Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our Crab Orchard Review Vol. 12, No. 2, our

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202 ◆ Crab Orchard Review Jeremy B. Jones They even critique other evangelical churches and speak about the opportunity to create a better church. A better denomination. A righteous church. This is an intensely American idea—the search for the new, pure church. America has more denominations than it can count, and they’re almost all sending missionaries to Latin America. As a Protestant Christian, I am a little offended by many of these forming churches, by their aggression toward Catholicism. This isn’t my country, but often it is my countrymen bringing such a message/tactic. Usually American missionaries bring the word. They start the churches—usually in someone’s house, and when more money is raised they seek a building. Then more money for guitars and amps and speakers. There are two wealthy churches in town, and they are loud. They are so loud that the people within a block are able to experience the service without even going. There is a young American missionary named Marshall living in a small community higher in the mountains. He comes into town every week or so to check his email. He’s growing a beard, I’ve noticed. Last week he had a conversation about salvation with the twenty-something-yearold guys that run the internet café. They seemed mostly interested, considering Marshall’s Spanish is elementary at best. He tended to say the same things over and over, and eventually the internet guys asked if he thought the world would end soon. He did. I’ve never had a conversation with Marshall. I don’t know why. Partly I am resistant to him as another American in town. It’s irrational, but I feel like he is infringing on my campo. Once we were both in the post office, and he, in Spanish, told me to have a good day. I could never pass for Latino, and he knows that I am American. Why didn’t he just address me in English? Maybe he thinks he’ll pass for Honduran. It’s clear that this isn’t his country (or his language), but I am curious about his motivations. Part of me wants to sit down with Marshall. I studied theology in college, and I am interested in his story. At the same time, I am offended by the manner in which he has come to Honduras. He has come to change it. He has come to meddle in what isn’t his. Of course, I have too. I am here to teach students; I am trying to spread education; I think I have something of use to give. It’s all so bothersome on a psychological level. In some way, it seems that any form of help is condescension—a reaching down. I have been very conscious of this since I came. I try to lend a hand rather than giving one. I have tried to be a part rather than an international influence. I

Jeremy B. Jones have been learning as much as I have been teaching. Marshall and I proselytize in subtle ways: I take my class on field trips to the botanical garden; he chats about religion in internet cafés. This subtlety isn’t part of Honduran marketing. It’s not so covert or subversive. The Honduran tactic is invasive only in its racket. In America, advertising is just as loud, but visually so. Even personally loud—if you don’t wear this you’re not thin. The ice cream truck that is on the opposite side of town is audible to me here, beside the park, blocks and blocks away. It plays childish music at an eardrumbreaking level. On top of the music the flavors repeat: vainilla, banano, chocolate, ron con pasas, y arco iris!! A child can be plenty prepared, as he can hear the truck coming twenty minutes before it arrives. There are other trucks moving through town. One is selling cheese. It doesn’t play any music from its speakers, but the driver repeats the same mantra over and over about fresh, farm cheese. There is no expiration date on cheese that is cut with a machete out of the back of a truck. Another truck is selling fish, even shrimp, the speaker broadcasts. There is so much noise that I can’t think straight. Everyone around me is immune to all of the noise. No one seems annoyed. No one seems to notice; though, I know they do. People are casually making their way toward the stage with the music and the games and the free posters. A storeowner has come out to buy some cheese. Kids are lobbying for money for ice cream. These Hondurans have seemingly developed the ability to hear only what they need. Or at least it seems that way. No one turns to see what is making the noise; no ears perk up. If it’s important, they hear it and nonchalantly act. If not, it floats on in the air—and drives me crazy. I can tune out commercials in the States. I can drive hours without consciously noticing a billboard, but this noise rattles my head. Just another Saturday reminder that I am not Honduran. The nicer trucks with the political speakers head into the small aldeas around the town. They drive the rugged roads, cross water, and take the music of Miguel into the small villages. The aldeas in the mountains vary in size. La Campa has five hundred people, but others have only a handful. The lucky ones get electricity for part of the day and pipes carrying water from the river. The not-so-lucky ones get beans. The trucks come back with twenty campesinos standing in the bed. It’s like a parade and the campesinos are in it—they are guests to the president’s dinner. Miguel’s camp is giving away food, and Crab Orchard Review ◆ 203

Jeremy B. Jones<br />

have been learning as much as I have been teaching. Marshall and I<br />

proselytize in subtle ways: I take my class on field trips to the botanical<br />

garden; he chats about religion in internet cafés.<br />

This subtlety isn’t part of Honduran marketing. It’s not so covert<br />

or subversive. The Honduran tactic is invasive only in its racket. In<br />

America, advertising is just as loud, but visually so. Even personally<br />

loud—if you don’t wear this you’re not thin. The ice cream truck<br />

that is on the opposite side of town is audible to me here, beside the<br />

park, blocks and blocks away. It plays childish music at an eardrumbreaking<br />

level. On top of the music the flavors repeat: vainilla, banano,<br />

chocolate, ron con pasas, y arco iris!! A child can be plenty prepared,<br />

as he can hear the truck coming twenty minutes before it arrives.<br />

There are other trucks moving through town. One is selling<br />

cheese. It doesn’t play any music from its speakers, but the driver<br />

repeats the same mantra over and over about fresh, farm cheese. There<br />

is no expiration date on cheese that is cut with a machete out of the<br />

back of a truck. Another truck is selling fish, even shrimp, the speaker<br />

broadcasts. There is so much noise that I can’t think straight.<br />

Everyone around me is immune to all of the noise. <strong>No</strong> one seems<br />

annoyed. <strong>No</strong> one seems to notice; though, I know they do. People are<br />

casually making their way toward the stage with the music and the<br />

games and the free posters. A storeowner has come out to buy some<br />

cheese. Kids are lobbying for money for ice cream. These Hondurans<br />

have seemingly developed the ability to hear only what they need.<br />

Or at least it seems that way. <strong>No</strong> one turns to see what is making the<br />

noise; no ears perk up. If it’s important, they hear it and nonchalantly<br />

act. If not, it floats on in the air—and drives me crazy. I can tune out<br />

commercials in the States. I can drive h<strong>our</strong>s without consciously<br />

noticing a billboard, but this noise rattles my head. Just another<br />

Saturday reminder that I am not Honduran.<br />

The nicer trucks with the political speakers head into the small<br />

aldeas around the town. They drive the rugged roads, cross water,<br />

and take the music of Miguel into the small villages. The aldeas in the<br />

mountains vary in size. La Campa has five hundred people, but others<br />

have only a handful. The lucky ones get electricity for part of the day and<br />

pipes carrying water from the river. The not-so-lucky ones get beans.<br />

The trucks come back with twenty campesinos standing in<br />

the bed. It’s like a parade and the campesinos are in it—they are guests<br />

to the president’s dinner. Miguel’s camp is giving away food, and<br />

<strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong> ◆ 203

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