What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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178 WHAT PAINTING IS<br />
is possible <strong>to</strong> see that as the silver floats through the light it is<br />
transmuted miraculously in<strong>to</strong> minuscule flakes of gold.<br />
Another experiment is a recipe for the famous Mosaic gold<br />
(aurum musivum), one of the mysterious gold-substitutes that the<br />
alchemists devised. 4 To give the flavor of the old texts I<br />
reproduce it here the way it might have been printed in an old<br />
alchemical text—except that I have made it readable by spelling<br />
out the names of the symbols. (In the original books, the symbols<br />
s<strong>to</strong>od alone and it was up <strong>to</strong> the neophyte <strong>to</strong> figure out what they<br />
s<strong>to</strong>od for.) It takes 2 days and requires tin powder ,<br />
mercury , sulfur powder , and sal ammoniac , as well as<br />
a breakable round-bot<strong>to</strong>med flask or crucible , a mortar and<br />
pestle, and a <strong>to</strong>wel and hammer. You begin by heating two parts<br />
of in the , using a gentle flame . As soon as the has<br />
melted fully, remove the heat, add one part of and stir the<br />
mixture with a glass rod until it has cooled in<strong>to</strong> a granular mass.<br />
Grind this amalgam in a mortar with a little more than one<br />
part of and one part of .<br />
When a homogeneous has been obtained, place the mixture<br />
in<strong>to</strong> a glass flask with a round belly and a long neck, and heat it<br />
gradually on a sand bath until white fumes and yellow<br />
droplets arise in<strong>to</strong> the neck of the flask.<br />
Keep the heat constant at that degree (250–300° C) for three<br />
hours , after which time the white and yellow colors will<br />
have been replaced by black and red sublimate . Then<br />
gradually increase the heat over the course of another until<br />
the very bot<strong>to</strong>m of the flask approaches a very dull red heat<br />
(400–500° C). Turn off the heat, and allow <strong>to</strong> cool.<br />
When it is cool, remove the flask from the and (having<br />
wrapped it in a cloth) break the bulb of the with a hammer<br />
blow. The mosaic gold rests as a hemispherical lump at the<br />
bot<strong>to</strong>m of the , often accompanied by a few fine black or grey<br />
fuzzy particles which can be separated and discarded. A black<br />
or very dark red ring of sublimed cinnabar (Vermilion) is<br />
sometimes found in the throat. 5<br />
This experiment results in a scintillating crystalline gold, with<br />
speckles of red and green mixed in (COLOR PLATE 12).<br />
According <strong>to</strong> modern chemistry, the “gold” is stannic sulfide,<br />
SnS 2, but in alchemical terms it is almost more beautiful than<br />
gold itself. It was exotic results like this that kept the alchemists<br />
going: if three of the most basic ingredients of alchemical work—