What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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35. A theory of pic<strong>to</strong>rial chaos is advanced in my Pictures, and the<br />
Words that Fail Them (Cambridge: Cambridge University Press,<br />
forthcoming).<br />
36. Said, Beginnings, Intention and Method (Baltimore: Johns Hopkins<br />
University Press, 1978).<br />
NOTES TO CHAPTER 4<br />
NOTES TO CHAPTER I 211<br />
1. Titus Burckhardt, Alchemy, translated by William Studdart<br />
(London: Vincent Stuart and John M.Watkins Ltd., 1967), reprinted<br />
(Longmead, Shaftesbury, Dorset: Element Books, 1986), 139. The<br />
original is Burckhardt, Alchimie, Sinn und Weltbild (Olten,<br />
Switzerland: Walter-Verlag, 1960).<br />
2. There is some truth <strong>to</strong> this: for actual techniques of gold<br />
extraction, see Orson Cutler Shepard and Walter Dietrich, Fire<br />
Assaying (New York: McGraw-Hill, 1940); and C.W.Ammen,<br />
Recovery and Refining of Precious Metals (New York: Van Nostrand<br />
Reinhold, 1984).<br />
3. Mircea Eliade, Forgerons et alchimistes (Paris: Flammarion, 1956),<br />
translated by Stephen Corrin as The Forge and the Crucible: The<br />
Origins and Structure of Alchemy (New York: Harper and Row,<br />
1971).<br />
4. Die Akhemie des Andreas Libavius, edited by the Gmelin-Institut für<br />
Anorganische Chemie und Grenzgebiete in der Max-Planck-<br />
Gesellschaft zur Forderung der Wissenschaft, in Verbindung mit<br />
der Gesellschaft Deutscher Chemiker, Frankfurt am Main<br />
(Weinheim: Verlag Chimie, 1964), Trakt 1, Kap. L[XLIX], p. 315.<br />
5. Marius: On the Elements, edited by R.C.Dales (Berkeley: University<br />
of California Press, 1976), 152–53.<br />
6. For example Paracelsus, Liber metallorum, in Theophrast von<br />
Hohenheim genannt Paracelsus Sämtliche Werke, edited by Karl<br />
Sudhoff and W.Matthiessen, 14 vols. (Munich and Berlin:<br />
R.Oldenbourg, 1922–33), vol. 13, pp. 134–37: “ignis, sal, und<br />
balsamis [mercury].” This is cited in Massimo Luigi Bianchi, “The<br />
Visible and the Invisible: From Alchemy <strong>to</strong> Paracelsus,” Alchemy<br />
and Chemistry in the XVIth and XVIIth Centuries, Proceedings of the<br />
Warburg Colloquium, 1989, edited by in Piyo Rattansi and<br />
An<strong>to</strong>nio Clericuzio (Dordrecht: Kluwer, 1994), 17–50, especially 39<br />
n. 41.<br />
7. Die Alchimie des Andreas Libavius, op. cit., Trakt 1, Kap. L[XLIX], p.<br />
315.<br />
8. Burckhardt, Alchemy, op. cit. (English edition), 144–45.<br />
9. Edward Whitmont, “Non-Causality as a Unifying Principle of<br />
PsychosomaticsSulphur,” lo 31 (1983):190, quoting Jung, “De