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Crab Orchard Review Vol. 12, No. 2, our

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Yahya Frederickson<br />

Strolling in Béja, the Eve of Al-Maulid<br />

for Nabil<br />

Béja, Tunisia<br />

People are buying up raisins and salted seeds.<br />

Y<strong>our</strong> father sits at a café table<br />

behind the market, the end of the alley<br />

with a cigarette, a cup of crême,<br />

and a newspaper creased into quarters.<br />

At the government mercantile,<br />

I buy my mother a ceramic hand<br />

decorated with henna flowers.<br />

When I bring it home in a year,<br />

rings that no longer fit her atrophied hand<br />

will slip onto its fingers, dormant watches<br />

will rest for eternity across its palm.<br />

We walk on, to the sweet shop<br />

lined with mirrors. On every plate,<br />

a cube of cake soaked with orange-blossom syrup.<br />

Slice it carefully, for if you look<br />

in any direction, you’ll find eyes,<br />

everywhere possibility. Our quandary, mon ami,<br />

is that life is a birdcage of glances.<br />

If we escape, we escape on clipped wings<br />

that carom us back to the gate bougainvillea<br />

cascades over, a house of cool tile.<br />

Y<strong>our</strong> mother gave you her whiteness.<br />

When I leave the guest room<br />

64 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong>

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