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More praise for What Painting Is
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Published in 2000 by Routledge 29 W
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Wer lange lebt, hat viel erfahren,
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Color Plates All color plates excep
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Introduction WATER AND STONES. Thos
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INTRODUCTION 3 moment, and in the s
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INTRODUCTION 5 So this is not a boo
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INTRODUCTION 7 way to understand ho
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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Tin is made from pure quicksilver m
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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A SHORT COURSE IN FORGETTING CHEMIS
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WHAT PAINTING IS 45 mark on it. As
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WHAT PAINTING IS 47 they are entire
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WHAT PAINTING IS 49 will tell you
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WHAT PAINTING IS 51 but a source of
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WHAT PAINTING IS 53 be more monstro
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WHAT PAINTING IS 55 lower one blue.
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WHAT PAINTING IS 57 they are painte
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WHAT PAINTING IS 59 other garden pl
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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THE STUDIO AS A KIND OF PSYCHOSIS 1
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7 Steplessness IN THE BEGINNING the
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WHAT PAINTING IS 167 just above the
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WHAT PAINTING IS 169 (6) Set the lo
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WHAT PAINTING IS 171 to unify it. O
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WHAT PAINTING IS 173 image from man
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WHAT PAINTING IS 175 others have th
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8 The beautiful reddish light of th
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THE BEAUTIFUL REDDISH LIGHT OF THE
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THE BEAUTIFUL REDDISH LIGHT OF THE
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THE BEAUTIFUL REDDISH LIGHT OF THE
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THE BEAUTIFUL REDDISH LIGHT OF THE
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9 Last words IN THE END, what is pa
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WHAT PAINTING IS 189 social nicetie
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WHAT PAINTING IS 191 reason has to
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WHAT PAINTING IS 193 last fifty yea
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NOTES TO CHAPTER I 195 source is Cr
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NOTES TO CHAPTER I 197 1. On this q
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NOTES TO CHAPTER I 199 1655), 90, 1
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NOTES TO CHAPTER I 201 6. The conce
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NOTES TO CHAPTER I 203 “Gnosticis
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NOTES TO CHAPTER I 205 Antimony, tr
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NOTES TO CHAPTER I 207 1. Emmens, A
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NOTES TO CHAPTER I 209 19. Titus Bu
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35. A theory of pictorial chaos is
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auriferœ, quam chemiam vocant, 3 v
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NOTES TO CHAPTER I 215 until all (o
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NOTES TO CHAPTER I 217 Make an amal
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NOTES TO CHAPTER I 219 the “alreo
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32. Ibid., 144. 33. For the mixture
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NOTES TO CHAPTER I 223 “Place 8 g
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J.M. Eder, Quellenschriften zu den
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Abstract Expressionism, 89-94, 153
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lapis lazuli; ultramarine; Woad bod
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Duenech, 126-7 Dürer, Albrecht, 17
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heart, human, 27 heat, see fire; te
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lioness, 53 liquids, 1-2, 110 see a
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pine, 123 poppyseed, 123 precious,
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for gold, using silver and a burnin
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stannic sulfide, 183 star of David,
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sulfur virgin, 82 of the sun, 177 V