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Crab Orchard Review Vol. 12, No. 2, our

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226 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong><br />

Book <strong>Review</strong>s<br />

cities upon cities of tents to keep the rain out<br />

for all <strong>our</strong> refugees...<br />

Hasan transforms this past symbol of peace and hope into a grim<br />

reminder of the reality those living in the present continue to face.<br />

At a time when there are often complaints that poetry is<br />

obscure, difficult, and self-indulgent, Hasan’s work is urgent and<br />

straightforward. Though often bleak, Grieving Shias is a reminder of<br />

the need to speak out loudly against the din and unrelenting forces of<br />

the past, present, and future, shaping the lives and lands of the world<br />

we live in.<br />

—<strong>Review</strong>ed by Jon Tribble<br />

Light, Kate. Gravity’s Dream: New Poems and Sonnets. West Chester,<br />

PA: West Chester University Poetry Center, 2006. 79 pages. $14.95.<br />

Kate Light’s poems in her third collection, Gravity’s Dream, the winner<br />

of the 2006 Donald Justice Award, are at times intensely personal,<br />

recalling Emily Dickinson’s playful scrutiny and intelligence. But unlike<br />

Dickinson’s poems, which some readers find cryptic, Light’s poems<br />

are at once concentrated and accessible, and invite communication.<br />

While Light writes a specific lyric of the self, to read her work is often<br />

to feel a pleasure of finding one’s own experience—of love, confusion,<br />

discovery—named.<br />

The poems suggest that naming and puzzling over the naming of<br />

one’s world are lifelong tasks that began early. “Skipping” describes a<br />

grade-school promotion that results in a crestfallen introduction to a<br />

reductive world:<br />

What is a Yes / <strong>No</strong> test? What is Greater Than / Less Than?<br />

I used my thumb and first finger to measure each number<br />

over and over. Weren’t they all the same size? Yes. <strong>No</strong>.<br />

There hadn’t been desks, just tables in a square,<br />

and a teacher saying: This is the letter A<br />

while my heart sank.<br />

New readers, as well as with those familiar with Light’s use of the<br />

narrative sonnet sequence in her previous books, The Law of Falling

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