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What Painting Is: How to Think about Oil Painting ... - Victoria Vesna

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THE BEAUTIFUL REDDISH LIGHT OF THE PHILOSOPHER’S STONE 179<br />

sulfur, mercury, and sal ammoniac—could produce such<br />

wonderful substances, then surely real gold, and even the S<strong>to</strong>ne,<br />

could not be impossible. And it’s no surprise that painters are not<br />

far away: Mosaic gold was also used as a substitute for actual<br />

gold in illuminated manuscripts. 6<br />

The famous S<strong>to</strong>ne is only s<strong>to</strong>ne in the most undefined sense.<br />

Really it is neither a s<strong>to</strong>ne, nor a kind of s<strong>to</strong>ne, nor s<strong>to</strong>ne as<br />

opposed <strong>to</strong> rock or mineral or metal, but s<strong>to</strong>ne as the principle<br />

underlying the universe of substances—the entire world, and<br />

everything in it. It would have no place in Ğābir’s classification of<br />

earthly materials. When the sum <strong>to</strong>tal of kinds of substances is<br />

exhausted, there remains one that cannot be on the list: the<br />

philosopher’s s<strong>to</strong>ne itself. The s<strong>to</strong>ne is not gold, and even the<br />

gold allowed in<strong>to</strong> the alchemists’ labora<strong>to</strong>ries was not “common<br />

gold” or “vulgar gold” (aurum vulgaris) but “sophic gold,” or the<br />

purified “seeds of gold.” Substances come in several varieties,<br />

passing gradually from everyday life <strong>to</strong> unheard-of rarity and<br />

beauty. In the case of mercury, first there are the lumps of earth,<br />

the plants and animals in which mercury is locked away, hidden<br />

in impurities and combinations. Then there is ore, and especially<br />

the rocks that yield the mineral cinnabar. Cinnabar itself<br />

“sweats” the liquid mercury when it is heated, leaving a smelly<br />

sulfurous residue. The perspiration is pure metallic mercury.<br />

When that is distilled and cohobated it yields the “seed” or<br />

“sophic seed” of mercury, meaning the generative principle<br />

proper <strong>to</strong> mercury and fit for alchemical experiment. Then comes<br />

“living mercury” and the nearly supernatural tinctures of<br />

mercury, which are shining liquids or “crystalline bodies,” and<br />

finally the fixed mercury of the philosophers.<br />

The S<strong>to</strong>ne itself is one step further <strong>to</strong>ward the supernatural. It<br />

sparkles with a beautiful reddish light, and has a fragrant smell.<br />

One alchemist claims it is “saffron-colored powder, very heavy,”<br />

glittering like “splinters of glass.” 7 Another says it is red and<br />

shines like a ruby. 8 Yet the S<strong>to</strong>ne is not entirely supernatural,<br />

since according <strong>to</strong> alchemical legends some people possessed it,<br />

and carried it around for years in secret pouches. They gave<br />

some away <strong>to</strong> worthy strangers, who <strong>to</strong>ok it and used it <strong>to</strong> make<br />

ordinary gold without any previous knowledge.<br />

The basic reason why the S<strong>to</strong>ne is not fully supernatural is that<br />

Christ himself is the goal and subject of the alchemical work, and<br />

he was incarnated and walked on the earth. Most of what gets

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