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Chapter One - Richard Lewis

Chapter One - Richard Lewis

Chapter One - Richard Lewis

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iggest thief of all. The gap-toothed fellow was also spying on Reed for the PKI. This<br />

worked to Reed's advantage, because Reed had warned Ompreng that if anything went<br />

missing in his house, a plate or a lantern or a towel, he'd march right down to the PKI<br />

office and tell them. The Reds might be back-stabbers, but they could also be fussy<br />

puritans. Ompreng scoffed at the cops, but he was in fear of his bosses.<br />

Ompreng was the in-house spy, but whenever Reed left the house, another man<br />

named Rustaman, or Rusty for short, had the duty of tailing him. As scrawny as<br />

Ompreng was muscled, Rusty lived in a shack right across the road. Whenever Reed<br />

took off in jeep, Rusty hopped on a motorized bicycle whose toy engine couldn't handle<br />

the hills. Rusty had to pump hard on the pedals. It was easy enough to lose him, but more<br />

often than not Reed would kindly wait for him to catch up, panting and sweating.<br />

Today when Reed eased his jeep down his dirt lane to the main road, Rusty was<br />

sleeping in his hammock. Reed honked his horn. Rusty jerked awake. Spotting Reed in<br />

the jeep, his eyes widened in alarm, and he swung out of the hammock, tripping over his<br />

feet.<br />

"I'm going to Den Pasar," Reed called out. "Buying coffee and butter at Hwa<br />

Chen's. Maybe some illegal Coca-Cola, but don't tell anybody about that." He trundled<br />

off with a wave. He wasn't exactly lying, because he did plan to go shopping, but his first<br />

stop was Batu Gede, and he didn't want Rusty tagging along.<br />

Reed's jeep was a World War II Willys with left-hand steering that made for some<br />

excitement when Reed overtook lumbering buses on the narrow lane winding through the<br />

terraced fields. A few times he'd barely escaped a head-on collision from an oncoming<br />

vehicle. His friend the artist Tjok Arsana had painted the jeep front bumper to back with<br />

a landscape mural of Mount Agung and rice fields and jungle. Prominently featured on<br />

the hood and half-doors were long-nosed foreigners as monkeys, Tjok having using Reed<br />

as a model.<br />

Beyond a village of basket weavers, Reed turned off the main road for Batu Gede.<br />

The name meant "big rock", and Reed assumed it came from the volcanic hill<br />

overlooking the village, its peak swaddled with mature teak trees. Reed passed through a<br />

leafy corridor and down switchbacks to the edge of a mangrove swamp, the bushes a<br />

rumpled carpet of dull green giving way to sparkles of blue sea. A community of saltfarmers<br />

had long eked a living in a corner of cleared swamp, where evaporated salt pans<br />

glistened with crystals. In the past two years, more mangroves had been cleared by<br />

refugees whose villages and fields had been destroyed by Mount Agung's 1963 eruption.<br />

They lived in a ramshackle camp, their hovels constructed of whatever they could<br />

scrounge, from driftwood planks to rusted tin. Several men were chopping mangrove<br />

branches into firewood, and they stopped to stare at Reed's passing jeep with dull eyes.<br />

A rocky ridge flanked by an irrigation culvert separated the mangroves from a<br />

reef-protected lagoon and a white sand beach. The coconut groves fronting the beach<br />

gave way to rice fields. In contrast to the salt makers' hardscrabble lives, the rice farmers<br />

of Batu Gede lived more prosperously, or at least without the continual threat of<br />

starvation. The worst of the potholes on the road here had been patched with tar and<br />

crushed rock.<br />

On the outskirts of the large village was an old colonial house once occupied by a<br />

minor Dutch official. The house had a central hall with two wings, all three sections<br />

connected by a common porch. The left wing was evidently a private residence, with a<br />

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