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What Painting Is: How to Think about Oil Painting ... - Victoria Vesna

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178 WHAT PAINTING IS<br />

is possible <strong>to</strong> see that as the silver floats through the light it is<br />

transmuted miraculously in<strong>to</strong> minuscule flakes of gold.<br />

Another experiment is a recipe for the famous Mosaic gold<br />

(aurum musivum), one of the mysterious gold-substitutes that the<br />

alchemists devised. 4 To give the flavor of the old texts I<br />

reproduce it here the way it might have been printed in an old<br />

alchemical text—except that I have made it readable by spelling<br />

out the names of the symbols. (In the original books, the symbols<br />

s<strong>to</strong>od alone and it was up <strong>to</strong> the neophyte <strong>to</strong> figure out what they<br />

s<strong>to</strong>od for.) It takes 2 days and requires tin powder ,<br />

mercury , sulfur powder , and sal ammoniac , as well as<br />

a breakable round-bot<strong>to</strong>med flask or crucible , a mortar and<br />

pestle, and a <strong>to</strong>wel and hammer. You begin by heating two parts<br />

of in the , using a gentle flame . As soon as the has<br />

melted fully, remove the heat, add one part of and stir the<br />

mixture with a glass rod until it has cooled in<strong>to</strong> a granular mass.<br />

Grind this amalgam in a mortar with a little more than one<br />

part of and one part of .<br />

When a homogeneous has been obtained, place the mixture<br />

in<strong>to</strong> a glass flask with a round belly and a long neck, and heat it<br />

gradually on a sand bath until white fumes and yellow<br />

droplets arise in<strong>to</strong> the neck of the flask.<br />

Keep the heat constant at that degree (250–300° C) for three<br />

hours , after which time the white and yellow colors will<br />

have been replaced by black and red sublimate . Then<br />

gradually increase the heat over the course of another until<br />

the very bot<strong>to</strong>m of the flask approaches a very dull red heat<br />

(400–500° C). Turn off the heat, and allow <strong>to</strong> cool.<br />

When it is cool, remove the flask from the and (having<br />

wrapped it in a cloth) break the bulb of the with a hammer<br />

blow. The mosaic gold rests as a hemispherical lump at the<br />

bot<strong>to</strong>m of the , often accompanied by a few fine black or grey<br />

fuzzy particles which can be separated and discarded. A black<br />

or very dark red ring of sublimed cinnabar (Vermilion) is<br />

sometimes found in the throat. 5<br />

This experiment results in a scintillating crystalline gold, with<br />

speckles of red and green mixed in (COLOR PLATE 12).<br />

According <strong>to</strong> modern chemistry, the “gold” is stannic sulfide,<br />

SnS 2, but in alchemical terms it is almost more beautiful than<br />

gold itself. It was exotic results like this that kept the alchemists<br />

going: if three of the most basic ingredients of alchemical work—

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