AFTER VIOLENCE: 3R, RECONSTRUCTION, RECONCILIATION ...
AFTER VIOLENCE: 3R, RECONSTRUCTION, RECONCILIATION ...
AFTER VIOLENCE: 3R, RECONSTRUCTION, RECONCILIATION ...
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empirical facts: counter-factual history, what might have happened<br />
if and the history of the future, how do we avoid this in the<br />
future. Again, let 10,000 dialogues blossom.<br />
[8] The theatrical/reliving approach. This approach would try<br />
exactly that: involving all parties, in 10,000 exercises to relive<br />
what happened. This is not a question of documentation and<br />
"objectivity", but of reliving the subjective experience. The ways<br />
to do so are numerous, indeed.<br />
Just telling what happened as it happened, as a witness to a<br />
historical/truth commission is already reliving, revealing and<br />
relieving. To have the other parties do the same adds to it. To<br />
tell the stories together, in the same room, adds a dimension of<br />
dialogue, easily very emotional (that's not how it happened!; is<br />
that why you did it?) Then, to stand up, re-enact it up to, not<br />
including, the violence, may have a cathartic effect provided<br />
there is tension release through dialogue. The parties may even<br />
switch roles. But isn't that coming too close? Depends; like in a<br />
negotiation sometimes better keep them apart. The important point<br />
is to arrive at a deeper understanding, more emotional, less<br />
merely descriptive.<br />
An alternative approach is, of course, for a professional to<br />
write this up and present it on national television for common<br />
consumption. That should not be excluded, but in plural, not with<br />
the idea of writing one play to finish all plays.<br />
A basic advantage of the theater approach, however<br />
rudimentary and amateurish, is that it opens windows so often<br />
closed to positivist social science: what might have happened if<br />
and how do we avoid this in the future. The players can relive<br />
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