Vocal Music - IKSVV

IKSV XI-XII 1 IKSV XI-XII 1 

DIPLOMA 

VOCAL/INSTRUMENTAL

-4- 

(C) Write True or False for each of the following 

sentences:- 

(i) The swar without any sign is called Komal swars. 2 

(ii) There are 10 Matras in Dadra Taal. 2 

(iii) Raga Bhairav has two Vikrit swars. 2 

(iv) There are two types of swars-Shuddha and Vikrit. 2 

(v) Thatas have the capacity to produce the ragas. 2 

(D) Fill in the blanks:- 

(i) The time of singing raga Yaman is _______. 2 

(ii) A dot above a note denotes ______ register. 2 

(iii) The length of a tala is measured by _______. 2 

(iv) Singing the notes is ascending order is termed 

______ 2 

(v) The particular phrase of notes that helps in identifying 

the raga is called________. 2 

2. Give definition and general introduction of Sangeet. 

3. DefineAlankar and write any 5 Alankars. 

4. Write theoretical description of Raga Bhairav or Bhupali. 

5. Giving definition of Saptak describe kinds of it. 

6. What is Varna? Explain with example. 

7. Define the following (any two):- 

(a) Swar (b) Raga (c) Aaroha-Avaroha. 

8. Write the introduction and theka of Tal Kaharva. 

xx 


izFkek izFkeoÔZ] ijh{kk&2012 

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xk;u@Loj ok| 

le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 

Vhi%& izFke iz’u vfuok;Z gSA ’ksÔ iz’uks a es a ls dksbZ ik¡p iz’u gy dhft;s A 

* * * 

a a 1- ¼v½ fn;s x;s fodYiks es ls lgh mÙkj fyf[k;s %& 

(i) jkx ;eu esa fod`r Loj dkSu lk gS \ 2 

¼v½ xak/kkj ¼c½ e/;e 

¼l½ fuÔkn ¼n½ /kSor 

(ii) jkx HkSjo dk laoknh Loj dkSu lk gS \ 

¼v½ dksey /kSor ¼c½ dksey fjÔHk 

2 

¼l½ xak/kkj ¼n½ fuÔkn 

(iii) x x x Loj lewg fdl o.kZ ds varxZr vk;sxk \ 2 

¼v½ LFkkbZ o.kZ ¼c½ vkjksgh o.kZ 

¼l½ lapkjh o.kZ ¼n½ vojksgh o.kZ 

(iv) rky esa [kkyh dks n’kkZus ds fy, fdl fpUg dk 

iz;ksx fd;k tkrk gS \ 2 

¼v½ X ¼c½ 0 

¼l½ 1 ¼n½ 

¼ 

(v) fgUnqLrkuh laxhr i)fr esa fdrus FkkV ekus tkrs 

gS \ 2 

¼v½ 12 ¼c½ 16 

¼l½ 30 ¼n½ 10 

¼c½ lgh laca/k tksfM+;s%& 

(i) rky dgjok & izkr%dky 2 

(ii) jkx HkSjo & ek=k,¡ 2 

(iii) rky & ÔM~t 2 

(iv) vkSMo tkfr & 8 ek=k,¡ 2 

(v) oT;Z ugha fd;k tk ldrk & 5 Loj 2 

2/-

-2- 

¼l½ lR;@vlR; fyf[k;s%& 

(i) fpUg jfgr Loj dks dksey Loj dgk tkrk gS A 2 

(ii) rky nknjk esa nl ek=k,¡ gksrh gSa A 2 

(iii) jkx HkSjo esa nks fod`r Loj gksrs gSa A 2 

(iv) dqy nks izdkj ds Loj gksrs gSa&’kq) ,oa fod`r A 2 

(v) FkkV esa jkx mRiUu djus dh {kerk gksrh gS A 2 

¼n½ [kkyh LFkku Hkjks%& 

(i) jkx ;eu dk xk;u le;&&&&& gS A 2 

(ii) fdlh Loj ds Åij yxk fcUnq dk fpUg&&&&& 

LFkku n’kkZrk gS A 2 

(iii) fdlh rky dh yackbZ dks &&&&& ls ukik tkrk gS A 2 

(iv) Lojksa ds pkb;s A 

7- ifjHkkÔk fyf[k;s%&¼dksbZ nks½ 

v& Loj c& jkx l& vkjksg&vojksg A 

8- rky dgjok dk ifjp; nsrs gq, Bsdk fyf[k;s A 


-3- 

3 / - 

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PRATHAMA FIRST YEAR, EXAM 2012 

VOCAL/SWAR VADYA 

Time: 3 hrs. Max.M.75 Min.M.25 

Note: First question is compulsory. Attempt any five questions from 

the rest. 

* * * 

1. (A) Answer the following questions using correct options:- 

(i) Which Swar is Vikrit in Raga Yaman? 2 

(a) Gandhar (b) Madhyam 

(c) Nishad (d) Dhaivat. 

(ii) Which is the samvadi swar of Raga Bhairav? 2 

(a) Komal Dhaivat (b) Komal Rishabh 

(c) Gandhar (d) Nidhad. 

(iii) Ga Ga Ga comes under which Varna? 2 

(a) Sthai Varna (b) Aarohi Varna 

(c) Sanchari Varna (d) Avarohi Varna. 

(iv) Which sign is used for showing Khali in a tala? 2 

(a) X (b) 0 

(c) 1 (d) 

¼ 

(v) How many That’s have been accepted in North 

Indian Music? 2 

(a) 12 (b) 16 

(c) 30 (d) 10 

(B) Match the perfect pairs:- 

(i) Tal kaharva - Early Morning 2 

(ii) Raga Bhairav - Matras 2 

(iii) Tal - Shadja 2 

(iv) Audav Jati - 8 Matras 2 

(v) Can not be eliminated- 5 Swars 2 

4/-

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lwpuk%& igyk iz”u vfuok;Z gS A ”ks’k esa ls dksbZ pkj iz”u gy dhft;s A 

lHkh iz”uks a ds vad leku gS a A 

* * * 

1- ¼v½ fjDr LFkkuksa dh iwfrZ dhft;s%& 05 

(i) jkx ;eu dk laoknh Loj &&&&& gS A 

(ii) rky ,drky esa &&&&& ek=k,¡ gksrh gSa A 

(iii) jkx dkQh dk xk;u le; &&&&& gS A 

(iv) rky >irky esa &&&&&rkyh ,oa &&&&&[kkyh gksrh gSa A 

(v) jkx HkSjo dk oknh Loj &&&&& o laoknh Loj &&&& gS A 

¼c½ lgh vFkok xyr fyf[k;s%& 05 

(i) oknh Loj dks jkx esa jktk dgk x;k gS A 

(ii) rky nknjk esa ik¡poh ek=k ij [kkyh gksrh gS A 

(iii) FkkV esa Lojksa dh la[;k lkr gksuh pkfg, A 

(iv) jkx HkSjo dk xk;u le; jkf= gS A 

(v) jkx esa de ls de rhu Loj gksus pkfg, A 

¼c½ lgh tksM+h cukb;s%& 05 

(i) dgjok & izkr%dky 

(ii) HkSjo & x&fu dksey 

a 

(iii) 

(iv) 

f=rky 

dkQh 

& 

& 

vkSMo tkfr 

| 

16 ek=k 

2- 

3- 

4- 

5- 

(v) Hkwikyh & 8 ek=k 

jkx ;eu vkSj [kekt es ls fdlh ,d jkx dk ’kkL=h; fooj.k fyf[k;s A 

rkyfyfi esa fyf[k;s & f=rky] nknjk] dgjok A 

vius ok| dk lfp= ifjp; nhft;s A 

fVIi.kh fyf[k;s%& 

v& foHkkx c& vkorZu l& laxhr n& ek=k b& y; A 

6- 

7- 

ia0 Hkkr[k.Ms th dh Lojfyfi i)fr dks le>kb;s A 

FkkV ,oa jkx dh ifjHkkÔk nsrs gq, mudh ijLij rqyuk dhft;s A 

8- ekjok] rksM+h] dY;k.k] vklkojh ,oa iwohZ FkkV ds Lojksa dks fyf[k;sA 

x x 


15 

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15 

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15 

PRATHAMA FINAL YEAR, EXAM 2012 



Note: First question is compulsory. Attempt any four questions from 

the rest. All questions carry equal marks. 

* * * 

1. (A) Fill in the blanks:- 05 

(i) _____is the Samvadi swar of Raag Yaman. 

(ii) There are ______ matras in Eltaal. 

(iii) Singing time of Raag Kafi is ______. 

(iv) Taal Jhaptaal has ______ Taalies and _____ Khali. 

(v) ______ is the Vadi swar and _____ is the Samvadi swar of 

Raag Bhairav. 

(B) Mark True or False:- 05 

(i) Vadi swara is called as the King of Raga. 

(ii) There is Khali on 5th matra in Dadra. 

(iii) Number of Swara should be seven in Thaat. 

(iv) Singing time of Raag Bhairav is night. 

(v) Minimum No. of swara in a Raag should be three. 

(B) Match the perfect pair:- 05 

(i) 

(ii) 

Kaharva 

Bhairav 

- Morning 

- Ga-Ni Komal ¼x&fu½ _ _ 

(iii) Trital - Audav Jati 

(iv) Kafi - 16 Matras 

(v) Bhupali - 8 Matras 

2. Write theoretical description of any one Raga out of Yaman and 

Khamaj. 

3. Write notation of the following:- Trital, Dadra, Kaharva. 

4. Describe your musical instrument with its sketch. 

5. short notes:- (i) Vibhag (ii) Aavartan (iii) Sangeet 

(iv) Matra (v) Laya. 

6. Explain the notation system of Pt. Bhatkhande. 

7. Defining Thaat and Raag compare them. 

8. Write swaras of Marwa, Todi, Kalyan, Asavari and Purvi Thaatas. 

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-4- 

2. Define Shruti. Explain establishment of seven Shudha swars 

on 22 shrutis. 

3. Give theoretical description of Raag Durga or Raag Desh. 

4. Giving theoretical description of Sultal, Roopak and Dadra write 

them in Thah and Dugun. 

5. Write short notes ( any three):- 

(a) Taan (b) Jati (c) Swar malika 

(d) Vadi-Samvadi. 

6. Write brief description of any two from the following:- 

(a) Maseetkhani Gat (b) Parts of Geet (Geet ke Avayav) 

(c) Dhamar (Song form). 

7. Write the life sketch of Pt. Vishnu Digambar Paluskar. 

8. Write notation of one Madhya laya composition (Gat or Chhota 

khyal) in any Rag from your syllabus (Except Yaman, Bhairav). 

xx 


e/;ek izFkeo”kZ] ijh{kk&2012 

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lwpuk%& izFke iz”u vfuok;Z gS A “ks’k iz”uks a es a ls dksbZ pkj iz”u gy 

dhft;s AlHkh iz”uksa ds vad leku gSa A 

* * * 

1- ¼v½ [kkyh LFkku Hkjks%& 

(i) ehaM dk fpUg &&&&& gS A 

(ii) iape Loj Jqfr Øeakd &&&&& ij LFkkfir gS A 

(iii) vYgS;k fcykoy dk xk;u le; &&&&& gS A 

(iv) jkx vYgS;k fcykoy esa dksey &&&&& Loj dk Hkh 

iz;ksx fd;k tkrk gS A 

(v) vkSMo tkfr ds jkx esa &&&&& Loj gksrs gSa A 

¼c½ lR;@vlR; fy[kks%& 

(i) /kzqin xk;u ’kSyh [;ky xk;u ’kSyh ls iqjkuh gS A 

(ii) fryokM+k rky i[kkot ij ctk;k tkrk gS A 

(iii) cM+k [;ky rhozk rky esa xk;k tkrk gS A 

(iv) oÙnkouh lkjax jkx esa oknh Loj ûh* gS A 

(v) xhr ds pkj vo;o gksrs gSa A 

¼l½ lgh tksM+h cukb;s %& 

(i) ’kq) Loj & FkkV [kekt 

(ii) >irky & ik¡p Loj 

(iii) fod`r Loj & 10 ek=k 

(iv) jkx ns’k & 7 ek=k 

(v) :id & 7 Loj 

2 / -

-2- 

2- Jqfr dh ifjHkkÔk nhft;s A 22 Jqfr;ksa ij lkr ’kq) Lojksa dh 

LFkkiuk dks le>kb;s A 

3- jkx nqxkZ vFkok jkx nsl dk ’kkL=h; fooj.k fyf[k;s A 

4- lwyrky] :id ,oa nknjk dk ’kkL=h; ifjp; nsrs gq, Bkg ,oa 

nqxqu esa fyf[k;s A 

5- laf{kIr fVIi.kh fyf[k;s ¼dksbZ rhu½%& 

v& rku c& tkfr l& Lojekfydk 

n& oknh&laoknh A 

6- fuEufyf[kr esa ls fdUgha nks dks la{ksi esa fyf[k;s%& 

v& elhr[kkuh xr c& xhr ds vo;o 

l& /kekj ¼xhr izdkj½ A 

7- ia0 fo”.kq fnxEcj iyqLdj th dh thouh fyf[k;s A 

8- vius ikB~;Øe ds fdlh ,d jkx dh e/;y; cafn’k ¼xr vFkok 

NksVk [;ky½ dks Lojfyfi esa fyf[k;s ¼;eu] HkSjo dks NksM+dj½ A 


3 / - 

-3- 

MADHYAMA FIRST YEAR, EXAM 2012 



Note: First question is compulsory. Attempt any four questions from 

the rest. All questions carry equal marks. 

* * * 

1. (A) Fill in the blanks:- 

(i) Sign of Meend is ______. 

(ii) Pancham is situated on shruti no._______. 

(iii) Singing time of Alhaiya Bilawal is_______. 

(iv) Komal _____ is also used in Raga Alhaiya Bilawal. 

(v) There are _____ swaras in a Raga of Audav jati. 

(B) Write True or False:- 

(i) Dhrupad style of singing is older than Khyal style. 

(ii) Tilwara Tal is played on Pakhawaj. 

(iii) Bada Khyal is rendered in Tivra Tal. 

(iv) ‘Ni’ swar is Vadi in Raga Vrindavani Sarang. 

(v) There are four parts of Geet. 

(C) Match the perfect pairs:- 

(i) Shudh Swar - Thaat Khamaaj 

(ii) Jhaptaal - 5 in number 

(iii) Vikrut swar - 10 Matra 

(iv) Raag Desh - 7 Matra 

(v) Roopak - 7 in number. 

4/-

e/;ek vafreoÔZ] ijh{kk&2012 

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lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uks a ds vad leku gS a A 

* * * 

s a 1- rku vkSj rksM+ dh ifjHkkÔk nsrs gq, rku ds izdkjks dk o.kZu dhft;s A 

2- laf{kIr fVIi.kh fyf[k;s ¼dksbZ nks½%& 

v& iwoZjkx & mÙkjjkx c& lfU/k izdk’k jkx 

l& ijesy izos’kd jkx A 

3- Hkkr[k.Ms Lojfyfi i)fr dks foLrkj ls le>kb;s A 

4- rkulsu vFkok ekuflag rksej dk thou ifjp; rFkk lakxhfrd 

;ksxnku fyf[k;s A 

5- jkxksa dk ’kkL=h; o.kZu fyf[k;s ¼dksbZ nks½%& 

v& Hkheiyklh c& fcgkx l& dsnkj n& ckxsJh A 

6- xk;d vFkok oknd ds xq.k&nksÔksa dks fyf[k;s A 

7- rky tksfM+;ksa dh rqyuk dhft;s%& 

v& rhozk & :id 

l& >wejk & /kekj A 

c& pkSrky & ,drky 

8- ikB~;Øe ds fdlh ,d jkx esa e/;y; [;ky vFkok xr pkj 

rkuksa@rksM+ksa ds lkFk Lojfyfic) dhft;s ¼;eu ,oa HkSjo dks NksM+dj½ A 

x x 


MADHYAMA FINAL YEAR, EXAM 2012 



Note: Attempt any five questions. All questions carry equal marks. 

* * * 

1. Define Tana and Toda describe various type of tanas. 

2. Give brief description (any two):- 

(a) Purvaraga - Uttarraga (b) Sandhiprakash Raga 

(c) Parmel Praveshak Raga. 

3. Explain Bhatkhande Notation system in detail. 

4. Write the life sketch and musical contribution of Tansen 

or Man Singh Tomar. 

5. Write theoretical description of Ragas (any two):- 

(a) Bhimpalasi (b) Bihag (c) Kedar (d) Bageshri. 

6. Write merits and demerits of Vocalist or Instrumentalist. 

7. Compare the following Tala pairs:- 

(a) Teevra - Rupak (b) Chautal - Ektal 

(c) Jhumra - Dhamar. 

8. Write notation of a Madhyalaya Khyal or Gat in a Raga 

from your syllabus with 4 Tanas or Todas (Except Yaman 

and Bhairav). 

xx

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izFke iz’u i= 



* * * 

1- Vksu] lsehVksu] ekbuj Vksu vkSj estj Vksu dh ifjHkkÔk mnkgj.k 

lfgr nhft;s A 

2- /ofu vkSj ukn dh ifjHkkÔk nsrs gq, ukn ds izdkjks a dks le>kb;s A 

3- fgUnqLrkuh vkSj dukZVdh; lIrdksa dks le>kb;s A 

4- xzg vkfn nl jkx y{k.kksa dks le>kb;s A 

5- jkx foLrkj esa oknh&laoknh vkSj vYiRo&cgqRo dk egRo mnkgj.k 

lfgr le>kb;s A 

6- ok|ksa ds Hkkjrh; oxhZdj.k dk ifjp; nhft;s A 

7- vius ok| dk laf{kIr ,sfrgkfld fooj.k fyf[k;s A 

8- thou ifjp; fyf[k;s ¼dksbZ ,d½%& 

v& ckck mLrkn vykmíhu [kk¡ 

c& m0 vCnqy djhe [kk¡ 

l& xksiky uk;d A 

x x 


VID FIRST YEAR, EXAM 2012 


Paper-I 



* * * 

1. Define Tone, Semitone, Minor tone and Major tone with 

example. 

2. Defining Dhwani and Naad, explain kinds of Naad. 

3. Explain Hindustani and Karnataki Saptakas. 

4. Explain ten Raag Lakshanas like Graha etc. 

5. Explain the importance of Vadi-Samvadi and Alpatva-Bahutva 

in Raag vistar with example. 

6. Describe Indian Classification of musical instruments. 

7. Write historical description of your musical instrument in 

brief. 

8. Give life sketch of any one:- 

(a) Baba Ustad Allauddin Khan 

(b) Ustad Abdul Karim Khan 

(c) Gopal Nayak. 

xx

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f}rh; iz’u i= 



* * * 

1- ikB~;Øe ds fdlh ,d jkx esa foyafcr jpuk dks nks vkyki ,oa nks 

rkuksa lfgr Lojfyfi esa fyf[k;s A 

2- fuEufyf[kr jkxksa esa ls fdUgha nks jkxksa dk ’kkL=h; ifjp; fyf[k;s%& 

v& iwohZ c& tkSuiqjh l& dkeksn n & ekjok A 

3- fuEufyf[kr esa ls fdlh ,d dks Lojfyfic) dhft;s%& 

v& ikB~;Øe ds fdlh ,d jkx esa /kzqin] Bkg] nqxqu o pkSxqu lfgr A 

c& ikB~;Øe ds fdlh ,d jkx esa rhurky ds vykok vU; rky dh xr 

rhu rkuksa@rksM+ksa lfgr A 

4- fdUgha nks rky tksfM+;ksa dh rqyuk dhft;s%& 

v& >wejk & vkM+k pkSrky c& lwyrky & >irky 

l& pkSrky & ,drky A 

5- fuEufyf[kr esa ls fdUgha nks rkyksa dk ’kkL=h; fooj.k nsrs gq, mUgsa 

Bkg] frxqu ,oa pkSxqu esa fyfic) dhft;s%& 

v& /kekj c& fryokM+k l& nknjk A 

6- fdUgha rhu ij fVIif.k;k¡ fyf[k;s%& 

v& ehaM & lwr c& dÙru & t+et+ek 

l& ukserkse vkyki & cksy vkyki 

n& vkyki & tksM+ b& rku & rksM+k A 

7- fuEufyf[kr esa ls fdlh ,d jkx esa e/;y; jpuk dks ik¡p rkuksa@ 

rksM+ksa lfgr Lojfyfi esa fyf[k;s%& 

v& cgkj c& jkedyh l& ns’kdkj A 

8- fdlh ,d foÔ; ij yxHkx 400 ’kCnksa esa fucU/k fyf[k;s%& 

v& laxhr esa vH;kl dk egRo 

c& esjk fiz; dykdkj 

l& ’kkL=h; laxhr o fp=iV laxhr A 

x x 


VID FIRST YEAR, EXAM 2012 


Paper-II 



* * * 

1. Write in notation a Vilambit composition with two Alaps 

and two Tanas in a Raga from your syllabus. 

2. Write theoretical description of two Ragas from the following:- 

(a) Purvi (b) Jaunpuri (c) Kamod (d) Marwa. 

3. Write any one in notation from the following:- 

(a) One Dhrupad with Thah, Dugun and Chaugun in any Raga 

from your syllabus. 

(b) One Gat in a Tal other than Teental with three Tanas/Todas 

in a Raga from your syllabus. 

4. Compare any two pairs of Talas:- 

(a) Jhumra - Ada Chautal (b) Sultal - Jhaptal 

(c) Chautal - Ektal. 

5. Giving theoretical description of any two Talas from the 

following, write in notation their Thah, Tigun and Chaugun:- 

(a) Dhamar (b) Tilwada (c) Dadra. 

6. Give short notes on any three:- 

(a) Meend - Soot (b) Krintan - Zamzama 

(c) Nomtom Alap - Bol Alap (d) Alap - Jod 

(e) Taan - Toda. 

7. Write in notation any one Madhyalaya composition with 

five Tanas/Todas from the following Ragas:- 

(a) Bahar (b) Ramkali (c) Deshkar. 

8. Write an essay in about 400 words on any one:- 

(a) Importance of Practice in music. 

(b) My favourite artist 

(c) Classical music and Film music. 

xx

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* * * 

1- 72 esyksa dh fuekZ.k fof/k dks le>kb;s A 

2- ia0 ’kkjaxnso dh prq%lkj.kk i)fr ij izdk’k Mkfy;s A 

3- le; fl)kUr ds vuqlkj jkxksa ds oxhZdj.k dks le>kb;s A 

4- ekxZ rFkk ns’kh laxhr dk laf{kIr ifjp; nhft;s A 

5- fuEufyf[kr esa ls fdUgha nks dks la{ksi esa le>kb;s%& 

v& fuc) c& ’kq)] Nk;kyx o ladh.kZ jkx 

l& jkxkyfIr A 

6- Lojksa dh la[;k ds vk/kkj ij ,d FkkV ls 484 jkx cukus 

dh fof/k dks le>kb;s A 

7- xzke rFkk ewPNZuk dks le>kb;s A 

8- thofu;k¡ ,oa lakxhfrd ;ksxnku fyf[k;s ¼dksbZ nks½%& 

v& ia0 vksadkjukFk Bkdqj 

c& ia0 jfo’kadj 

l& m0 QS;kt [kk¡ 

b& ia0 iUukyky ?kksÔ A 

x x 


VID FINAL YEAR, EXAM 2012 


Paper-I 



* * * 

1. Explain the method of deriving 72 Melas. 

2. Throw light on the Chatuhsarna method of Pt. Sharangdev. 

3. Explain Classification of Ragas according to Time Theory . 

4. Give brief descriptionm of Marga and Desi Sangeet. 

5. Explain any two in brief from the following:- 

(a) Nibaddha. (b) Shudh, Chhayalag and Sankirna Ragas. 

(c) Ragalapti. 

6. Explain the method of making 484 Ragas from one Thata 

on the basis of number of swaras. 

7. Explain Gram and Moorchhana. 

8. Write life sketch and musical contribution (any two):- 

(a) Pt. Omkarnath Thakur 

(b) Pt. Ravishankar 

(c) Ustad Faiyaz Khan 

(d) Pt. Pannalal Ghosh. 

xx

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* * * 

1- fuEufyf[kr esa ls fdlh ,d dks vius ikB~;Øe ds jkx esa Lojfyfic) 

dhft;s%& 

v& NksVk [;ky@e/;y; dh xr 

c& foyafcr [;ky@foyafcr xr A 

2- fuEufyf[kr jkxksa esa ls fdUgha nks jkxksa dk ’kkL=h; ifjp; fyf[k;s%& 

v& iwfj;k/kukJh c& t;t;oarh l& rksM+h n& fryddkeksn A 

3- LVkQ uksVs’ku dks la{ksi esa le>kb;s A ikB~;Øe ds fdlh ,d jkx 

dk vkjksg ,oa vojksg bl fyfi esa fyf[k;s A 

4- vkM+] dqvkM+ ,oa fcvkM+ y;ksa dks le>kb;s A nknjk ,oa >irky dks 

vkM+ y; esa fyf[k;s A 

5- fuEu tksfM+;ksa dh rqyuk dhft;s%& 

v& :id & rhozk c& ,drky & pkSrky 

l& >wejk & /kekj A 

6- fuEufyf[kr es a ls fdlh ,d dks ikB~;Øe ds jkx es a Lojfyfi esa fyf[k;s%& 

v& /kzqin ;k /kekj A 

c& rhurky ds vykok vU; rky dh jpuk A 

7- fuEu esa ls fdlh ,d tksM+h dh rqyuk dhft;s%& 

v& clar & yfyr c& iwfj;k & ekjok 

l& Nk;kuV & dkeksn A 

8- fucU/k fyf[k;s ¼dksbZ ,d½%& yxHkx 400 ’kCnksa esa 

v& laxhr vkSj Lojfyfi c& yfyr dykvksa esa laxhr dk LFkku 

l& ’kkL=h; laxhr esa cafn’k dk egRo 

n& laxhr vkSj ekuo thou A 

x x 


VID FINAL YEAR, EXAM 2012 


Paper-II 



* * * 

1. Write in notation any one of the following in a Raag from 

your syllabus:- 

(a) Chhota Khyal/ Madhyalaya Gat 

(b) Vilambit Khyal/Vilambit Gat. 

2. Write down the theoretical description of any two Raagas 

from the following:- 

(a) Poortiya Dhanashri (b) Jayjayvanti (c) Todi (d) Tilak kamod. 

3. Explain Staff Notation system in brief. Write Aroh and Avaroh 

of any one Raag from your syllabus in this notation system. 

4. Explain Aad, Kuaad and Biaad layas. Write Dadra and Jhaptal in 

Aad laya. 

5. Compare the following:- 

(a) Roopak - Teevra (b) Ektaal - Choutaal 

(c) Jhumra - Dhamar. 

6. Write in notation any one of the following in a Raga from 

your syllabus:- 

(a) One Dhrupad or Dhamar. 

(b) One Composition in Tala other than Teental. 

7. Compare any one pair from the following:- 

(a) Basant - Lalit (b) Puriya - Marwa 

(c) Chhayanat - Kamod. 

8. Write an essay on any one:-(in about 400 words) 

(a) Music and Notation system. 

(b) Place of Music in Fine Arts. 

(c) Importance of Bandish in Classical music. 

(d) Music and Human life. 

xx

dksfon izFkeoÔZ] ijh{kk&2012 

xk;u@Loj ok| 


le;% 3 ?k.Vs iw.kkZad&100 


a 

1- 

* * * 

ok|ksa ds Hkkjrh; oxhZdj.k dk o.kZu dhft;s A 

2- jkxakx oxhZdj.k dks lfoLrkj le>krs gq, rksM+h vFkok HkSjo 

jkxakxksa dk mnkgj.k lfgr o.kZu dhft;s A 

3- ?kjkuk dks le>krs gq, Xokfy;j ,oa ifV;kyk ?kjkus 

dk o.kZu dhft;s A 

4- 

5- 

6- 

’kkjaxnso dh prq%lkj.kk fof/k dks foLrkj ls le>kb;s A 

u”Vksfn”V dks lfoLrkj le>kb;s A 

lsfu;k ?kjkus ds pkj eq[; dykdkjks dk laf{kIr ifjp; nhft;s A 

7- fdlh ,d dk o.kZu dhft;s%& 

v& :nzoh.kk dk jkeiqj ?kjkuk 

c& benkn[kkuh flrkj&lqjcgkj ?kjkuk A 

8- dkO; vkSj laxhr dk laca/k mnkgj.k lfgr le>kb;s A 

xx 


KOVID FIRST YEAR, EXAM 2012 


Paper-I 

Time: 3 hrs. Max.M.100 


* * * 

1. Describe Indian Classification of musical instruments. 

2. Explaining Ragang Classification in detail, describe Todi or 

Bhairav Ragang with example. 

3. Explaining Gharana, describe Gwalior and Patiyala 

Gharanas. 

4. Explain Chatuhsarna method of Sharangdev in detail. 

5. Explain Nashtodishta in detail. 

6. Give brief description of four renowned artists of Seniya 

Gharana. 

7. Describe any one:- 

(a) Rampur Gharana of Rudraveena. 

(b) Imdadkhani Sitar-Surbahar Gharana. 

8. Explain the relation between lyrics and music. 

xx

dksfon izFkeoÔZ] ijh{kk&2012 

xk;u@Loj ok| 



1- fuEufyf[kr es a ls fdlh ,d foÔ; ij yxHkx 600 ’kCnks a es a fucU/k 

fyf[k;s %& 25 

v& fdlh laxhr lekjksg dh leh{kk A 

c& ’kkL=h; laxhr vkSj bysDVªkfud midj.k A 

l& ’kkL=h; laxhr vkSj xq#&f’k”; ijEijk A 

Write an essay on any one of the following topics in about 

600 words:- 

(a) Review of any music festival. 

(b) Classical music and electronic equipments. 

(c) Classical music and Guru-Shishya tradition. 

2- fuEufyf[kr i|ak’k vFkok cksyksa esa ls fdlh ,d dks ikB~;Øe ds jkx 

o rky esa Lojfyfic) dhft;s%& 20 

Compose and write in notation of any one of the following 

selecting any raga and taal from your syllabus:v& 

okds ik;u ifj;s] ftu xqu ppkZ dj xkos 

rky lqj ds eje tkus ftu xqfu;u eak> lqukos A 

c& lqfej ys js eu eksjs gfj dks uke mfB Hkksjs Hkksjs A 

dgh eku NakM+ ns xqeku] /kjys /;ku lak> losjs AA 

l& nk jk nk jk nk jk nk jk nk fnj nk jk 

nk fnj nk jk nk fnj nk jk nk fnj nk jk A 

nk fnj nk jk nk · nk jk nk fnj nk jk 

nk fnj nk jk nk fnj nk jk nk fnj nk jk A 

n& fnj nk fnj nk jk nk nk jk fnj nk fnj nk jk nk nk jk 

fnj nk fnj nk jk nk fnj nk jk nk fnj nk jk nk nk jk A 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 

¼ 


2/- 

-2- 

3- fuEufyf[kr es a ls fdUgha nks jkxks a es a ik¡p&ik¡p mPpLrjh; vkyki fyf[k;s%& 10 

Write five high standard Aalaps each in any two ragas form 

the following. 

tksx] ’kq)&dY;k.k] vghj&HkSjo] xqtZjh&rksM+h 

Jog, Shuddha-Kalyan, Ahir-Bhairav, Gurjari-Todi. 

a 

4- fuEufyf[kr dks gy dhft;s%& 15 

¼v½ . 

¼c½ 

jkx ’;kedY;k.k es ,d vojksgh o ,d vyadkfjd . rku fyf[k;s A 

f=rky ls fHkUu fdlh vU; rky esa jkx uan ;k f>a>ksVh esa 

pkSxqu esa frgkbZ lfgr rku fyf[k;s A 

¼l½ ex ex jslk fu+lk & dh c

dksfon vafreoÔZ] ijh{kk&2012 

xk;u@Loj ok| 




* * * 

1- jkx&jkfxuh oxhZdj.k i)fr vFkok FkkV jkx oxhZdj.k dks lfoLrkj 

le>kb;s A 

2- [;ky xk;dh ds vkxjk vFkok fdjkuk ?kjkus dk o.kZu dhft;s A 

3- fdUgha nks ds lakxhfrd vonku ij izdk’k Mkfy;s%& 

v& ia0 ,l-,u- jkratudj c& m0 vCnqy gyhe tkQj [kku 

l& MWk0 izseyrk ’kekZ n& vkpk;Z c`gLifr A 

4- Jqfr vkSj Loj ds laca/k ij foLr`r izdk’k Mkfy;s A 

5- m0 vykmíhu [kk¡ vFkok m0 eq’rkd vyh [kk¡ ds ?kjkus dk o.kZu 

dhft;s A 

6- rkuiwjk vFkok csyk dh mRifÙk ,oa fodkl ij izdk’k Mkfy;s A 

7- fVIif.k;k¡ fyf[k;s ¼fdUgha nks ij½%& 

v& eYgkj & lkjax jkxakx 

c& oÙnxku 

l& oÙnoknu 

n& lsoVZ ,oa lsaV i)fr A 

8- tkfr dh ifjHkkÔk nsrs gq, mldh fo’ksÔrkvksa ij izdk’k Mkfy;s A 

x x 


KOVID FINAL YEAR, EXAM 2012 


Paper-I 

Time: 3 hrs. Max.M.100 


* * * 

1. Explain Rag-Ragini Classification or Thata-Rag Classification 

in detail. 

2. Describe Agra or Kirana Gharana of Khayal Gayaki. 

3. Throw light on the musical contribution of any two:- 

(a) Pt. S.N. Ratanjankar (b) Ustad Abdul Halim Zafar Khan. 

(c) Dr. Premlata Sharma (d) Acharya Vrihaspati. 

4. Throw light on the relationship between Shruti and Swara 

in detail. 

5. Describe the Gharana of Ustad Allauddin Khan or Ustad 

Mushtaq Ali Khan. 

6. Throw light on the origin and development of Tanpura 

or Violin. 

7. Write short notes (on any two):- 

(a) Malhar-Sarang Ragangas 

(b) Vrindgan 

(c) Vrindvadan 

(d) Sewart and Cent system. 

8. Defining Jati throw light on its characteristic feature. 

xx

dksfon vafreoÔZ] ijh{kk&2012 

xk;u@Loj ok| 



1- fuEufyf[kr es a ls fdlh ,d foÔ; ij yxHkx 600 ’kCnks a es a fucU/k 

fyf[k;s %& 25 

v& laxhr esa dkO; dk egRo A 

c& laxhr ls jkstxkj dh laHkkouk A 

l& jk”Vªh; ,drk esa laxhr dh mikns;rk A 

n& yksdlaxhr vkSj ’kkL=h; laxhr dk lEcU/k A 

Write an essay on any one of the following topics in about 

600 words:- 

(a) Importance of Lyrics in music. 

(b) Possibility of employment through music. 

(c) Utility of music in national integration. 

(d) Relationship between Folk music and Classical music. 

a 

2- fuEufyf[kr i|ak’k vFkok cksyksa dks vius ikB~;Øe ds jkx rFkk 

rky es Lojfyfic) dhft;s %& 20 

Compose and write notation any one of the following poem 

or bols in a Raga and Tala from your syllabus. 

v& chr x;s fnu jSu] Hktu fcuk js A 

cky voLFkk [ksy xaok;ks] 

tc tokuh rc eku ?kuk js A 

dkgs dkju ewy xaok;ks] 

vcgw¡ u xbZ eu dh r`luk js A 

dgr dchj lquks HkkbZ lk/kks] 

ikj mrj x;s lUr tuk js AA 

vFkok 


-2- 

2/- 

¼c½ nk fnj nk jk jk fnj nk jk nk jk fnj fnj nk jnk &j nk 

fnj fnj fnj fnj nk jk nkjk nk fnj fnj fnj nk jnk &j nk 

nk fnj nk nk &j nk nk jk nk fnj fnj jk nk nk jk & 

nk fnj nk fnj nk fnj nk jk nk fnj fnj nk jk nk nk jk 

¼ 

¼ 

¼ 

¼ 

¼ 

3- fuEufyf[kr esa ls fdUgha nks jkxksa esa ik¡p&ik¡p vkyki fyf[k;s A 10 

v& tksxdkSUl c& HkfV;kj l& njckjh dkUgM+k A 

Write five Alaps each in any two Ragas from the following:- 

(a) Jog Kauns (b) Bhatiyar (c) Darbari Kanhara. 

4- :id rky dks lokxqu ¼4 esa 5½] pkSrky dks ikSuxqu ¼4 esa 3½ 

rFkk /kekj rky dks Ms

xhraktfy twfu;j fMIyksek] ijh{kk&2012 

lqxe laxhr 

le;% 3 ?k.Vs iw.kkZ ad&75] U;wuakd&25 


* * * 

1- fuEu esa ls fdUgha rhu dks le>kb;s%& 

v& Bqejh c& Hkkoxhr l& laxhr 

n& rjkuk b& johUnz laxhr A 

2- rkuiwjk vFkok rcyk ok| dk lfp= o.kZu dhft;s A 

3- fuEufyf[kr rkyksa dks Bkg o nqxqu ds lkFk Hkkr[k.Ms rkyfyfi esa 

fyf[k;s ¼dksbZ rhu½%& 

v& :id c& nknjk l& dgjok n& ,drky b& f=rky A 

4- iafMr Hkkr[k.Ms Lojfyfi i)fr dks le>kb;s A 

5- vkids }kjk lh[kh gqbZ fdlh ,d x+t+y vFkok Hktu dks HkkokFkZ 

lfgr fyf[k;s A 

6- xhr ,oa yksdxhr ij laf{kIr fVIi.kh fyf[k;s A 

7- fuEufyf[kr esa ls fdUgha nks dk laf{kIr thou ifjp; fyf[k;s%& 

v& ehjkckbZ c& gfjoa’kjk; cPpu l& fet+kZ x+kfyc 

n& lwjnkl A 

8- fuEufyf[kr es a ls fdlh ,d foÔ; ij fucU/k fyf[k;s ¼300 ’kCnks a es a½%& 

v& lqxe laxhr dk egRo 

c& lqxe laxhr esa ok|ksa dk egRo A 

x x 


GEETANJALI JUNIOR DIPLOMA, EXAM 2012 

LIGHT MUSIC 



* * * 

1. Explain any three from the following:- 

(a) Thumri (b) Bhav Geet (c) Sangeet 

(d) Tarana (e) Ravindra Sangeet. 

2. Describe Tanpura or Tabla with its sketch. 

3. Write following Talas with Thah and Dugun in Bhatkhande 

Talalipi (any three):- 

(a) Roopak (b) Dadra (c) Keharva (d) Ektal (e) Trital. 

4. Describe the notation system of Pt. Bhatkhande. 

5. Write any Ghazal or Bhajan with its meaning learnt by 

you. 

6. Write short notes on ‘Geet’ and ‘Lokgeet’. 

7. Write life sketch of any two of the following in brief:- 

(a) Meerabai (b) Harivanshray Bachchan 

(c) Mirza Ghalib (d) Soordas. 

8. Write an essay on any one topic (about 300 words):- 

(a) Importance of Light Music. 

(b) Importance of Musical instruments in light music. 

xx

xhraktfy lhfu;j fMIyksek] ijh{kk&2012 

lqxe laxhr 

le;% 3 ?k.Vs iw.kkZ ad&75] U;wuakd&25 


* * * 

1- fuEufyf[kr esa ls fdlh ,d ok| dk lfp= o.kZu dhft;s%& 

v& flrkj c& rkuiwjk l& Lisfu’k fxVkj n& okW;fyu A 

2- ikB~;Øe esa ls fdlh ,d Hktu] xhr vFkok x+t+y dks HkkokFkZ 

lfgr fyf[k;s A 

3- fuEufyf[kr rkyksa dks nqxqu ,oa pkSxqu esa fyf[k;s%& 

v& >irky c& dgjok l& /kqekyh A 

4- fuEufyf[kr esa ls fdlh ,d dk thou ifjp; fyf[k;s%& 

v& rqylhnkl c& Q+St+ vgen Q+St+ l& t;’kadj izlkn A 

5- daB laLdkj dk lkekU; ifjp; nhft;s A 

6- mi’kkL=h; laxhr dh fo/kk dks la{ksi esa le>kb;s A 

7- [;ky] /kzqin rFkk rjkuk dks la{ksi esa le>kb;s A 

8- rky] ek=k] le] [kkyh rFkk Hkjh ls vki D;k le>rs gSa \ 

9- fuEufyf[kr esa ls fdlh ,d foÔ; ij yxHkx 400 ’kCnksa esa 

fucU/k fyf[k;s%& 

v& esjk ilanhnk x+t+y xk;d 

c& dksbZ ,d laxhr lekjksg 

l& ik’oZ xk;u A 

x x 


GEETANJALI SENIOR DIPLOMA, EXAM 2012 

LIGHT MUSIC 



* * * 

1. Describe any one intrument from the following with its sketch:- 

A. Sitar B. Tanpura C. Spanish Guitar D. Violin. 

2. Write the lyrics with its meaning of any one Bhajan, Geet or 

Ghazal prescribed in your syllabus. 

3. Write following Talas in Dugun and Chougun:- 

(a) Jhaptal (b) Kaharwa (c) Dhumali. 

4. Write life sketch of any one of the following:- 

(a) Tulsidas (b) Faiz Ahmad Faiz (c) Jayshankar Prasad. 

5. Give general description of Voice culture. 

6. Explain style of Semi Classical music in brief. 

7. Explain Khyal, Dhrupad and Tarana in brief. 

8. What do you understand by Taal, Matra, Sam, Khali and Bhari. 

9. Write an essay on any one of the following about 400 words:- 

(a) My Favourite Ghazal Gayak. 

(b) Any musical program 

(c) Playback singing. 

xx

Vocal Music - IKSVV

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