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Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our

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Michelle Bitting<br />

Remains<br />

Out of the ashes of the morning after,<br />

we rose to find you gone, truly gone,<br />

y<strong>our</strong> body already a glacier<br />

mottled gray and blue<br />

in a mortuary drawer across town,<br />

y<strong>our</strong> frozen lip-pond fixed<br />

in the shape of whatever last word skated past:<br />

final message that flamed a synaptic sky<br />

before hurtling down the neural chute,<br />

limping into cheek muscles, tongue,<br />

fainting at the mouth’s doorstep,<br />

mandible a window releasing<br />

the death note like a dove<br />

as the flesh shut its house down<br />

room by room, forever.<br />

Yes, we woke to the questions “why” and “what if,”<br />

to the sweet, slick chowders<br />

that appeared in the kitchen,<br />

clogging <strong>our</strong> throats,<br />

to turbid answers we’d regurgitate for months<br />

and still know less<br />

than the friends who flocked<br />

in their m<strong>our</strong>ning cloaks needed—crows<br />

perching themselves on sofa, sill—<br />

the word suicide a rank carcass there<br />

in the middle of everything<br />

and all of us silent,<br />

feeding on it, hungrily.<br />

<strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong> ◆ 27

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