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the berkeley rep magazine - Berkeley Repertory Theatre

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eport<br />

combat into <strong>the</strong>ir work. A week before <strong>the</strong>y performed <strong>the</strong>ir scenes, <strong>the</strong><br />

teens saw <strong>the</strong> student matinee of <strong>the</strong> same play.<br />

“Seeing <strong>the</strong> play interpreted by professional actors on stage was a<br />

powerful tool—at that point, it’s no longer just words on a page,” Beth<br />

shares. “Everything that <strong>the</strong> actors bring to it, that’s what brings <strong>the</strong> play<br />

to life. It raised <strong>the</strong> bar for what <strong>the</strong> kids thought was possible.”<br />

A few years earlier, Beth’s students saw a matinee of No Child…, written<br />

and performed by Nilaja Sun. After <strong>the</strong> show, Nilaja visited Beth’s class<br />

and worked with <strong>the</strong> students.<br />

“It was so powerful to see someone who created this extraordinary<br />

performance, all by herself on stage, come out and show enthusiasm for<br />

<strong>the</strong>ir work. They felt important—<strong>the</strong>y were important, she came all <strong>the</strong><br />

way out to see <strong>the</strong>m!” Beth exclaims.<br />

So yes, <strong>Berkeley</strong> Rep puts on some amazing plays. But that’s just <strong>the</strong><br />

tip of <strong>the</strong> iceberg. The student matinees and o<strong>the</strong>r School of <strong>Theatre</strong> programs<br />

offer <strong>the</strong> possibilities for deeper, more transformative experiences.<br />

As Eric says, “Education is not an afterthought for <strong>Berkeley</strong> Rep. Underneath<br />

everything, <strong>the</strong>re’s that willingness and desire to connect with our<br />

students as an audience. When <strong>the</strong> actors come out for a Q&A session after<br />

<strong>the</strong> show, when we all know <strong>the</strong>y’re probably exhausted and want to go<br />

home and sleep, but <strong>the</strong>y say to our students, ‘Hey, you guys were an amazing<br />

audience, you really got what we were doing, thank you.’ The joy on our<br />

students faces in response tells me you’ve done something magical.”<br />

PREMIER SERVICE FOR A PREMIER AUDIENCE<br />

Lorri Arazi<br />

Leslie Avant<br />

Norah Brower<br />

Carla Buffington<br />

Jackie Care<br />

Stina Charles-Harris<br />

Carla Della Zoppa<br />

Francine Di Palma<br />

Leslie Easterday<br />

Gini Erck<br />

Jennie A. Flanigan<br />

Nancy Hinkley<br />

Maureen Kennedy<br />

Jack McPhail<br />

Denise Milburn<br />

Bob & Carolyn Nelson<br />

Ann Nichols<br />

Nancy Noman<br />

Amy Robeson<br />

Ira & Carol Serkes<br />

Geri Stern<br />

Diane Verducci<br />

Serving <strong>Berkeley</strong>, Albany, Kensington, El Cerrito, Emeryville, Oakland and Piedmont<br />

www.pacunion.com<br />

1625 Shattuck Avenue<br />

<strong>Berkeley</strong>, CA 94709<br />

510.982.4400<br />

14 · <strong>the</strong> <strong>berkeley</strong> <strong>rep</strong> <strong>magazine</strong> · 2012–13 · ISSUE 2<br />

Allen Gilmore (right) and Jacob Ming-Trent in<br />

A Doctor in Spite of Himself (2012)<br />

1900 Mountain Boulevard<br />

Oakland, CA 94611<br />

510.339.6460<br />

courtesy of kevinberne.com

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