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Crab Orchard Review Vol. 12, No. 2, our

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130 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong><br />

Terez Rose<br />

dozen and produce she hadn’t seen since leaving her native Nebraska.<br />

The prices are shocking—the equivalent of fifteen dollars for a stalk of<br />

limp broccoli, but it is broccoli, nonetheless. Chocolate fills an entire row.<br />

Wine comprises another. Kate wanders the aisles in a happy reverie.<br />

Holiday music plays through the tinny overhead speakers, as out<br />

of place as a dusty village woman at an English tea party. Bing Crosby<br />

should be dreaming of a White Christmas on another continent, Kate<br />

muses, wiping the sweat off her face. She is perusing the spice rack<br />

when, to her shocked surprise, she hears Tchaikovsky’s “Waltz of the<br />

Flowers” from The Nutcracker coming from above. The music invades<br />

her senses like a drug injected into the bloodstream. Something in her<br />

body leaps to life, while another part freezes in dismay. It’s like seeing<br />

an old boyfriend she isn’t yet over.<br />

She performed in The Nutcracker every year for the past fifteen<br />

Christmas seasons. She’s purposely avoided playing her tape recordings<br />

in her dusty little town to keep from feeling the nostalgia that now<br />

sweeps over her. But like an alcoholic holding a drink, she has little<br />

choice but to succumb to its seductive power. She shuts her eyes and<br />

she is there, lights blazing down as she leaps across the stage, every<br />

muscle and nerve in her body tuned in, focused single-mindedly on<br />

the dance. Listening to the store’s muffled music, she can almost feel<br />

the high again, the surge of power c<strong>our</strong>sing through her arms in the<br />

finishing pose. That intoxicating, otherworldly feeling—it is why she<br />

craves dance.<br />

“Kate?” Her eyes fly open. Carmen has rounded the corner with<br />

the shopping cart and now stands in front of her. “Anything wrong?”<br />

She shakes herself free of the music’s spell. Her head begins to<br />

pound. She dumps her purchases into Carmen’s cart and tries to<br />

steady her voice. “I just need to get out of here for a minute—it’s really<br />

stuffy. I’ll wait for you outside.”<br />

Home—the place she has successfully avoided thinking about,<br />

until the Nutcracker music brought it back. Following dinner with<br />

Henry and Carmen, she steps outside Carmen’s house to look up at<br />

the stars. The memories, along with the pain, slide back into place.<br />

On Christmas Eve last year, the entire family gathered at the<br />

house, the way they did every year. The usual Christmas tree filled<br />

one corner of the living room, bloated with decorations, gifts spilling<br />

out from underneath. Kate had just finished a run of ten Nutcracker<br />

performances, leaving her physically and emotionally depleted. It was

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