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Crab Orchard Review Vol. 12, No. 2, our

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222 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong><br />

Book <strong>Review</strong>s<br />

The author’s talent for poignant expression, which runs throughout<br />

Blue-Tail Fly, is evident in “Walt Whitman Reads to the Limbless,<br />

Dying,” a tribute to poetry’s ability to serve as a salve for the wounded.<br />

Francis applies her own love of words to ease pain and heal distress.<br />

The plea of the wounded to Whitman mirrors the desire of the reader<br />

for more of Vievee Francis’ words in the final lines of this poem:<br />

a poem rolls as a song across his lips,<br />

familiar as the clop of a horse upon brick.<br />

Piece by piece a life is reinvented, as the song<br />

cobbles over closed eyes.<br />

Write for me.<br />

—<strong>Review</strong>ed by Patty Dickson Pieczka<br />

Graham, Matthew. A World Without End. Montgomery, AL: River<br />

City Publishing, 2005. 104 pages. $20.00.<br />

Matthew Graham’s third collection, A World Without End, is a book of<br />

loss and lamentation, a book that acknowledges life’s difficult terrain<br />

by looking backward into childhood and forward into mortality. It’s<br />

also a book of history and family, one that chronicles how unsettling<br />

and tenuous the connections between them can be. In these poems,<br />

Graham depicts the details of both small towns and big cities, of the<br />

uncertain negotiations between men and women, and reminds us how<br />

slight the line between human fragility and success is.<br />

The book’s opening section returns readers to Graham’s upstate<br />

New York beginnings, a childhood full of “atomic air raid drills” and<br />

“the wet wool of cloakrooms.” In poems such as “ Still Life with School<br />

Bus” and “First Dance,” we encounter a speaker whose surroundings are<br />

bewildering and fraught with the perils of growing up—“the Shalimar<br />

and taffeta of girl” being chief among them. The most striking poem<br />

in this section is “Two Grandfathers Fighting,” an ode to a certain<br />

stoic male sensibility that is no longer prevalent in <strong>our</strong> current mediasaturated<br />

culture of reality television and confessional talk shows:<br />

...One grandfather was a dark and silent man,<br />

The other a nasty drunk.

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