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Crab Orchard Review Vol. 12, No. 2, our

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Krishna Pattisapu<br />

For the Little Girl at the Diwali Festival<br />

Her bangled ankles trail behind her father<br />

as he parts an ocean of Indians<br />

toward the ballroom stage, lavani voices<br />

crawling staccato through speakers.<br />

Unlike me, she understands Hindi—<br />

the foreign music of their words,<br />

gold hoops tugging her earlobes thin.<br />

In my childhood, Father told me<br />

girls without jewelry are not beautiful,<br />

weighted my wrists with bracelets<br />

heavier than my hands. Her fingers<br />

crocheted in silence take me back<br />

to that girl of seven, tongue gliding over my lips<br />

at the mention of gulabjamun.<br />

On visits to family, I ate only rice<br />

and chapattis, swallowed each slice of dough<br />

hoping I would not taste it. I ran barefoot<br />

with Indian cousins, Punjabi ripping<br />

with the damp of sprinklers, my pale face<br />

like a spoiled spot on the lawn.<br />

I have the only white face tonight<br />

at my table, bindi clinging to the half-caste arc<br />

of my forehead. I have forgotten to wear<br />

the gold chain that strangles my neck,<br />

my father’s brow raised in disapproval.<br />

This is my daughter, he says.<br />

She is American.<br />

158 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong>

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