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Institute of Art History of the Latvian Academy of Art Anna Ancāne ...

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plasticity. No direct borrowings <strong>of</strong> gable décor are found in Riga; <strong>the</strong><br />

silhouettes are quite complex but unified, with clear composition,<br />

classical order elements and expressive ornamentation.<br />

Volutes with acanthus ornament were <strong>the</strong> main decorative element <strong>of</strong><br />

Riga’s gables in <strong>the</strong> last decade <strong>of</strong> <strong>the</strong> 17 th century and <strong>the</strong> very beginning<br />

<strong>of</strong> <strong>the</strong> 18 th century. Their origins are found in <strong>the</strong> samples <strong>of</strong> Amsterdam<br />

architecture as well as in Dutch gables adapted in Hamburg. Acanthus<br />

volute gables in Riga have been linked to <strong>the</strong> names <strong>of</strong> Henicke and<br />

Bindenschu. These gables were sometimes enriched by architectural<br />

décor, like pilasters, thus taking on <strong>the</strong> look <strong>of</strong> <strong>the</strong> <strong>the</strong>n popular<br />

“Vingboons’ gables”. There were cases when <strong>the</strong> volute did not merge<br />

with <strong>the</strong> gable smoothly but created a sharp, seemingly cut-out silhouette,<br />

like <strong>the</strong> one with six massive volutes on <strong>the</strong> end façade <strong>of</strong> <strong>the</strong> building at<br />

4 Mazā Jauniela, facing <strong>the</strong> Town Hall Square (comparable with<br />

examples at 21 Pelzerstraße and Cremon No. 24 in Hamburg).<br />

A Baroque gable with acanthus volutes at 10 Mazā Minsterejas Street had<br />

survived up to <strong>the</strong> 1920s. The flowing, dynamic acanthus lines as well as<br />

<strong>the</strong> silhouette <strong>of</strong> <strong>the</strong> gable allow dating it by <strong>the</strong> early 1690s. Similar<br />

examples decorated <strong>the</strong> buildings constructed between <strong>the</strong> ramparts after<br />

<strong>the</strong> fire <strong>of</strong> 1689 and are dated approximately by 1690 – 1692. The most<br />

splendid were located at 1 and 7/9 Zirgu Street.<br />

Vingboons’ type gables with pilasters<br />

There were gables complemented with <strong>the</strong> architectural décor <strong>of</strong> pilasters.<br />

The oldest known example has been located on <strong>the</strong> building at 21<br />

Grēcinieku Street (1682), prototypes for which are found in <strong>the</strong> buildings<br />

designed by Vingboons in Amsterdam. This kind <strong>of</strong> décor had been used<br />

also at <strong>the</strong> corner <strong>of</strong> Smilšu and Aldara Streets, 16 and 22 Smilšu Street<br />

as well as at 28 Jauniela, 20 Mārstaļu Street, 9 Lielā Monētu Street, 17<br />

Tirgoņu Street, 20 Mārstaļu Street. These lost examples and <strong>the</strong> gable at 8<br />

Miesnieku Street allows establishing a typological group in Riga,<br />

described as “Vingboons’ type” in <strong>the</strong> specialised literature.<br />

V. 3. Portals<br />

Already in <strong>the</strong> 1950s Aleksandrs Birzenieks singled out two main<br />

compositional schemes <strong>of</strong> Riga’s portals – decorative and tectonic. The<br />

first comprised portals in which decorativeness predominated over <strong>the</strong><br />

constructive side; <strong>the</strong> tectonic group included various relationships <strong>of</strong><br />

classical order elements. Several examples give an insight into <strong>the</strong> mid-<br />

17 th century portals.<br />

V.3.1. 1 st half <strong>of</strong> <strong>the</strong> 17 th century – 1650<br />

Mid-century portals demonstrate a dual tendency – a system <strong>of</strong><br />

architectural décor taken over from <strong>the</strong> late Renaissance as well as<br />

ornamental compositions permeated with Mannerist forms. The portal<br />

located on <strong>the</strong> former mint house at 16 Mazā Monētu Street (1644),<br />

22

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