What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
218 NOTES TO THE INTRODUCTION<br />
20. Martine Noalhyt, “D’Une Homologie relative entre alchimie et<br />
grande cuisine au XVII eme siècle en France,” Ph.D.dissertation<br />
(Nouveau Doc<strong>to</strong>ral), Université de Paris 5,1992, unpublished.<br />
21. Charles Mackay, Extraordinary Popular Delusions and the Madness of<br />
Crowds (s.l.: L.C. Page & Company, 1932.), 130. The book originally<br />
appeared as Memoirs of Extraordinary Popular Delusions, 2 vols.<br />
(London: Richard Bentley, 1841).<br />
22. This recipe is attributed <strong>to</strong> Theophilus the Monk (12th c.). See John<br />
Maxson Stillman, The S<strong>to</strong>ry of Alchemy and Early Chemistry (New<br />
York: Dover, 1960), 229–29; and Michel Caron and Serge Hutin,<br />
Les alchimistes (Paris: Seuil, 1959), in English as The Alchemists,<br />
translated by Helen R.Lane (New York: Grove Press, 1961), 150–52.<br />
The text here is from Truman Schwartz and G.Kauffman,<br />
“Experiments in Alchemy,” journal of Chemical Education 53 (1976):<br />
136–38, 235–39, especially 239.<br />
NOTES TO CHAPTER 6<br />
1. Gilot and Carl<strong>to</strong>n Lake, Life with Picasso (New York: Signet, 1964),<br />
194.<br />
2. Johann Schröder, The Compleat Chymical Dispensa<strong>to</strong>ry, in Five Books,<br />
translated by William Rowland (London: John Darby, 1669), 517–<br />
22; the original edition, Schröder, Medico-Chymica. Sive Thesaurus<br />
Phramecologicus (Ulmæ Suevorum: Johannis Görlini, 1662), 287–99,<br />
has a list of symbols. Elk recipes are discussed in my Things and<br />
their Places: The Concept of Installation from Prehis<strong>to</strong>ric Tombs <strong>to</strong><br />
Contemporary Art, work in progress.<br />
3. Cleidophorus Mystagogus, Trifertes Sagani, Or Immortal Dissolvent<br />
(London: W. Pearson, 1705).<br />
4. Allison Coudert, Alchemy: The Philosopher’s S<strong>to</strong>ne (London:<br />
Wildwood House, 1980), 131. She also mentions Pliny, His<strong>to</strong>ria<br />
naturalis, for prescriptions of boys’ urine.<br />
5. Hans-Joachim Romswinkel, “‘De Sanguine Humane Destilla<strong>to</strong>,’<br />
Medizinischalchemistische Texte des 14. Jahrhunderts über<br />
destilliertes Menschenblut,” Ph.D. dissertation, Rheinischen<br />
Friedrich-Wilhelms-Universität Bonn (Bonn: Horst Wellm, 1974).<br />
6. Paracelsus’s recipe is cited in Alessandro Olivieri, “L’homunculus di<br />
Paracelso,” Atti della Reale Accademia di Archaeologia, Lettere e Belli<br />
Arti, Naples n. s. 12 (1931–32): 375–97, especially 378; and see<br />
Edmund Oskar von Lippmann, Der Stein der Weisen und<br />
Homunculus, Beiträge zur Geschichte der Naturwissenschaft und<br />
der Technik (Berlin: J. Springer, 1923). Paracelsus describes several<br />
species of homunculus. One is the product of sodomy; another is