Crab Orchard Review Vol. 12, No. 2, our
Crab Orchard Review Vol. 12, No. 2, our Crab Orchard Review Vol. 12, No. 2, our
128 ◆ Crab Orchard Review Terez Rose Lambaréné is one of Gabon’s main cities, a large inland island that bisects the Ogooué River. The smell of waterlogged foliage battles with the diesel fumes of rumbling trucks and overripe odors from the market, a noisy place choked with people, dust, chickens and produce. Upon descending from the beer truck with rubbery legs, Kate heads to the meeting spot that Carmen proposed: a restaurant-bar, located in a bright blue house on the periphery of the marketplace. She walks hesitantly toward the bar and then spies Carmen, a welcoming smile on her face, arms open to embrace Kate. Home. Or close enough. They have three months of teaching adventures to catch up on. They find seats in the yard under the protection of a giant coconut palm. Inside the house, pots clang in dinner preparation. Outside, a goat snuffles through nearby weeds. The afternoon light is growing soft, the golden rays mingled with wood smoke that curls up from neighborhood cooking fires. The smell is sweet and comforting. They toast each other with cold beers and laugh over the way the months in Africa have tempered the idealism they’d arrived in the country with, six months earlier. If it wasn’t the heat and staggering humidity, they agreed, it was the feeling of always being an object of curiosity. Kate, a ballet dancer back home, complains how the kids will follow her every move, checking out her purchases in the store, tagging behind her to her house and peering into her shuttered windows every time she plays her classical music and tries to stretch. People stop her in town to ask if they can touch her long, wavy blonde hair; they gawk at her pale blue eyes. Carmen complains about the language challenges, the cultural gaffes. They lower their voices to discuss the spooky mysticism that hovers over daily life like an invisible fog; the way the drums played at gatherings seem to embody the secrets of Africa they have yet to learn. “How’s teaching going for you?” Carmen tips her beer back to catch the last drops. Kate sighs. “Getting tougher—the kids are growing restless. And then I had this weird occurrence just last week.” “What?” “You got any problem students?” “Of course. No class is complete without the little angels.” “Well, this one student was getting too disruptive, so I marched down the aisle and in a loud voice asked him in English if he was too busy to listen to me. And the students just went wild.” “Busy,” Carmen repeats. “Oh no, you didn’t.” She squeezes her eyes shut. “Oh no. Oh no. I know what’s coming next.”
Terez Rose “Okay, the joke’s on me, and clearly everyone gets it but me. Do you mind telling me where the grand faux pas is?” “Baiser.” “No, busy.” “Yes, but it sounds like the French word, ‘baiser.’” “Which means?” “In the old literary sense, it means to kiss. But in current slang, basically…” “Basically what?” “Well, it means ‘to fuck.’” Kate buries her face in her hands. “Lovely.” “So, how did they react?” “Oh God, they just screamed with delight. Or shock. I don’t know. The whole class was ruined. Even the next day, the students were giggling and asking each other ‘Are you busy today?’” Carmen begins to chuckle. Kate scowls. “It’s not funny, dammit.” “Yes it is. It’s hysterical. And you’re probably the hundredth Englishspeaking teacher to make the same mistake. It’s almost a rite of passage.” “Oh, so you’re saying you did it?” “No, but the Volunteer before me did. I got the scoop from the other English teacher at my school. But I did try to explain to all my colleagues that I was a happy person. I described myself as une fille de joie.” “A girl of joy? They had a problem with that?” “Ah, but une fille de joie means something different in French slang. I pretty much announced to the entire school administration that I was a lady of the night.” The beer Kate has just sipped sprays out of her mouth. This sets the two of them laughing. “Have to tell you,” Carmen wheezes a minute later, “I’ve had no trouble making friends here since then, that’s for sure.” They sit and howl with laughter, ignoring the small crowd that has gathered to watch the two eccentric white women lose control of themselves. The following day is Christmas Eve. Henry, another fellow American, shows up to spend the holiday with Carmen and Kate. They drive back to the marketplace, squeezed into the cab of Henry’s rattling, dust-encrusted Toyota. While he searches for a car part, Carmen takes Kate to Score, a supermarket that caters to the French expatriate community. Kate discovers caviar, foie gras, cheeses by the Crab Orchard Review ◆ 129
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- Page 97 and 98: Donna Hemans in a way she didn’t.
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- Page 121 and 122: Bryan Tso Jones Rituals on the Day
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- Page 125 and 126: Colette Jonopulos Her Boy …it is
- Page 127 and 128: Letter on Another Occasion for Arli
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- Page 157 and 158: while the wedding of every evening
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<strong>12</strong>8 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong><br />
Terez Rose<br />
Lambaréné is one of Gabon’s main cities, a large inland island<br />
that bisects the Ogooué River. The smell of waterlogged foliage battles<br />
with the diesel fumes of rumbling trucks and overripe odors from the<br />
market, a noisy place choked with people, dust, chickens and produce.<br />
Upon descending from the beer truck with rubbery legs, Kate heads<br />
to the meeting spot that Carmen proposed: a restaurant-bar, located<br />
in a bright blue house on the periphery of the marketplace. She walks<br />
hesitantly toward the bar and then spies Carmen, a welcoming smile<br />
on her face, arms open to embrace Kate. Home. Or close enough.<br />
They have three months of teaching adventures to catch up on.<br />
They find seats in the yard under the protection of a giant coconut palm.<br />
Inside the house, pots clang in dinner preparation. Outside, a goat<br />
snuffles through nearby weeds. The afternoon light is growing soft, the<br />
golden rays mingled with wood smoke that curls up from neighborhood<br />
cooking fires. The smell is sweet and comforting.<br />
They toast each other with cold beers and laugh over the way the<br />
months in Africa have tempered the idealism they’d arrived in the country<br />
with, six months earlier. If it wasn’t the heat and staggering humidity,<br />
they agreed, it was the feeling of always being an object of curiosity. Kate,<br />
a ballet dancer back home, complains how the kids will follow her every<br />
move, checking out her purchases in the store, tagging behind her to her<br />
house and peering into her shuttered windows every time she plays her<br />
classical music and tries to stretch. People stop her in town to ask if they<br />
can touch her long, wavy blonde hair; they gawk at her pale blue eyes.<br />
Carmen complains about the language challenges, the cultural gaffes.<br />
They lower their voices to discuss the spooky mysticism that hovers over<br />
daily life like an invisible fog; the way the drums played at gatherings<br />
seem to embody the secrets of Africa they have yet to learn.<br />
“How’s teaching going for you?” Carmen tips her beer back to<br />
catch the last drops.<br />
Kate sighs. “Getting tougher—the kids are growing restless. And<br />
then I had this weird occurrence just last week.”<br />
“What?”<br />
“You got any problem students?”<br />
“Of c<strong>our</strong>se. <strong>No</strong> class is complete without the little angels.”<br />
“Well, this one student was getting too disruptive, so I marched<br />
down the aisle and in a loud voice asked him in English if he was too<br />
busy to listen to me. And the students just went wild.”<br />
“Busy,” Carmen repeats. “Oh no, you didn’t.” She squeezes her<br />
eyes shut. “Oh no. Oh no. I know what’s coming next.”