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SOUTH ASIAN REVIEW<br />
Volume 29, Number 4 October 2008<br />
Table of Contents<br />
EDITOR’S COLUMN 11<br />
GUEST EDITORS’ COLUMN 13<br />
ABSTRACTS<br />
Social Irresponsibility in Shani Mootoo’s He Drown She<br />
in the Sea: Gendering the Axis between Nation and Diaspora<br />
RANBIR BANWAIT 17<br />
Outing the Archives: South Asian Sexualities in Print<br />
KANIKA BATRA 18<br />
Changing Frames of Desire: Premodern and Modern<br />
KARNI PAL BHATI 18<br />
Gender Constructions in the Sri Lankan Battlefield<br />
SIMRAN CHADHA 19<br />
“A Part of the History of Women of All Time”:<br />
Myths in Jyotirmoyee Devi’s The River Churning<br />
PAULOMI CHAKRABORTY 20<br />
Virtual Equality, Real Difference: Gender, Globalization,<br />
and Indian Communities Online<br />
ROHIT CHOPRA 20<br />
Reimagining Masculinity, Resisting Stereotypes:<br />
Queer Passivity in Rabindranath Tagore’s “The Divide”<br />
SUCHETA CHOUDHURI 21<br />
The Forbidden “Other” as One among Many:<br />
New Attitudes Toward Being Queer in Hindi Films<br />
ELISABETH DAMBÖCK 22<br />
Beyond the Patriarch?: A Feminist Reading of Amitav Ghosh’s<br />
The Shadow Lines<br />
SUKANTA DAS 23
The Mode of Mythic Realism in Bharati Mukherjee’s Writings<br />
S. S. DEO and SUREKHA DANGWAL 23<br />
An “Other” Jocasta: Folktale as Subaltern Gendered Discourse<br />
of Resistance in a Globalized World<br />
RENU DUBE 24<br />
A Lesser Voice: Maithili Sharan Gupt’s “Urmila”<br />
and “Yashodhara”<br />
SHIRIN EDWIN 25<br />
Matters of Imbalance: Representing Gender Conflict<br />
in Parsi Fiction<br />
SOHRAB HOMI FRACIS 25<br />
Spatializations of Diasporic Queerness: Interpellative<br />
“<strong>Home</strong>” Spaces and Articulations of Resistance<br />
in Shyam Selvadurai’s Funny Boy<br />
RAHUL K. GAIROLA 26<br />
Difficult Daughters: A Question of Women’s Freedom<br />
JASPREET K. GILL 27<br />
Vernaculars of Sex: Ginu Kamani’s “Ciphers”<br />
KELLIE HOLZER 28<br />
Sri Lankan Civil War and the Violence of Sexuality in Vimukthi<br />
Jayasundara’s The Forsaken Land 29<br />
NALIN JAYASENA<br />
Sexuality, Class, and Consumption in Punyakante Wijenaike’s<br />
Giraya<br />
MARYSE JAYASURIYA 29<br />
“Who da Man?” Vivek Sharma’s Bhoothnath and the Geopolitics<br />
of Indian Masculinities<br />
PRIYA JHA 30<br />
Geography, Womanhood, and Nation in Bollywood Song Sequences<br />
ALAN JOHNSON 31<br />
Writing the Diaspora: Parsi Women Writers’ <strong>Home</strong> and Nostalgia<br />
FEROZA JUSSAWALLA 32<br />
Constituting South Asian Urban Queer Histories: Nigah, Delhi<br />
AKHIL KATYAL 32<br />
Effeminate Nationalists and Transgressing Women: Radical Text<br />
and Famine Context in Krishan Chandar’s Anna-Daata<br />
RAJENDER KAUR 33
Marital Rape in the Fiction of Subcontinental<br />
Muslim Women Writers<br />
HAFIZA NILOFAR KHAN 34<br />
Tropes of Madness in Bengali Partition (1947) Literature:<br />
Gendering and Subverting the Nation<br />
MOSARRAP HOSSAIN KHAN 35<br />
Conceptualization and Crystallization of Women’s Agency<br />
NYLA A. KHAN 35<br />
Feminism in Diaspora<br />
ASHMITA KHASNABISH 36<br />
The Challenge of Dalit Feminism<br />
REVATHI KRISHNASWAMY 37<br />
City Queers in Queer Cities: Stories of Postcolonial Sexualities<br />
ELAKSHI KUMAR 38<br />
What the Gates Cannot Contain: Intersections of Class, Gender,<br />
and Religion in Parsi Fictions<br />
CYNTHIA LEENERTS 38<br />
Winged Horses and Floating Glass: Redemptive Metaphors<br />
in Memoirs of Survivors of the Khmer Rouge<br />
HEATHER LEVY 39<br />
Gender and Sexuality in Selected Plays of Mahesh Dattani<br />
SEEMA MALIK 40<br />
Passing Fancy: Bodies and Boundaries in The Impressionist<br />
J. EDWARD MALLOT 40<br />
The Gendered “Limitations of the National Movement”:<br />
Kamala Markandaya’s Some Inner Fury<br />
HARVEEN MANN 41<br />
Queered Queens: Sexual Empiricism and Gendered Empires<br />
in Shekar Kapur’s The Bandit Queen and the Elizabeth Duology<br />
PRATHIM MAYA 42<br />
Gender Blending and the Appeal of Androgyny<br />
ARCH MAYFIELD 42<br />
Do “Dalit Women Talk Differently”?: The Possibilities of a Unique<br />
Literary Space and Voice for Dalit Women Through<br />
an Examination of Bama’s Autobiographies<br />
ROGER MCNAMARA 43
“That Which May Not Be Spoken”: Homoerotic Desire<br />
in the Writing of Ismat Chugtai and Alifa Rifaat<br />
INDRANI MITRA 44<br />
From Partition Violence Toward a Queer Citizenship<br />
of Tolerance in India<br />
NAMRATA MITRA 44<br />
Marketing the Queer Desi Woman<br />
MARY ANNE MOHANRAJ 45<br />
Desigirls@blogspot.com: South Asian Cyberlogs and<br />
the Postfeminist Debate<br />
PIA MUKHERJI 46<br />
“A Record of Our Lives”: The Autobiography and<br />
the Politics of Lesbianism in India<br />
SRIDEVI NAIR 47<br />
Hyphenated Musings of a Self in Exile: The “Revolutionary Ethic”<br />
of a Cross-Cultural Identity in Meena Alexander’s Fault Lines<br />
ANU C. NARULA 47<br />
Karo-kari and Chadors: Appropriation of Oppressors’ Tools<br />
in Salman Rushdie’s Shame and Shirin Neshat’s Visual Art<br />
MARGIE NELSON 48<br />
Visualizing the Male Body in India: The Case of Saawariya<br />
VAIBHAV I. PAREL 49<br />
“I Don’t Have a Choice” But “I Desire to Live”:<br />
Control, Surveillance, and Sexual Desire in Deepa Mehta’s Fire<br />
PRABHJOT PARMAR 49<br />
Gender Performance in Shani Mootoo’s “Out on Main Street”<br />
and Shyam Selvadurai’s “Pigs Can’t Fly”<br />
SUMMER PERVEZ 50<br />
“What Do Women Really Want?”: A Comparative Gloss<br />
of Gender and Desire in Fire and Monsoon Wedding<br />
and Chaucer’s “Wife of Bath’s Prologue and Tale”<br />
MOUMIN M. QUAZI 51<br />
The Tortured Tamil Body: Revealing, Performing, and Shaping<br />
Masculinity<br />
ANUSHIYA RAMASWAMY 52<br />
The Books of Esther: Locations of Jewish Indian Women’s<br />
Identity in Esther David’s Fiction<br />
PALLAVI RASTOGI 52
An Ideal(ized) Woman: The Indian Lady of The Indian Ladies’<br />
Magazine<br />
SHESHALATHA REDDY 53<br />
A Lesson in Laughter<br />
KAREN REMEDIOS 54<br />
Waiting for the Kiss: Politics of Queer Female Desire<br />
in Fire and The World Unseen<br />
BRYCE J. RENNINGER 55<br />
“The Imprisoned Princess”: Veiling and Segregation in Sheema<br />
Kermani’s Short Film<br />
AMBER FATIMA RIAZ 55<br />
“I Gotta Get off This Train”: Fetishizing and Orientalizing Rita<br />
SARAH RINI 56<br />
Compromising Positions: Transgressive Subjectivity of a South<br />
Asian Canadian Lesbian in Farzana Doctor’s Stealing Nasreen<br />
SHARANPAL RUPRAI 57<br />
The Erotics of Nationalism in Tagore’s The <strong>Home</strong> and the World<br />
POULOMI SAHA 57<br />
Colonial Sexuality and Postcolonial Translation:<br />
Aporias of Reading Texts<br />
SUMANYU SATPATHY 58<br />
Representing the State: Abduction and Recovery<br />
in the Literature of Partition<br />
BEDE SCOTT 59<br />
Section 377 and the Politics of Performativity<br />
NISHANT SHAHANI 60<br />
Rushdie’s Occidentalism: Civilization and Gender<br />
in The Enchantress of Florence<br />
MAYA M. SHARMA 60<br />
Gendering Nations: The Construction of Sikh <strong>Home</strong>lands<br />
in Indian and Diasporic Imaginations<br />
JASPAL K. SINGH 61<br />
An Analysis of Socio-Political Constraints in the<br />
Autobiographies of Rajput Women<br />
JAYSHREE SINGH 62
Cinema, Culture, Queers, and the Woman: The Sexuality<br />
Conundrum in India<br />
PREM KUMARI SRIVASTAVA 63<br />
Feminine Unworlding, Feminist Worlding: Women’s<br />
Resistance in Mridula Garg’s Hindi Novel, Kathgulab<br />
SHREEREKHA SUBRAMANIAN 63<br />
Motherhood in Times of War in Tahmima Anam’s A Golden Age<br />
and Jahanara Imam’s “Ekattorrer Dinguli”<br />
REBECCA SULTANA 64<br />
Retrieving the Lost Image: Mythological Women Characters<br />
in Contemporary Indian Short Stories<br />
MEENAKSHI SUNDARAM 65<br />
“Because Fate Has Conspired to Make My Voice Heard”:<br />
Voicing a Woman’s Rage in the Essays of Arundhati Roy<br />
PENNIE TICEN 66<br />
Writing for the Bandit: Narratives on Phoolan Devi<br />
PUSAPATI TEJA VERMA 67<br />
Women and Queer Figures in South Asian Diasporic<br />
and Bollywood Films<br />
CHRISTINE VOGT-WILLIAM 67<br />
American Missionaries and Gender Politics in South Asia: Mark<br />
Twain’s Following the Equator and Harriet Winslow’s Memoir<br />
BRIAN YOTHERS 68<br />
2008 CONFERENCE PROGRAM 71<br />
2008 KEYNOTE SPEAKER 81<br />
2008 SALA ACHIEVEMENT AWARD 83<br />
2007 SALA ACHIEVEMENT AWARD 85<br />
NAMES, AFFILIATIONS & E-MAIL ADDRESSES 101