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The Lyric Metres of Euripidean Drama - Universidade de Coimbra

The Lyric Metres of Euripidean Drama - Universidade de Coimbra

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455<br />

460<br />

Introduction<br />

period: see especially the meso<strong>de</strong>s in the first stasimon <strong>of</strong> Heracles, 12 or the<br />

opening <strong>of</strong> the first stasimon <strong>of</strong> Bacchae. 13 At Alc. 455-461b (~466-71b), there<br />

is reason to assume that each line is a self-contained period; note, among other<br />

features, the insistence on pen<strong>de</strong>nt close:<br />

εἴθ’ ἐπ’ ἐμοὶ μὲν εἴη, — ∪ ∪ — ∪ — — ar<br />

δυναίμαν δέ cε πέμψαι ∪ — — ∪ ∪ — — ph<br />

φάοc ἐξ Ἀίδα τεράμνων ∪ ∪ — ∪ ∪ — ∪ — — diom<br />

καὶ Κωκυτοῖο ῥεέθρων — — — — ∪ ∪ — — prm<br />

ποταμίαι νερτέραι τε κώπαι. ∪∪ ∪ — — ∪ — ∪ — — cr + cr +ba<br />

cὺ γάρ, ὦ μόνα ὦ φίλα γυναικῶν, ∪ ∪ — ∪ ∪ — ∪ — ∪ — — T + ba<br />

cὺ τὸν αὑτᾶc ∪ ∪ — — ∧s-<br />

ἔτλαc πόcιν ἀντὶ cᾶc ἀμεῖψαι ∪ — ∪ — ∪ ∪ — ∪ — ∪ — — enop<br />

It is not possible to <strong>de</strong>termine period-end in this lyric sequence by means <strong>of</strong><br />

breuis in longo or hiatus. Nevertheless, the structure is perfectly clear. Although<br />

for the last two lines (where another colometry might be possible) we have<br />

only the pen<strong>de</strong>nt close to go by, each <strong>of</strong> the other lines contains a significant<br />

syntactic pointer revealing how the phrases are articulated: the disjunctions<br />

μέν and δέ in the two opening lines fit neatly into separate, complementary<br />

periods, as do the copulatives καί and τε (458, 459). As for the vocative<br />

utterance at 460, not only is it ‘housed’ by an essentially clausular colon, ‘T +<br />

ba’ (on which see below, p. 76), but it responds with a phrase in the antistrophe<br />

that ends in full stop. Moreover, it can be observed that invocations, as a class<br />

<strong>of</strong> lyric utterance, tend to fall naturally into small, self-contained periods. 14<br />

12 Cf. Herc. 359-63~375-79~389-93~403-7~419-24~436-41: ph || B ph || ph || gl ∫ ph |||.<br />

13 Ba. 402-5: ph || ph || gl ∫ ph : ἱκοίμαν ποτὶ Κύπρον, || νᾶcον τᾶc Ἀφροδίταc, || ἵν’ οἱ<br />

θελξίφρονεc νέμον– ∫ ται θνατοῖcιν Ἔρωτεc.<br />

14 Here is a list <strong>of</strong> all the examples where the period-end following the invocation is<br />

confirmed by hiatus or breuis in longo: Alc. 221a, ὦναξ Παιάν|| Ha , 568-9 ὦ πολύξεινοc καὶ<br />

ἐλευθέρου ἀνδρὸc ἀεί ποτ’ οἶκοc || Ba , Med. 1274 ἰὼ τλᾶμον, ὦ κακοτυχὲc γύναι || H , Hi. 141<br />

†cὺ γὰρ† ἔνθεοc, ὦ κούρα || H , 362a ἄιεc ὤ, ἔκλυεc ὤ || H , 1144 ὦ τάλαινα μᾶτερ || B , Hec. 444<br />

αὔρα, ποντιὰc αὔρα || H , 684 ὦ τέκνον τέκνον || B (cf. Hyps. fr. 64, 91 Bond: … τέκνον ὦ τέκνον<br />

|| B = TrGFS Hyps. 276-7, where the effect is lost with Diggle’s colometry = Hyps. Fr. 759a, 1612<br />

Kannicht), Tr. 1238 ὦ φίλταται γυναῖκεc || B , IT 894 τάλαινα τάλαινα || B , Ion 907 ὠή, τὸν<br />

Λατοῦc αὐδῶ || H , Hel. 1341 βᾶτε, cεμναὶ Χάριτεc || B , 1497 παῖδεc Τυνδαρίδαι || Bs , Ph. 1290<br />

ἰώ μοι πόνων, ἰὼ Ζεῦ, ἰὼ Γᾶ || H , 1293 τάλαιν’ ἐγὼ τάλαινα || B , 1532 πάτερ γεραιέ, δεῖξον || B ,<br />

1550 πάτερ, οἴμοι || H (cf. 1559), Or. 317-8 δρομάδεc ὦ πτεροφόροι | ποτνιάδεc θεαί || H ,<br />

1454a Ἰδαία μᾶτερ μᾶτερ || B , 1537a ἰὼ ἰὼ τύχα || H , Ba. 152 ὦ ἴτε βάκχαι || H , 413 πρόβακχ’ εὔιε<br />

δαῖμον || B , IA 280 Ἤλιδοc δυνάcτορεc || B , 1284 νιφόβολον Φρυγῶν νάποc || B , Rh. 346 ἥκειc,<br />

ὦ ποταμοῦ παῖ || H , Phaeth. 240 ὦ μἀκαρ, ὦ βαcιλεὺc μείζων ἔτ’ ὄλβον || B ; cf. A. Pe. 1005 ἰὼ ἰώ,<br />

δαίμονεc || B , ScT 97 μάκαρεc εὔεδροι || H , S. Phil. 177 ὦ παλάμαι θεῶν || Ba , 714 ὦ μελέα ψυχά<br />

|| H , OC 237 ὦ ξένοι αἰδόφρονεc, Arist. Nub. 275~298. Examples within longer periods can be<br />

found at Hcld. 748-50, Hec. 1088-90, Herc. 790-1, Hel. 211-2, 644 (cf. Willink [2010: 151]), Ph.<br />

226-8, 801-2 and Ba. 120-2.<br />

25

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