the berkeley rep magazine - Berkeley Repertory Theatre
the berkeley rep magazine - Berkeley Repertory Theatre
the berkeley rep magazine - Berkeley Repertory Theatre
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eport<br />
A brief history of light<br />
by Cari turley<br />
if you’re ever in <strong>the</strong> mood to start a fight, walk into a <strong>the</strong>atre and ask<br />
whose job is most important. Is it <strong>the</strong> actors? (They might tell you so.) After all, without<br />
<strong>the</strong>m, not much happens on stage. Or maybe it’s <strong>the</strong> writer, without whom <strong>the</strong><br />
actors have nothing to say. Is it <strong>the</strong> wardrobe department, who clo<strong>the</strong>s <strong>the</strong>m? The<br />
set designer, who creates context? It’s a tough call. (The real answer is that <strong>the</strong>y’re<br />
all invaluable, of course.) But I’d put my money on <strong>the</strong> lighting department. Without<br />
lights, you’re just sitting in <strong>the</strong> dark.<br />
Of course, modern lighting design is about much more than being able to see—<br />
it’s about what you’re directed to see, and when, and how. But to fully appreciate <strong>the</strong><br />
subtlety of modern <strong>the</strong>atrical lighting, we should start at its humble beginnings.<br />
Continued on next page<br />
2012–13 · ISSUE 2 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 9