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Crab Orchard Review Vol. 12, No. 2, our

Crab Orchard Review Vol. 12, No. 2, our

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Christopher Matthews<br />

Christmas Postage Stamp<br />

Reduction has made it<br />

a wonder of precision: mother & child<br />

the size of a microchip<br />

exact enough to smuggle on the tongue.<br />

Giotto’s Madonna’s<br />

monumental hands—jointless, immobile, robust,<br />

hypnotist hands<br />

teasing out will through the eyes—don’t grip: they keep,<br />

they weld to their orbit<br />

the child & imitation laurel branch<br />

through some invisible<br />

magnetic demand the high voltage master switch<br />

of which is her smile.<br />

Meanwhile, the boy, brand new old man, held out<br />

like a hand grenade,<br />

grabs a miraculous finger & aims it<br />

at the branch & the<br />

textbook little leaf he reaches out to pinch<br />

as though to demonstrate<br />

how to lift the hem of a skirt, or squeeze<br />

the flame from a wick.<br />

Behind them looms a golden gong<br />

<strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong> ◆ 147

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