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Use of Realism in Mulk Raj Anand's Novels - international indexed ...

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International Referred Research Journal, January, 2012, ISSN- 0975-3486, RNI : RAJBIL 2009/30097, VOL- III * ISSUE 28<br />

is the prom<strong>in</strong>ent theme and he is concerned with the<br />

suffer<strong>in</strong>gs <strong>of</strong> the masses i.e. Shudra- sweepers and his<br />

wish to br<strong>in</strong>g about social happ<strong>in</strong>ess <strong>in</strong> their lives and<br />

to register his protest aga<strong>in</strong>st the evil <strong>in</strong> the social<br />

system <strong>of</strong> H<strong>in</strong>dus as well, whereas Coolie is about the<br />

new caste system, the economic 'classes' be<strong>in</strong>g so rigid<br />

as to be almost 'closed'. Two Leaves and a Bud represents<br />

the pa<strong>in</strong> <strong>of</strong> poor Indians, who suffer <strong>in</strong> the hands<br />

<strong>of</strong> the British, but the Indian life it represents is based<br />

on the caste and community. Anand wrote these novels<br />

<strong>in</strong> the phase <strong>of</strong> his career when caste system was on the<br />

peak <strong>in</strong> India and he was aware enough to raise his <strong>in</strong><br />

protest. Anand himself accepts:<br />

"From tha time onwards my protest about the human<br />

predicament, under the empire and <strong>in</strong> the atmosphere<br />

<strong>of</strong> our own decay, <strong>of</strong>ten result<strong>in</strong>g from bl<strong>in</strong>d acceptance<br />

<strong>of</strong> bad habits and the taboos <strong>of</strong> the sage Manu<br />

and the Hadith tradition <strong>of</strong> Islam, beceme selfconscious….In<br />

a way I sensed the pa<strong>in</strong> <strong>of</strong> l<strong>of</strong>e, which<br />

the more privileged took out <strong>of</strong> the weaker member <strong>of</strong><br />

the flock"( Anand)<br />

In the realist depiction <strong>of</strong> the Indian<br />

society, he has presented to us a class <strong>of</strong> those people<br />

whose social status is dom<strong>in</strong>ated by their economic<br />

status. In his masterpiece Untouchable the status is<br />

determ<strong>in</strong>ed by birth, whereas <strong>in</strong> one <strong>of</strong> another his<br />

novel Coolie it determ<strong>in</strong>es by an economic group. If<br />

we talk about the theme, Coolie <strong>of</strong> Anand is just extension<br />

<strong>of</strong> Untouchable, Anand depicts the social evil that<br />

has run its impact even <strong>in</strong> Indian history. A strong<br />

believer <strong>in</strong> the dignity and the equality, Anand is naturally<br />

shocked at the <strong>in</strong>human way the untouchables<br />

and coolies are treated by those belong to the superior<br />

caste. Whereas Anand tells about a s<strong>in</strong>gle community<br />

<strong>in</strong> his novel untouchables, but it also implies <strong>in</strong> the rest<br />

<strong>of</strong> the world, where we have caste-based society. Where<br />

we have discrim<strong>in</strong>ation on the name <strong>of</strong> class, race. His<br />

representation <strong>of</strong> social structure reflects his idea to<br />

R E F E R E N C E<br />

revolt aga<strong>in</strong>st for exploitators to change their <strong>in</strong>human<br />

behaviour with the rest <strong>of</strong> the world, and also to<br />

uplift their behaviour <strong>in</strong> the society. In the words <strong>of</strong><br />

K.R.S. Iyenger, his works "not only a representation<br />

<strong>of</strong> social reality, but also a necessary functional part <strong>of</strong><br />

social control, and also, paradoxically, an important<br />

element <strong>in</strong> social change"<br />

<strong>Mulk</strong> <strong>Raj</strong> Anand is the greatest writer<br />

<strong>of</strong> downtrodden because <strong>of</strong> his realistic portrayal <strong>of</strong><br />

Indian society, which <strong>in</strong>cludes the social values and<br />

social harmony. Anand believes that man is the creator<br />

<strong>of</strong> his own dest<strong>in</strong>y. He has immense faith <strong>in</strong> man and<br />

his power. Be<strong>in</strong>g a great artist, Anand does speak about<br />

black and white, but he gives the artistic form to the<br />

tragic experience <strong>of</strong> a man. <strong>Anand's</strong> revolt and warn<strong>in</strong>g<br />

lies with<strong>in</strong> the presentation <strong>of</strong> his art. About the<br />

novels <strong>of</strong> Anand, Iyanger says that they came "fresh<br />

from contact with flesh and blood <strong>of</strong> everyday existence".<br />

We f<strong>in</strong>d no discrim<strong>in</strong>ation based on race and<br />

caste <strong>in</strong> our constitution, but <strong>in</strong> practical life these all<br />

aspects still exist <strong>in</strong> our society. Social discrim<strong>in</strong>ation<br />

still prevails this way or that way and, therefore, social<br />

exclusion and exploitation <strong>of</strong> the lower class <strong>of</strong> the<br />

society, though their form and proportion might be<br />

different from the cases <strong>of</strong> pre-<strong>in</strong>dependence era. K.R<br />

Shr<strong>in</strong>ivas Iyenger also confirms this, "….the problem<br />

with blunted edges, perhaps, and also with some reliev<strong>in</strong>g<br />

features here- still defies a firm and f<strong>in</strong>al solution!"<br />

Despite <strong>of</strong> that <strong>Anand's</strong> novels considered as the<br />

blend to change the social system so that the untouchables<br />

can enjoy the equal freedom <strong>in</strong> the society. Anand<br />

dreamt for our strong, united, prosperous and peaceful<br />

nation. Through his great works he has presented to us<br />

the pa<strong>in</strong>ful realistic picture <strong>of</strong> our so called Indian<br />

society <strong>in</strong> a great manner, now he has left on us to th<strong>in</strong>k<br />

how we can change the prevail<strong>in</strong>g system, and how<br />

can we make our nation more prgressive.<br />

<strong>Mulk</strong> <strong>Raj</strong> Anand, Untouchable, New Delhi: Orient Paperbacks, 1970 <strong>Mulk</strong> <strong>Raj</strong> Anand, "The Source <strong>of</strong> Protest <strong>in</strong> my <strong>Novels</strong>" <strong>in</strong> The Indian<br />

Novel with a Social Purpose ed. By K. Venkata Reddy, New Delhi: Atlantic Publishers and Distributors, 1999, pp. 20-21 K.R.S. Iyenger, Indian<br />

Writ<strong>in</strong>g <strong>in</strong> English, New Delhi: Sterl<strong>in</strong>g Publishers, 1984, p.338-39. <strong>Mulk</strong> <strong>Raj</strong> Anand, "The Source <strong>of</strong> Protest <strong>in</strong> my <strong>Novels</strong>", op. cit., p.29<br />

<strong>Mulk</strong> <strong>Raj</strong> Anand: Coolie. 1936. London: Pengu<strong>in</strong>, 1986 Saroj Cowasjee: Author and critic: The letter <strong>of</strong> <strong>Mulk</strong> <strong>Raj</strong> Anand (Writers Workshop<br />

Publication).<br />

RESEARCH ANALYSIS AND EVALUATION 101

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