat with a<br />
Fisher Burner until redhot. Then introduce, in<br />
approximately 2 g. portions, 18 g. of antimony trisulphide.<br />
Cover the crucible after each addition, and allow the<br />
trisulphide <strong>to</strong> melt before each subsequent addition. After<br />
all 18 g. are added and melted, use a long glass or iron rod<br />
<strong>to</strong> stir the pasty mixture as well as possible (a considerable<br />
lumpy mass of unreacted iron nails will remain at this<br />
point).<br />
“Then cautiously add 6 g. potassium nitrate in <strong>about</strong> 1 g.<br />
portions. Operate carefully, on each addition of postassium nitrate,<br />
there will be a strong deflagaration—lift off the crucible lid a little<br />
with <strong>to</strong>ngs, and cast in the portion of nitrate quickly all at once,<br />
and close the lid immediately, When each deflagaration is finished,<br />
add the next portion.<br />
“After all the nitrate has been added, stir the mixture well, and<br />
heat the crucible (covered) strongly for seven or eight minutes. Stir<br />
once gently, and then pour out the contents in<strong>to</strong> another crucible.<br />
Much viscous material will remain in the melting crucible, but the<br />
easily liquid molten antimony should pour out in<strong>to</strong> the other<br />
crucible fairly easily. If the crucible containing the scoriae is<br />
soaked in water for a few hours, most of the unwanted material<br />
dissolves or softens, and often a few additional but<strong>to</strong>ns of<br />
antimony metal can be retrieved.<br />
“Purification and the ‘rising of the star’:<br />
“Grind the metallic antimony coarsely, and add <strong>to</strong> it 2.5 g. of<br />
potassium nitrate. Mix well, and place the mixture in<strong>to</strong> a crucible,<br />
cover, and heat. When the material is molten, pour it out in<strong>to</strong><br />
another crucible, allow the metal <strong>to</strong> cool, separate the golden slag<br />
by either chipping or washing it away, and take the metal. Repeat<br />
this operation using another 2.5 g. of potassium nitrate. Repeat the<br />
operation one last time, and when the mixture is completely<br />
molten (it will look like quicksilver with oil floating on it) pour it<br />
quickly in<strong>to</strong> a hot crucible and cover it immediately.<br />
“Let it cool slowly, and then use hot water <strong>to</strong> wash away the<br />
whitish slag. The star, sometimes looking more like a fern, will be<br />
clearly visible on the surface of the metal (wherever it was covered<br />
by the slag while cooling). (Note: the larger the quantity of metal,<br />
the better the star will appear.)<br />
“Note: the fumes of volatile white antimony oxide which are<br />
given off whenever the material is molten, are <strong>to</strong>xic. Work in good<br />
ventilation, such as a fume hood.”