What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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NOTES TO CHAPTER I 219<br />
the “alreola” or “mandragora.” Paracelsus, De vita longa, fol. 63b.<br />
[in Olivieri, “L’homunculus,” op. cit., 379–80.]<br />
7. The recipe follows an English edition: Tügel, Experimental<br />
Chemistry (1766), translated by Sigismund Bacstrom (1798), in the<br />
series Res<strong>to</strong>rers of Alchemical Manuscripts Society, edited by<br />
Hans Nintzel (Richardson, Texas: n.d. [c. 1985]), 18–2.1. I have<br />
been unable <strong>to</strong> trace the original.<br />
8. Le triomphe hermetique, quoted in Jacques van Lennep, L’Art et<br />
I’alchimie: Étude de I’iconographie Hermetique et ses influences<br />
(Brussels: Éditions Meddens, 1966), 25.<br />
9. Maier, Atalanta fugiens (Oppenheim: Hieronymus Galler, 1617),<br />
facsimile edition (Kassel: Bärenreiter, 1964), emblem IV, p. 25.<br />
10. Ænigmata ex Visio arislei, in Artis auriferœ, quam chemiam vacant, 3<br />
vols. (Basel: Conrad Waldkirch, 1610 [1572]), vol. 1, pp. 94–98 (pp.<br />
146–54 in the 1572 edition). Arislæus or Arisleus is the<br />
pseudonymous name of the author of the Turba philosophorum, in<br />
Ibid., [1610], vol. 1, pp. 1–42. See further Julius Ruska, “Die Vision<br />
des Arisleus,” in His<strong>to</strong>rische Studien und Skizzen zur Natur- und<br />
Heilwissenschaft, edited by Karl Sudhoff (Berlin: J.Springer, 1930).<br />
11. The first published example is 1572. See Incertus author, Liber de<br />
arte chymica, in Artis auriferœ, op. cit., [1610], vol. 1, pp. 369 ff. (p.<br />
391 ff. in the 1572 edition).<br />
12 James Saslow, Ganymede in the Renaissance: Homosexuality in Art<br />
and Society (New Haven: Yale University Press, 1988).<br />
13. Welling, YHWH: Opus Medico-Cabalisticum et Theologicum<br />
(Frankfurt: In der Fleischerischen Buchhandlung, 1784), 6, 38, 31,<br />
quoted in Petra Jungmayr, Georg von Welling (1655–1727), Studien<br />
zu Leben und Werk, Heidelberger Studien zur Naturkunde der<br />
frühen Neuzeit, edited by Wolf-Dieter Müller-Jahncke and Joachim<br />
Telle, vol. 2 (Stuttgart: Franz Steiner, 1990), 57.<br />
14. Khunrath, Ampitheatrum Sapientiœ Æternœ, Solius Verœ (Hamburg:<br />
s.n., 1595), quotation as in Khunrath, The Ampitheatre Engravings of<br />
Heinrich Khunrath, translated by Patricia Tahil, edited by Adam<br />
McLean (Edinburgh: Magnum Opus Hermetic Sourceworks, 1981),<br />
36.<br />
15. Karl Kerényi, Hermes der Seelenführer, Albæ Vigilæ no. 1 (Zurich:<br />
Rhein-Verlag, 1944); the English translation is Hermes, Guide of<br />
Souls: The Mythologem of the Masculine Source of Life, translated by<br />
Murray Stein (Zurich: Spring Publishers, 1976), 9.<br />
16. Geheime Figuren der Rosenkreuzer (Al<strong>to</strong>na: J.D.A.Eckhardt, 1785 [–<br />
1788]), n.p.<br />
17. See Sophocles, Œdipus Rex V.955ff.<br />
18. Maier, Atalanta fugiens, op. cit., 166–67.