What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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COAGULATING, COHOBATING, MACERATING, REVERBERATING 121<br />
good a track record. Art his<strong>to</strong>ry is concerned almost entirely with<br />
the suns and other things paint represents once it is sublimated,<br />
and very little with the unpleasantness of the machinery that<br />
creates the miracle. From the vantage point of heaven, or of<br />
traditional art his<strong>to</strong>ry, the studio is only the staging area, and<br />
what is important happens from the moment the paint becomes a<br />
sun. But from the point of view of earth, distillation is not that<br />
easy. After the fact, it seems like effortless trans-substantiation,<br />
where the spirit rises like breath from the body. But before the<br />
fact, in the vessel itself, distillation feels like a churning cauldron.<br />
As any artist knows, there is no such thing as effortless mimesis:<br />
it takes work <strong>to</strong> make paint look like anything at all.<br />
The alchemists tell the fable of King Duenech, who had a bad<br />
case of constipation: he was “swollen by bile,” and “horrible in<br />
his behavior.” His wise doc<strong>to</strong>r Pharut sealed him in a glass steam<br />
house. The heat freed him of his “black bile,” and he returned <strong>to</strong><br />
his people, wet with dew. 1 If this were a medical legend, there<br />
would have been a <strong>to</strong>ilet in the steam house, and perhaps Pharut<br />
would have offered the King his best laxative and a good<br />
diaphoretic <strong>to</strong> make him sweat. But this is alchemy, and things<br />
are never that easy. The alchemist Michael Maier explains there<br />
are three kinds of bodily discharge. One is the “thick” and “fat” bile<br />
—that is, feces—that are discharged by purgatives. Second is the<br />
“liquid, thin, bilious, and salt” secretion that appears as urine.<br />
Third is “still finer,” and is carried off as sweat. The King<br />
suffered from all three kinds of corporeal s<strong>to</strong>ppage, and he had <strong>to</strong><br />
be relieved in a more radical manner. Another alchemist tells the<br />
full s<strong>to</strong>ry: Duenech sweated so strongly that his sheets were<br />
stained, because the black bile had squeezed out of his intestines<br />
and suffused his entire body. Pharut had <strong>to</strong> cure him three times:<br />
once by letting him sweat, then by putting him in an airtight bed<br />
and rubbing “evil-smelling oil” in<strong>to</strong> his feet until the remaining<br />
bile retreated <strong>to</strong> his head, and finally by rubbing him with a<br />
mixture of water, oil, and sulfur. 2 And Duenech had it easy. Other<br />
constipated kings had <strong>to</strong> be hacked in pieces and boiled in<strong>to</strong> a<br />
mush, or drowned.<br />
As far as the gross substance is concerned, there is nothing<br />
elegant or beautiful <strong>about</strong> distillation. Nor is it simple. 3 In<br />
alchemy, distillation is sometimes the easy labora<strong>to</strong>ry procedure<br />
that makes wine in<strong>to</strong> spirits, but more often it is an almost<br />
mystical pursuit designed <strong>to</strong> capture ever-so-slightly different