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SOUTH ASIAN REVIEW<br />

Volume 29, Number 4 October 2008<br />

Table of Contents<br />

EDITOR’S COLUMN 11<br />

GUEST EDITORS’ COLUMN 13<br />

ABSTRACTS<br />

Social Irresponsibility in Shani Mootoo’s He Drown She<br />

in the Sea: Gendering the Axis between Nation and Diaspora<br />

RANBIR BANWAIT 17<br />

Outing the Archives: South Asian Sexualities in Print<br />

KANIKA BATRA 18<br />

Changing Frames of Desire: Premodern and Modern<br />

KARNI PAL BHATI 18<br />

Gender Constructions in the Sri Lankan Battlefield<br />

SIMRAN CHADHA 19<br />

“A Part of the History of Women of All Time”:<br />

Myths in Jyotirmoyee Devi’s The River Churning<br />

PAULOMI CHAKRABORTY 20<br />

Virtual Equality, Real Difference: Gender, Globalization,<br />

and Indian Communities Online<br />

ROHIT CHOPRA 20<br />

Reimagining Masculinity, Resisting Stereotypes:<br />

Queer Passivity in Rabindranath Tagore’s “The Divide”<br />

SUCHETA CHOUDHURI 21<br />

The Forbidden “Other” as One among Many:<br />

New Attitudes Toward Being Queer in Hindi Films<br />

ELISABETH DAMBÖCK 22<br />

Beyond the Patriarch?: A Feminist Reading of Amitav Ghosh’s<br />

The Shadow Lines<br />

SUKANTA DAS 23


The Mode of Mythic Realism in Bharati Mukherjee’s Writings<br />

S. S. DEO and SUREKHA DANGWAL 23<br />

An “Other” Jocasta: Folktale as Subaltern Gendered Discourse<br />

of Resistance in a Globalized World<br />

RENU DUBE 24<br />

A Lesser Voice: Maithili Sharan Gupt’s “Urmila”<br />

and “Yashodhara”<br />

SHIRIN EDWIN 25<br />

Matters of Imbalance: Representing Gender Conflict<br />

in Parsi Fiction<br />

SOHRAB HOMI FRACIS 25<br />

Spatializations of Diasporic Queerness: Interpellative<br />

“<strong>Home</strong>” Spaces and Articulations of Resistance<br />

in Shyam Selvadurai’s Funny Boy<br />

RAHUL K. GAIROLA 26<br />

Difficult Daughters: A Question of Women’s Freedom<br />

JASPREET K. GILL 27<br />

Vernaculars of Sex: Ginu Kamani’s “Ciphers”<br />

KELLIE HOLZER 28<br />

Sri Lankan Civil War and the Violence of Sexuality in Vimukthi<br />

Jayasundara’s The Forsaken Land 29<br />

NALIN JAYASENA<br />

Sexuality, Class, and Consumption in Punyakante Wijenaike’s<br />

Giraya<br />

MARYSE JAYASURIYA 29<br />

“Who da Man?” Vivek Sharma’s Bhoothnath and the Geopolitics<br />

of Indian Masculinities<br />

PRIYA JHA 30<br />

Geography, Womanhood, and Nation in Bollywood Song Sequences<br />

ALAN JOHNSON 31<br />

Writing the Diaspora: Parsi Women Writers’ <strong>Home</strong> and Nostalgia<br />

FEROZA JUSSAWALLA 32<br />

Constituting South Asian Urban Queer Histories: Nigah, Delhi<br />

AKHIL KATYAL 32<br />

Effeminate Nationalists and Transgressing Women: Radical Text<br />

and Famine Context in Krishan Chandar’s Anna-Daata<br />

RAJENDER KAUR 33


Marital Rape in the Fiction of Subcontinental<br />

Muslim Women Writers<br />

HAFIZA NILOFAR KHAN 34<br />

Tropes of Madness in Bengali Partition (1947) Literature:<br />

Gendering and Subverting the Nation<br />

MOSARRAP HOSSAIN KHAN 35<br />

Conceptualization and Crystallization of Women’s Agency<br />

NYLA A. KHAN 35<br />

Feminism in Diaspora<br />

ASHMITA KHASNABISH 36<br />

The Challenge of Dalit Feminism<br />

REVATHI KRISHNASWAMY 37<br />

City Queers in Queer Cities: Stories of Postcolonial Sexualities<br />

ELAKSHI KUMAR 38<br />

What the Gates Cannot Contain: Intersections of Class, Gender,<br />

and Religion in Parsi Fictions<br />

CYNTHIA LEENERTS 38<br />

Winged Horses and Floating Glass: Redemptive Metaphors<br />

in Memoirs of Survivors of the Khmer Rouge<br />

HEATHER LEVY 39<br />

Gender and Sexuality in Selected Plays of Mahesh Dattani<br />

SEEMA MALIK 40<br />

Passing Fancy: Bodies and Boundaries in The Impressionist<br />

J. EDWARD MALLOT 40<br />

The Gendered “Limitations of the National Movement”:<br />

Kamala Markandaya’s Some Inner Fury<br />

HARVEEN MANN 41<br />

Queered Queens: Sexual Empiricism and Gendered Empires<br />

in Shekar Kapur’s The Bandit Queen and the Elizabeth Duology<br />

PRATHIM MAYA 42<br />

Gender Blending and the Appeal of Androgyny<br />

ARCH MAYFIELD 42<br />

Do “Dalit Women Talk Differently”?: The Possibilities of a Unique<br />

Literary Space and Voice for Dalit Women Through<br />

an Examination of Bama’s Autobiographies<br />

ROGER MCNAMARA 43


“That Which May Not Be Spoken”: Homoerotic Desire<br />

in the Writing of Ismat Chugtai and Alifa Rifaat<br />

INDRANI MITRA 44<br />

From Partition Violence Toward a Queer Citizenship<br />

of Tolerance in India<br />

NAMRATA MITRA 44<br />

Marketing the Queer Desi Woman<br />

MARY ANNE MOHANRAJ 45<br />

Desigirls@blogspot.com: South Asian Cyberlogs and<br />

the Postfeminist Debate<br />

PIA MUKHERJI 46<br />

“A Record of Our Lives”: The Autobiography and<br />

the Politics of Lesbianism in India<br />

SRIDEVI NAIR 47<br />

Hyphenated Musings of a Self in Exile: The “Revolutionary Ethic”<br />

of a Cross-Cultural Identity in Meena Alexander’s Fault Lines<br />

ANU C. NARULA 47<br />

Karo-kari and Chadors: Appropriation of Oppressors’ Tools<br />

in Salman Rushdie’s Shame and Shirin Neshat’s Visual Art<br />

MARGIE NELSON 48<br />

Visualizing the Male Body in India: The Case of Saawariya<br />

VAIBHAV I. PAREL 49<br />

“I Don’t Have a Choice” But “I Desire to Live”:<br />

Control, Surveillance, and Sexual Desire in Deepa Mehta’s Fire<br />

PRABHJOT PARMAR 49<br />

Gender Performance in Shani Mootoo’s “Out on Main Street”<br />

and Shyam Selvadurai’s “Pigs Can’t Fly”<br />

SUMMER PERVEZ 50<br />

“What Do Women Really Want?”: A Comparative Gloss<br />

of Gender and Desire in Fire and Monsoon Wedding<br />

and Chaucer’s “Wife of Bath’s Prologue and Tale”<br />

MOUMIN M. QUAZI 51<br />

The Tortured Tamil Body: Revealing, Performing, and Shaping<br />

Masculinity<br />

ANUSHIYA RAMASWAMY 52<br />

The Books of Esther: Locations of Jewish Indian Women’s<br />

Identity in Esther David’s Fiction<br />

PALLAVI RASTOGI 52


An Ideal(ized) Woman: The Indian Lady of The Indian Ladies’<br />

Magazine<br />

SHESHALATHA REDDY 53<br />

A Lesson in Laughter<br />

KAREN REMEDIOS 54<br />

Waiting for the Kiss: Politics of Queer Female Desire<br />

in Fire and The World Unseen<br />

BRYCE J. RENNINGER 55<br />

“The Imprisoned Princess”: Veiling and Segregation in Sheema<br />

Kermani’s Short Film<br />

AMBER FATIMA RIAZ 55<br />

“I Gotta Get off This Train”: Fetishizing and Orientalizing Rita<br />

SARAH RINI 56<br />

Compromising Positions: Transgressive Subjectivity of a South<br />

Asian Canadian Lesbian in Farzana Doctor’s Stealing Nasreen<br />

SHARANPAL RUPRAI 57<br />

The Erotics of Nationalism in Tagore’s The <strong>Home</strong> and the World<br />

POULOMI SAHA 57<br />

Colonial Sexuality and Postcolonial Translation:<br />

Aporias of Reading Texts<br />

SUMANYU SATPATHY 58<br />

Representing the State: Abduction and Recovery<br />

in the Literature of Partition<br />

BEDE SCOTT 59<br />

Section 377 and the Politics of Performativity<br />

NISHANT SHAHANI 60<br />

Rushdie’s Occidentalism: Civilization and Gender<br />

in The Enchantress of Florence<br />

MAYA M. SHARMA 60<br />

Gendering Nations: The Construction of Sikh <strong>Home</strong>lands<br />

in Indian and Diasporic Imaginations<br />

JASPAL K. SINGH 61<br />

An Analysis of Socio-Political Constraints in the<br />

Autobiographies of Rajput Women<br />

JAYSHREE SINGH 62


Cinema, Culture, Queers, and the Woman: The Sexuality<br />

Conundrum in India<br />

PREM KUMARI SRIVASTAVA 63<br />

Feminine Unworlding, Feminist Worlding: Women’s<br />

Resistance in Mridula Garg’s Hindi Novel, Kathgulab<br />

SHREEREKHA SUBRAMANIAN 63<br />

Motherhood in Times of War in Tahmima Anam’s A Golden Age<br />

and Jahanara Imam’s “Ekattorrer Dinguli”<br />

REBECCA SULTANA 64<br />

Retrieving the Lost Image: Mythological Women Characters<br />

in Contemporary Indian Short Stories<br />

MEENAKSHI SUNDARAM 65<br />

“Because Fate Has Conspired to Make My Voice Heard”:<br />

Voicing a Woman’s Rage in the Essays of Arundhati Roy<br />

PENNIE TICEN 66<br />

Writing for the Bandit: Narratives on Phoolan Devi<br />

PUSAPATI TEJA VERMA 67<br />

Women and Queer Figures in South Asian Diasporic<br />

and Bollywood Films<br />

CHRISTINE VOGT-WILLIAM 67<br />

American Missionaries and Gender Politics in South Asia: Mark<br />

Twain’s Following the Equator and Harriet Winslow’s Memoir<br />

BRIAN YOTHERS 68<br />

2008 CONFERENCE PROGRAM 71<br />

2008 KEYNOTE SPEAKER 81<br />

2008 SALA ACHIEVEMENT AWARD 83<br />

2007 SALA ACHIEVEMENT AWARD 85<br />

NAMES, AFFILIATIONS & E-MAIL ADDRESSES 101

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