Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our Crab Orchard Review Vol. 12, No. 2, our

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52 ◆ Crab Orchard Review Heather E. Goodman net, it steams. I hump it back to the board, and while it cools, Will eats an egg salad sandwich. I pick at the crusts and stare at the swamp. The blackbirds call and deep frog gulps echo them. “You aren’t hungry?” I shake my head. “Think of the money we’re saving.” “We need you to eat, Lou.” I pick a splinter of wood from the steps. “So Jared’s okay with you keeping the place?” “He certainly doesn’t want it.” “Do you?” I turn to Will and wipe a dab of egg salad from the corner of his mouth. “You know I do.” “And the baby?” I suck in my breath. “I don’t know what the baby wants, Will.” We’re quiet for a while. He follows a bittern with his eyes. Even after all these years here, the bittern makes me hold my breath too. The bird points its beak to the sky, and I know if I look away, I won’t be able to find it again, blending in with the grasses. “It’s beautiful.” I mean it too. Swamp is an ugly word for the cattails growing tall and proud and the flycatchers flipping their feathers. It doesn’t reveal the dragonflies, frogs escaping their trapped tadpole selves, secret moss, and peepers that sing us to sleep. The word is only right for the mosquitoes and the pungent, heady smell that mixes with our breath. “Let’s do it,” I say and heft myself up. I take the other knife from the board. The turtle’s skin feels like a toad’s. I think of Mom, all the times I watched her. I jam the knife in between the two halves, and twist it just like she did. The shell cracks. “Jesus, Lou.” I use the knife like a lever. A tight ripping sound, popping of bone and tendon. Will holds the bottom shell, and I turn and twist the carapace as it pulls from the skin, a tooth barely loose. “Hold this?” I give the knife to Will and yank on the two frames. He slices through the sinew still holding top to bottom. He works the blade back and forth, and we rip the shells from one another. The smell, before implied and needling, is now immediate and violent. Sick, bubbled flesh, and I’m only able to run three steps before gripping a beech tree and retching. They are wracking spasms,

Heather E. Goodman and in between rounds, I sink to my knees. Will is rubbing my back slowly, and this motion makes me retch again so quickly I can’t tell him to stop. I shrug him off, and when finally I’m spent, I spit a few times, wipe my mouth with my shirt, and turn to see him sitting on his knees, looking lost. “I’m sorry,” he says. “It’s okay.” I drop my head. “I’ll get you water.” I nod and move to the other side of the tree and put my back against the smooth bark of the beech. I close my eyes and open them again when the screen door scrapes. Will brings a tall water and a clean shirt for me. He helps me out of my dirty shirt, and I catch him peeping at my belly. He looks to me and sees I’ve seen him. “Sorry.” I take the water from him, wanting it to be a calm pool I can lie down in. The glass is heavy. “I really am sorry, Lou.” “Okay.” “Okay?” His voice is tight. I don’t have the energy for this. “Yes, okay.” “Can I help you inside?” “I’m staying to help.” “Don’t be ridiculous, Louise. You just puked your guts out. You need to rest.” “I don’t need to rest. There’s no one else to help.” Will starts to say something, stops. “I know, but it’s okay to let me do this. It’s the one thing I can do.” I know he’s right. I know this would make him feel better, which is why I won’t let him do it. I stand up, feel my head spin, and walk back to the plywood table, where pieces of turtle are strewn about. I bite the side of my cheeks and yank globs of fat from the carcass and toss them into the gut bucket. The globs make a sick sliding noise as they thud against the plastic; they cover the turtle’s head. “Lou.” Will, across the crude table, puts his hands on mine. “Please let me do this.” “You’ve done quite enough already.” I pull my hands away, gesture at my belly, and tear at turtle entrails and organs. I can feel him staring at me. I look up. “I thought we decided together.” “No, Will, you decided.” Crab Orchard Review ◆ 53

Heather E. Goodman<br />

and in between rounds, I sink to my knees. Will is rubbing my back<br />

slowly, and this motion makes me retch again so quickly I can’t tell<br />

him to stop. I shrug him off, and when finally I’m spent, I spit a few<br />

times, wipe my mouth with my shirt, and turn to see him sitting on<br />

his knees, looking lost.<br />

“I’m sorry,” he says.<br />

“It’s okay.” I drop my head.<br />

“I’ll get you water.”<br />

I nod and move to the other side of the tree and put my back<br />

against the smooth bark of the beech. I close my eyes and open them<br />

again when the screen door scrapes. Will brings a tall water and a<br />

clean shirt for me. He helps me out of my dirty shirt, and I catch him<br />

peeping at my belly. He looks to me and sees I’ve seen him.<br />

“Sorry.”<br />

I take the water from him, wanting it to be a calm pool I can lie<br />

down in. The glass is heavy.<br />

“I really am sorry, Lou.”<br />

“Okay.”<br />

“Okay?” His voice is tight.<br />

I don’t have the energy for this. “Yes, okay.”<br />

“Can I help you inside?”<br />

“I’m staying to help.”<br />

“Don’t be ridiculous, Louise. You just puked y<strong>our</strong> guts out. You<br />

need to rest.”<br />

“I don’t need to rest. There’s no one else to help.”<br />

Will starts to say something, stops. “I know, but it’s okay to let me<br />

do this. It’s the one thing I can do.”<br />

I know he’s right. I know this would make him feel better, which<br />

is why I won’t let him do it. I stand up, feel my head spin, and walk<br />

back to the plywood table, where pieces of turtle are strewn about. I<br />

bite the side of my cheeks and yank globs of fat from the carcass and<br />

toss them into the gut bucket. The globs make a sick sliding noise as<br />

they thud against the plastic; they cover the turtle’s head.<br />

“Lou.” Will, across the crude table, puts his hands on mine. “Please<br />

let me do this.”<br />

“You’ve done quite enough already.” I pull my hands away, gesture<br />

at my belly, and tear at turtle entrails and organs. I can feel him staring<br />

at me. I look up.<br />

“I thought we decided together.”<br />

“<strong>No</strong>, Will, you decided.”<br />

<strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong> ◆ 53

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