Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our Crab Orchard Review Vol. 12, No. 2, our

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Old World The summer I tend the derelict graveyard, cherry trees wrench me in and out of sleep as dreams rename themselves— Damiana, Orris Root, Red Sandalwood, Belladonna, Monkshood, kinked petaled patrons of unmarked tombs. Comets tinsel the night, flaming like coils on Danaë’s pale belly and my unseasoned lips, dressing our musky swill in summer’s darkest reds. Don’t touch the cherries, grandma counsels. Sweep them off the graves and let them rot there. Don’t play at cherry-pit with Satan, grandpa warns. I don’t worry. All the pruning and weeding will surely keep my mind off such sweetness wasting. But the graveyard has grown restless and I love cherries. Tongue-cradling each luscious morsel till it bursts, I vow to remember the damage I am still to incur, then spit the stone on the freshest grave. Old souls may have claimed my own, but I can tell these cherries are the best I’ll ever know. 156 ◆ Crab Orchard Review Mihaela Moscaliuc

Lisa Ortiz Easter Poem That sunset of eggs in a carton— they blaze in your fridge now, you grown-up woman, and it will be in this oven that you picked out from a warehouse of ovens that the ham is cooked, the green bean casserole, the dough rising on your counter. And it is your children who search the plastic grass of their baskets for foiled chocolate and jelly eggs—though it is still Christ who rises again and again from the dead, who ascends in a mist of clouds above a congregation: still to His service they rush, and you hear through the window songs and prayers, the rustle of younger legs in pale dresses—yet in the cathedral of your kitchen you blow steam from the sweet rolls, lick the sugar from your fingers and hum not a hymn but a pop song from your high school days about summer love and sunglasses, swing your dusty hips and count again—for all those who will arrive— a tidy row of forks and spoons. Crab Orchard Review ◆ 157

Lisa Ortiz<br />

Easter Poem<br />

That sunset of eggs in a carton—<br />

they blaze in y<strong>our</strong> fridge now, you grown-up woman,<br />

and it will be in this oven that you picked out<br />

from a warehouse of ovens that the ham is cooked,<br />

the green bean casserole, the dough<br />

rising on y<strong>our</strong> counter.<br />

And it is y<strong>our</strong> children who search<br />

the plastic grass of their baskets<br />

for foiled chocolate and jelly eggs—though it is still Christ<br />

who rises again and again from the dead,<br />

who ascends in a mist of clouds above a congregation:<br />

still to His service they rush, and you hear<br />

through the window songs and prayers, the rustle of younger legs<br />

in pale dresses—yet in the cathedral of y<strong>our</strong> kitchen<br />

you blow steam from the sweet rolls,<br />

lick the sugar from y<strong>our</strong> fingers and hum<br />

not a hymn but a pop song from y<strong>our</strong> high school days<br />

about summer love and sunglasses, swing<br />

y<strong>our</strong> dusty hips and count again—for all those who will arrive—<br />

a tidy row of forks and spoons.<br />

<strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong> ◆ 157

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