What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
What Painting Is: How to Think about Oil Painting ... - Victoria Vesna
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WHAT PAINTING IS 107<br />
It’s important again not <strong>to</strong> rush <strong>to</strong> give an answer based on<br />
modern chemistry, but <strong>to</strong> keep in mind how the world seems <strong>to</strong><br />
the naked and naive eye. According <strong>to</strong> the phlogis<strong>to</strong>n theory, for<br />
example, things that burn easily such as charcoal, phosphorus,<br />
sulfur, oils, and fats are rich in phlogis<strong>to</strong>n, and they can even<br />
lend it <strong>to</strong> neighboring substances. 19 Therefore kindling transfers<br />
flame <strong>to</strong> logs. Inflammability becomes a substance that can be<br />
traded, rather than an insubstantial quality. According <strong>to</strong> Georg<br />
Ernst Stahl, origina<strong>to</strong>r of the phlogis<strong>to</strong>n theory, what remains<br />
after burning wood is not ash but two things, a colored substance<br />
(substantia colorans) and a raw substance (substantia crudior), so<br />
that, counting phlogis<strong>to</strong>n, a log has three substances in all—<br />
unless one is just a quality. 20 The separation of substances and<br />
qualities has always been a vexed question, and it was seldom<br />
resolved in a rigorous way. And the subject is even more<br />
complicated than that, since substances and qualities are not the<br />
only properties that have been ascribed <strong>to</strong> things. Marcelin<br />
Berthelot, an his<strong>to</strong>rian of Greek alchemy, points out that there are<br />
at least four ways <strong>to</strong> understand fire: it can be a material element<br />
(la matière particulière), a state of things (l’état actuel), an action<br />
(l’acte dynamique), or a hypothetical element (I’élément suppose).<br />
That is <strong>to</strong> say, fire can be a substance, a property, a process, or the<br />
“hypothetical element whose union with bodies” causes them <strong>to</strong><br />
burn, more or less as the phlogis<strong>to</strong>n theory had it. Jean-Paul<br />
Marat, most famous as a martyr of the French Revolution, wrote<br />
a book of alchemy in which he claimed <strong>to</strong> make fire visible—<br />
meaning not the material element, but the hypothetical one. 21<br />
It is easier <strong>to</strong> think of fire in the first sense, as a material<br />
element, the particular “matter of a burning body.” That is what<br />
we mean when we say, “Don’t <strong>to</strong>uch the fire,” as if fire were a<br />
substance just as the candle wick or the candle wax are substances.<br />
The “material element” is compatible with modern science, since<br />
the bright yellow of a candle flame is incandescent carbon a<strong>to</strong>ms,<br />
which have been liberated from the wax—and so in that sense,<br />
fire is a substance and not at all an evanescent spirit or quality.<br />
In the second sense, fire can be the state or condition of a<br />
substance that is “undergoing combustion,” as in the phrase,<br />
“The house is on fire.” In that case fire is a property, and not a<br />
substance. And in the third meaning, fire can be the act of<br />
combustion in general, as when we say, “Fire up the engine.” 22<br />
Then it is again intangible, but in a different way. Together, the