What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
COAGULATING, COHOBATING, MACERATING, REVERBERATING 121 good a track record. Art history is concerned almost entirely with the suns and other things paint represents once it is sublimated, and very little with the unpleasantness of the machinery that creates the miracle. From the vantage point of heaven, or of traditional art history, the studio is only the staging area, and what is important happens from the moment the paint becomes a sun. But from the point of view of earth, distillation is not that easy. After the fact, it seems like effortless trans-substantiation, where the spirit rises like breath from the body. But before the fact, in the vessel itself, distillation feels like a churning cauldron. As any artist knows, there is no such thing as effortless mimesis: it takes work to make paint look like anything at all. The alchemists tell the fable of King Duenech, who had a bad case of constipation: he was “swollen by bile,” and “horrible in his behavior.” His wise doctor Pharut sealed him in a glass steam house. The heat freed him of his “black bile,” and he returned to his people, wet with dew. 1 If this were a medical legend, there would have been a toilet in the steam house, and perhaps Pharut would have offered the King his best laxative and a good diaphoretic to make him sweat. But this is alchemy, and things are never that easy. The alchemist Michael Maier explains there are three kinds of bodily discharge. One is the “thick” and “fat” bile —that is, feces—that are discharged by purgatives. Second is the “liquid, thin, bilious, and salt” secretion that appears as urine. Third is “still finer,” and is carried off as sweat. The King suffered from all three kinds of corporeal stoppage, and he had to be relieved in a more radical manner. Another alchemist tells the full story: Duenech sweated so strongly that his sheets were stained, because the black bile had squeezed out of his intestines and suffused his entire body. Pharut had to cure him three times: once by letting him sweat, then by putting him in an airtight bed and rubbing “evil-smelling oil” into his feet until the remaining bile retreated to his head, and finally by rubbing him with a mixture of water, oil, and sulfur. 2 And Duenech had it easy. Other constipated kings had to be hacked in pieces and boiled into a mush, or drowned. As far as the gross substance is concerned, there is nothing elegant or beautiful about distillation. Nor is it simple. 3 In alchemy, distillation is sometimes the easy laboratory procedure that makes wine into spirits, but more often it is an almost mystical pursuit designed to capture ever-so-slightly different
122 WHAT PAINTING IS species of vapors as they rise from the boiling sample. All that is required to make a sharp, evilsmelling moonshine from table wine is a distilling vessel, a cooling tube, and a collection vessel (Figure 3). The main vessel, called an alembic, has a swollen belly —the matrass or cucurbit—and a rounded condensing head, leading to the “snake” and eventually the collection vessel. In this case, the tube is curved and it passes through a barrel of cold water, but those are unnecessary elaborations. (In modern chemistry the barrel would be called a “cold-water jacket.”) Artists can make their own turpentine by distilling it from pine pitch, leaving a residuum called colophony. 4 In modern chemistry, fractional distillation is the name of a method for extracting several volatile substances from one sample by arranging tubes and collecting vessels at different heights above the sample, as in Figure 4. When crude oil is boiled in a covered flask, the first substances to evaporate are benzene, gasoline, kerosene, and naphtha; as the temperature rises, progressively heavier oils will evaporate until there is nothing left in the flask except the buttery petroleum derivatives such as vaseline and paraffin. It is possible to catch different volatile oils in different collection vessels by arranging them at various heights above the crude oil. The higher the collection vessel, the hotter the substance that will be caught, so that a single heating of a sample of oil might yield a half-dozen different substances. If a plant is boiled to extract its oils, the first to evaporate are the essential oils that smell the same as the plant itself; they appear even before the water has come to a boil. Later, as the water is boiling furiously the fatty oils will appear in the collection vessel. They are often odorless: when it is first extracted linseed oil has no odor. After the water has nearly boiled away and the plants are reduced to a mush, the still will extract the empyreumatic oils, which are heavier and smell burnt. The heaviest oils will remain in the alembic. 5 Oil of Dippel is the name for the especially viscous oil that remains after repeated attempts to putrefy, dissolve, and distill animal parts. The alchemists understood some of that, but they also confused fractional distillation with an illogical kind of distillation where tubes and collection vessels all separate from a common point like the spokes of a wheel. According to modern theory, the same substances would have to be collected in each. Alchemists also mixed the scientific and unscientific methods in all sorts of
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122 WHAT PAINTING IS<br />
species of vapors as they rise from the boiling sample. All that is<br />
required <strong>to</strong> make a sharp, evilsmelling moonshine from table<br />
wine is a distilling vessel, a cooling tube, and a collection vessel<br />
(Figure 3). The main vessel, called an alembic, has a swollen belly<br />
—the matrass or cucurbit—and a rounded condensing head,<br />
leading <strong>to</strong> the “snake” and eventually the collection vessel. In<br />
this case, the tube is curved and it passes through a barrel of cold<br />
water, but those are unnecessary elaborations. (In modern<br />
chemistry the barrel would be called a “cold-water jacket.”)<br />
Artists can make their own turpentine by distilling it from pine<br />
pitch, leaving a residuum called colophony. 4 In modern<br />
chemistry, fractional distillation is the name of a method for<br />
extracting several volatile substances from one sample by<br />
arranging tubes and collecting vessels at different heights above<br />
the sample, as in Figure 4. When crude oil is boiled in a covered<br />
flask, the first substances <strong>to</strong> evaporate are benzene, gasoline,<br />
kerosene, and naphtha; as the temperature rises, progressively<br />
heavier oils will evaporate until there is nothing left in the flask<br />
except the buttery petroleum derivatives such as vaseline and<br />
paraffin. It is possible <strong>to</strong> catch different volatile oils in different<br />
collection vessels by arranging them at various heights above the<br />
crude oil. The higher the collection vessel, the hotter the<br />
substance that will be caught, so that a single heating of a sample<br />
of oil might yield a half-dozen different substances. If a plant is<br />
boiled <strong>to</strong> extract its oils, the first <strong>to</strong> evaporate are the essential oils<br />
that smell the same as the plant itself; they appear even before<br />
the water has come <strong>to</strong> a boil. Later, as the water is boiling<br />
furiously the fatty oils will appear in the collection vessel. They<br />
are often odorless: when it is first extracted linseed oil has no<br />
odor. After the water has nearly boiled away and the plants are<br />
reduced <strong>to</strong> a mush, the still will extract the empyreumatic oils,<br />
which are heavier and smell burnt. The heaviest oils will remain<br />
in the alembic. 5 <strong>Oil</strong> of Dippel is the name for the especially<br />
viscous oil that remains after repeated attempts <strong>to</strong> putrefy,<br />
dissolve, and distill animal parts.<br />
The alchemists unders<strong>to</strong>od some of that, but they also confused<br />
fractional distillation with an illogical kind of distillation where<br />
tubes and collection vessels all separate from a common point<br />
like the spokes of a wheel. According <strong>to</strong> modern theory, the same<br />
substances would have <strong>to</strong> be collected in each. Alchemists also<br />
mixed the scientific and unscientific methods in all sorts of