What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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auriferœ, quam chemiam vocant, 3 vols. in 1 (Basel: Conrad<br />
Waldkirch, 1610), p. 229.<br />
19. The list is from Matthew Moncrieff Pattison Muir, A His<strong>to</strong>ry of<br />
Chemical Theories and Laws (New York: Arno, 1975), 2.0.<br />
20. Jean Chretien Ferdinand Hoefer, His<strong>to</strong>ire de la chimie, 2 vols. (Paris:<br />
Bureau de la revue scientifique, 1842–43), vol. 2, p. 398.<br />
21. Jean-Paul Marat, Recherches physiques sur le feu (Paris:<br />
Cl.Ant.Jombert, 1780).<br />
22. Marcelin Berthelot, Les Origines de I’alchimie (Paris: Steinheil, 1885),<br />
267–68; and Pattison Muir, His<strong>to</strong>ry of Chemical Theories, op. cit., 10<br />
and n. 1.<br />
23. Pattison, Muir, His<strong>to</strong>ry of Chemical Theories, op. cit., 6, 9.<br />
24. Jungius, Zwei Disputationen über die Prinzipien der Naturkörper,<br />
translated by Emil Wohlwill (Hamburg: Hartung, 1928); Boyle, The<br />
Sceptical Chymist (London: J. Cadwell for J.Crooke, 1661). The<br />
original of Jungius’s book is Disputationem de principiis naturalium<br />
(Hamburg: Heinrich Werner, 1642).<br />
25. Vladimír Karpenko, “The Discovery of Supposed New Elements:<br />
Two Centuries of Errors,” Ambix 27 no. 2 (1980):79–102.<br />
26. Khunrath, Naturgemes-Alchymisch Symbolum, order, gahr kurtze<br />
Bekentnus (Hamburg: Heinrich Binders Erben, durch Philip von<br />
Ohr, 1598), 6. For Khunrath see Christian Gottlob Joecher,<br />
Allgemeines Gelehrten-Lexicon, 7 vols. (Hildesheim: Georg Olm,<br />
1960 [1750–51]), vol. 2, pp. 2081–82.<br />
27. Josten, “William Backhouse of Swallowfield,” Ambix 4 no. 1 (1949):<br />
1–33, especially 9.<br />
28. Josten, “A Translation of John Dee’s ‘Monas Hieroglyphica’<br />
(Antwerp, 1564), With an Introduction and Annotations,” Ambix<br />
12 nos. 2–3 (1964):84–221, especially 160–61.<br />
29. An example is analyzed in my Pictures of the Body (Stanford:<br />
Stanford University Press, forthcoming).<br />
30. “…vous tirerez vne eau du plus beau jaune du monde.” The recipe<br />
is from Joseph Du Chesne (Josephus Quercetanus, Joseph Du<br />
Chesne, Sieur de la Violette], Recueil des plus curieux et rares secrets<br />
<strong>to</strong>uchant la medicine metallique et minerale (Paris: Simeon Piget,<br />
[1648]), 63–65; translated as Metallic and Mineral Medicines, in the<br />
series Res<strong>to</strong>rers of Alchemical Manuscripts Society, edited by<br />
Hans Nintzel (Richardson, Texas: Self-published, 1986), 14.<br />
NOTES TO CHAPTER 5<br />
NOTES TO CHAPTER I 213<br />
1. Helena Maria Elisabeth de Jong, Atalanta Fugiens: Sources of an<br />
Alchemical Book of Emblems (Leiden: E.J.Brill, 1969), 206. The