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Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our

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52 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong><br />

Heather E. Goodman<br />

net, it steams. I hump it back to the board, and while it cools, Will eats<br />

an egg salad sandwich. I pick at the crusts and stare at the swamp. The<br />

blackbirds call and deep frog gulps echo them.<br />

“You aren’t hungry?”<br />

I shake my head. “Think of the money we’re saving.”<br />

“We need you to eat, Lou.”<br />

I pick a splinter of wood from the steps.<br />

“So Jared’s okay with you keeping the place?”<br />

“He certainly doesn’t want it.”<br />

“Do you?”<br />

I turn to Will and wipe a dab of egg salad from the corner of his<br />

mouth. “You know I do.”<br />

“And the baby?”<br />

I suck in my breath. “I don’t know what the baby wants, Will.”<br />

We’re quiet for a while. He follows a bittern with his eyes. Even<br />

after all these years here, the bittern makes me hold my breath too. The<br />

bird points its beak to the sky, and I know if I look away, I won’t be able<br />

to find it again, blending in with the grasses.<br />

“It’s beautiful.” I mean it too. Swamp is an ugly word for the cattails<br />

growing tall and proud and the flycatchers flipping their feathers. It<br />

doesn’t reveal the dragonflies, frogs escaping their trapped tadpole<br />

selves, secret moss, and peepers that sing us to sleep. The word is only<br />

right for the mosquitoes and the pungent, heady smell that mixes with<br />

<strong>our</strong> breath.<br />

“Let’s do it,” I say and heft myself up. I take the other knife<br />

from the board. The turtle’s skin feels like a toad’s.<br />

I think of Mom, all the times I watched her. I jam the knife in<br />

between the two halves, and twist it just like she did. The shell cracks.<br />

“Jesus, Lou.”<br />

I use the knife like a lever. A tight ripping sound, popping of bone<br />

and tendon.<br />

Will holds the bottom shell, and I turn and twist the carapace as<br />

it pulls from the skin, a tooth barely loose.<br />

“Hold this?” I give the knife to Will and yank on the two frames.<br />

He slices through the sinew still holding top to bottom.<br />

He works the blade back and forth, and we rip the shells from one<br />

another. The smell, before implied and needling, is now immediate<br />

and violent. Sick, bubbled flesh, and I’m only able to run three steps<br />

before gripping a beech tree and retching. They are wracking spasms,

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