Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our Crab Orchard Review Vol. 12, No. 2, our

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Sara Pennington Year of the Locust (II) We’d been wringing our hands for decades, it seemed, squinting toward that noisy year. We’d hoarded all the best words: “Horology” for instance, and “the universal whorl,” “the ratcheting racket,” “nothing but flit and husk.” Those little Lazaruses made us born-again believers. We couldn’t help but want the Resurrection. We couldn’t help but want to swarm. We were growing sick of visual imagery: so much sepia tone & moon glow, so many skeins of hand-spun yarn. We’d been wanting the infinite ticks and shrieks, the cacophonous shirring, the whirring. Most of us barely heard a thing. Most of us heard only the usual orchestra, jack-dawed over the rhythm of the house band. Half of us were praising Brood Ex, the other half insisting “Brood Ten rocks!” Either way, no one was really listening. Either way, we wanted to press our bodies together; we couldn’t help but get up and dance. 178 ◆ Crab Orchard Review

Mike Puican Good Friday Procession through Peñalolén in Santiago, Chile, reenacting the Stations of the Cross Santiago, the pigeons fly through our forgetfulness. The prayers release us from our intentions; release us from the body falling to the street, the stain of blood by the bus stand. Santiago, heart crazy with hope, unfilled as an empty coffin, your men once stood with bound hands in the soccer stadium. They knew who they were. They knew what their future was. They could say anything. Today we say the Stations of the Cross: Pigeon, Stick, Fire, Water, Butcher, Unmoving chest of the deacon’s wife, Children hiding under cars waiting for soldiers to leave, Corpses with ancient chambers still thudding inside their hearts, Smoke rising from students splayed across the playing field. Black smoke gathers inside our mouths. A man is strapped to a cross and raised above the crowd. We gather around him. Our prayers are said loud and open-throated. They are the same prayers of the rising ghosts. As the procession moves through the neighborhood, the white lips on corpses begin to open. Now that heaven’s been destroyed, we can say anything. Crab Orchard Review ◆ 179

Sara Pennington<br />

Year of the Locust (II)<br />

We’d been wringing <strong>our</strong> hands<br />

for decades, it seemed,<br />

squinting toward that noisy year. We’d hoarded<br />

all the best words: “Horology”<br />

for instance, and “the universal whorl,”<br />

“the ratcheting racket,”<br />

“nothing but flit and husk.”<br />

Those little Lazaruses made us born-again<br />

believers.<br />

We couldn’t help but want the Resurrection.<br />

We couldn’t help but want to swarm.<br />

We were growing sick<br />

of visual imagery: so much sepia tone & moon glow,<br />

so many skeins of hand-spun yarn.<br />

We’d been wanting the infinite<br />

ticks and shrieks, the cacophonous shirring, the whirring.<br />

Most of us barely heard a thing.<br />

Most of us heard<br />

only the usual orchestra, jack-dawed over the rhythm<br />

of the house band.<br />

Half of us were praising Brood Ex,<br />

the other half insisting “Brood Ten rocks!”<br />

Either way,<br />

no one was really listening. Either way, we wanted to press<br />

<strong>our</strong> bodies together; we couldn’t help<br />

but get up and dance.<br />

178 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong>

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