BLM 97 in aVinegar Bottle he little old lady who lived T
BLM 97 in aVinegar Bottle he little old lady who lived T
BLM 97 in aVinegar Bottle he little old lady who lived T
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<strong>BLM</strong> <strong>97</strong><br />
T<strong>he</strong><br />
<strong>little</strong> <strong>old</strong> <strong>lady</strong> <strong>who</strong> <strong>lived</strong><br />
<strong>in</strong> aV<strong>in</strong>egar <strong>Bottle</strong><br />
CHARACTERS:<br />
Narrator Chickens (4 or 5)<br />
Little Old Lady Footman<br />
Chorus Plumed Horses (4)<br />
K<strong>in</strong>d Fairy Palace Servants<br />
Maidservant Townspeople (carry<strong>in</strong>g baskets of wares to<br />
sell at t<strong>he</strong> market)<br />
This play is adapted from an <strong>old</strong> but <strong>little</strong> known folktale.<br />
Scenery and costume suggestions:<br />
Costumes should be t<strong>he</strong> traditional fairy story type. T<strong>he</strong> Horses could be all dressed <strong>in</strong><br />
brown, white or black tights and skivvies. T<strong>he</strong>y should have large, colourful plumes on<br />
t<strong>he</strong>ir <strong>he</strong>ads. T<strong>he</strong> Chickens could have similar costumes <strong>in</strong> yellow, perhaps with orange legs.<br />
T<strong>he</strong> different homes of t<strong>he</strong> Little Old Lady would most easily be shown by large pictures<br />
made by t<strong>he</strong> children, as has been suggested <strong>in</strong> t<strong>he</strong> play. T<strong>he</strong> v<strong>in</strong>egar bottle could be a<br />
frame that t<strong>he</strong> Little Old Lady could sit <strong>in</strong>.<br />
NARRATOR:<br />
Once upon a time, a long time ago, t<strong>he</strong>re was a <strong>little</strong><br />
<strong>old</strong> <strong>lady</strong> <strong>who</strong> <strong>lived</strong> <strong>in</strong> a v<strong>in</strong>egar bottle. Now s<strong>he</strong><br />
was not very happy liv<strong>in</strong>g <strong>in</strong> that v<strong>in</strong>egar bottle...<br />
LITTLE OLD LADY:<br />
[stepp<strong>in</strong>g out of t<strong>he</strong> v<strong>in</strong>egar bottle]<br />
Well, I ask you—would you be happy, liv<strong>in</strong>g<br />
cramped up <strong>in</strong> a <strong>little</strong> bottle? I have no room<br />
to move, no room to cook, no room to do<br />
anyth<strong>in</strong>g. It just isn’t fair!<br />
CHORUS:<br />
Poor <strong>old</strong> <strong>lady</strong>, it isn’t fair.<br />
No room to cook or sit on a chair.<br />
Blake Education Fully Reproducible 129
<strong>BLM</strong> 98<br />
T<strong>he</strong> Little Old Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
NARRATOR:<br />
Well as it happens, one day a fairy was<br />
pass<strong>in</strong>g by on <strong>he</strong>r travels. S<strong>he</strong> was a k<strong>in</strong>d<br />
fairy, and s<strong>he</strong> felt sorry for t<strong>he</strong> Little Old<br />
Lady.<br />
LITTLE OLD LADY:<br />
[grumbl<strong>in</strong>g away; Fairy listens unseen by <strong>he</strong>r]<br />
’Tis a shame so it is, ’tis a shame that I<br />
should have to suffer so.<br />
CHORUS:<br />
’Tis a shame that s<strong>he</strong> should suffer so,<br />
Fairy, can’t you make <strong>he</strong>r go?<br />
KIND FAIRY:<br />
Sh!<br />
LITTLE OLD LADY:<br />
I should like to live <strong>in</strong> a <strong>little</strong> cottage <strong>in</strong> t<strong>he</strong><br />
country. I would like to have a maidservant to<br />
br<strong>in</strong>g me a cup of tea. I would like a <strong>little</strong><br />
garden with chickens peck<strong>in</strong>g <strong>in</strong> t<strong>he</strong> dirt and<br />
lay<strong>in</strong>g fresh eggs for me. Oh, it just isn’t fair<br />
that I have to live <strong>in</strong> this v<strong>in</strong>egar bottle.<br />
KIND FAIRY:<br />
I th<strong>in</strong>k I can <strong>he</strong>lp you, Little Old Lady. Tonight, w<strong>he</strong>n you go to bed, turn around three<br />
times, and <strong>in</strong> t<strong>he</strong> morn<strong>in</strong>g you’ll see what you’ll see.<br />
[Old <strong>lady</strong> turns, and slips beh<strong>in</strong>d t<strong>he</strong> clos<strong>in</strong>g curta<strong>in</strong>.]<br />
CHORUS:<br />
So s<strong>he</strong> turned around three full times<br />
And, much to <strong>he</strong>r surprise,<br />
In t<strong>he</strong> morn<strong>in</strong>g w<strong>he</strong>n s<strong>he</strong> awoke<br />
What a sight befell <strong>he</strong>r eyes.<br />
NARRATOR:<br />
Yes, t<strong>he</strong> Little Old Lady was no longer <strong>in</strong> t<strong>he</strong> v<strong>in</strong>egar bottle.<br />
[Curta<strong>in</strong> opens. Two children h<strong>old</strong> a large picture of a country cottage with flowers, etc.<br />
T<strong>he</strong>y move aside to reveal t<strong>he</strong> Little Old Lady sitt<strong>in</strong>g <strong>in</strong> a rock<strong>in</strong>g chair. Enter<br />
Maidservant carry<strong>in</strong>g a tray with a teapot and a cup and saucer.]<br />
MAIDSERVANT:<br />
Good morn<strong>in</strong>g, Ma’am. Here is your cup of tea and some freshly baked scones.<br />
LITTLE OLD LADY:<br />
Aah!<br />
[S<strong>he</strong> smiles, t<strong>he</strong>n looks around expectantly. Chickens enter squawk<strong>in</strong>g and peck<strong>in</strong>g; t<strong>he</strong>y<br />
can dance or mime. Maidservant flaps <strong>he</strong>r apron at t<strong>he</strong>m, and shoos t<strong>he</strong>m off stage. S<strong>he</strong><br />
picks up an egg and br<strong>in</strong>gs it to t<strong>he</strong> Little Old Lady.]<br />
130<br />
Blake Education Fully Reproducible
<strong>BLM</strong> 99<br />
LITTLE OLD LADY:<br />
Aah! How happy I am.<br />
NARRATOR:<br />
T<strong>he</strong> Little Old Lady was so happy, but s<strong>he</strong><br />
never thought to say thank you to t<strong>he</strong> K<strong>in</strong>d<br />
Fairy.<br />
CHORUS:<br />
T<strong>he</strong> fairy journeyed north and south,<br />
East, west, and over t<strong>he</strong> sea.<br />
But s<strong>he</strong> often thought of t<strong>he</strong> <strong>little</strong> <strong>old</strong> dame<br />
And of how happy s<strong>he</strong> must be.<br />
NARRATOR:<br />
Well, by and by t<strong>he</strong> K<strong>in</strong>d Fairy returned to<br />
visit t<strong>he</strong> Little Old Lady to see how s<strong>he</strong> was enjoy<strong>in</strong>g <strong>he</strong>r country cottage. But do<br />
you know, that Little Old Lady was grumbl<strong>in</strong>g aga<strong>in</strong>.<br />
[Little Old Lady enters, and walks <strong>in</strong> front of t<strong>he</strong> curta<strong>in</strong>.]<br />
LITTLE OLD LADY:<br />
’Tis a shame so it is, ’tis a shame. Why should I live <strong>in</strong> this bor<strong>in</strong>g house <strong>in</strong> t<strong>he</strong><br />
country with no one to keep me company but one maidservant and some smelly<br />
chickens? Ot<strong>he</strong>r folk live <strong>in</strong> grand mansions <strong>in</strong> town. T<strong>he</strong>y can look out t<strong>he</strong><br />
w<strong>in</strong>dows and see t<strong>he</strong> people go<strong>in</strong>g to t<strong>he</strong> market. T<strong>he</strong>y have horses and a<br />
carriage to go driv<strong>in</strong>g <strong>in</strong>, and t<strong>he</strong>y have menservants as well as maidservants.<br />
Oh, I am so bored! ’Tis a shame, so it is, ’tis a shame that I should suffer so.<br />
CHORUS:<br />
’Tis a shame that s<strong>he</strong> should suffer so.<br />
Fairy, can’t you make <strong>he</strong>r go.<br />
NARRATOR:<br />
Well, t<strong>he</strong> K<strong>in</strong>d Fairy was disappo<strong>in</strong>ted, but s<strong>he</strong> was a<br />
k<strong>in</strong>d fairy, so s<strong>he</strong> said . . .<br />
KIND FAIRY:<br />
I th<strong>in</strong>k I can <strong>he</strong>lp you, Little Old Lady. Tonight, w<strong>he</strong>n you<br />
go to bed, turn round three times, and <strong>in</strong> t<strong>he</strong> morn<strong>in</strong>g<br />
you’ll see what you’ll see!<br />
CHORUS:<br />
So s<strong>he</strong> turned three full times<br />
And, much to <strong>he</strong>r surprise,<br />
In t<strong>he</strong> morn<strong>in</strong>g w<strong>he</strong>n s<strong>he</strong> awoke<br />
What a sight befell <strong>he</strong>r eyes.<br />
[Curta<strong>in</strong> closes as t<strong>he</strong> Little Old Lady turns.]<br />
by Sue Scott<br />
From Playabout (Dellasta)<br />
T<strong>he</strong> Little Old Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
Blake Education Fully Reproducible 131
Teach<strong>in</strong>g notes for T<strong>he</strong>Little Old<br />
Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
Text form: Playscript<br />
Medium: Book of plays<br />
Field: Folktale adaptation<br />
Mode: Includes both written and written to be<br />
spoken<br />
Tenor: Moves from <strong>in</strong>formed to un<strong>in</strong>formed, to t<strong>he</strong><br />
tenor between characters <strong>in</strong> t<strong>he</strong> dialogue<br />
OTHER RESOURCES<br />
Tape recorder to tape speech patterns.<br />
Butc<strong>he</strong>r’s paper and pa<strong>in</strong>ts for t<strong>he</strong> scenery.<br />
Material remnants, feat<strong>he</strong>rs and scraps for costumes.<br />
INTRODUCING THE UNIT<br />
Allow students to form groups to read through and<br />
become familiar with t<strong>he</strong> playscript.<br />
LET’S TALK ABOUT IT!<br />
Encourage students to discuss aspects such as <strong>in</strong>tonation,<br />
pitch, rhythm and t<strong>he</strong> emphasis placed on particular<br />
words <strong>in</strong> t<strong>he</strong> dialogue. Students may refer back to t<strong>he</strong>ir<br />
notes dur<strong>in</strong>g later re<strong>he</strong>arsals. If possible tape record<br />
students as t<strong>he</strong>y experiment. Some responses may<br />
<strong>in</strong>clude: ‘Now s<strong>he</strong> was not very happy liv<strong>in</strong>g <strong>in</strong> t<strong>he</strong><br />
v<strong>in</strong>egar bottle’ can have a different effect w<strong>he</strong>n different<br />
words are emphasised. Near t<strong>he</strong> end of t<strong>he</strong> extract t<strong>he</strong><br />
K<strong>in</strong>d Fairy may start sound<strong>in</strong>g a <strong>little</strong> tired or<br />
exasperated with t<strong>he</strong> Little Old Lady while t<strong>he</strong> Little<br />
Old Lady may sound more demand<strong>in</strong>g.<br />
THE NARRATIVE ELEMENTS<br />
Discuss t<strong>he</strong> structure of t<strong>he</strong> narrative with students<br />
(orientation, complication, sequence of events,<br />
resolution, coda). Have t<strong>he</strong>y observed a similar structure<br />
with this playscript? Po<strong>in</strong>t out that some of t<strong>he</strong>se<br />
elements are miss<strong>in</strong>g because we are only work<strong>in</strong>g with<br />
t<strong>he</strong> first part of t<strong>he</strong> playscript. Encourage students to<br />
locate t<strong>he</strong> parts of t<strong>he</strong> text which <strong>in</strong>dicate t<strong>he</strong><br />
orientation, t<strong>he</strong> complication and some of t<strong>he</strong> events.<br />
Now students will be able to discuss t<strong>he</strong> features of t<strong>he</strong><br />
132<br />
narrative that are still miss<strong>in</strong>g. A classroom chart<br />
illustrat<strong>in</strong>g t<strong>he</strong> structure of t<strong>he</strong> narrative would be a<br />
useful resource.<br />
HOT SEAT<br />
Before students formulate t<strong>he</strong>ir questions, it might be<br />
useful to have a <strong>who</strong>le class discussion about t<strong>he</strong><br />
personality of t<strong>he</strong> K<strong>in</strong>d Fairy and of t<strong>he</strong> Little Old Lady.<br />
Ask students how t<strong>he</strong> personality of each character<br />
might have affected <strong>he</strong>r actions. Encourage students to<br />
th<strong>in</strong>k of questions explor<strong>in</strong>g why t<strong>he</strong> characters behaved<br />
as t<strong>he</strong>y did.<br />
YOU FINISH IT!<br />
Have students work <strong>in</strong> groups to jo<strong>in</strong>tly construct a<br />
draft on butc<strong>he</strong>r’s paper, remember<strong>in</strong>g to <strong>in</strong>clude poetic<br />
text types. Encourage students to plan, review, proofread,<br />
edit and publish as a group, if possible us<strong>in</strong>g a word<br />
processor. Guide t<strong>he</strong>m to refer to t<strong>he</strong> playscript as a<br />
model.<br />
FOLLOW-UP/EXTENSION<br />
• Students should work as a group to perform t<strong>he</strong><br />
<strong>who</strong>le play <strong>in</strong>clud<strong>in</strong>g t<strong>he</strong>ir own end<strong>in</strong>g. Encourage<br />
groups to take responsibility for t<strong>he</strong>ir own costumes,<br />
sets, scenery, re<strong>he</strong>arsals, music, advertis<strong>in</strong>g, venue etc.<br />
• Have students create a storyboard for a movie<br />
director <strong>who</strong> wants to make a movie of t<strong>he</strong> play.
<strong>BLM</strong> 100<br />
Name _________________________________________ Date _______________<br />
T<strong>he</strong> Little Old Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
Let’s talk about it!<br />
Work <strong>in</strong> a group of six or seven. In your group, read t<strong>he</strong> script aloud a few<br />
times, experiment<strong>in</strong>g with pitch, <strong>in</strong>tonation, rhythm and emphasis at different times<br />
dur<strong>in</strong>g t<strong>he</strong> dialogue.<br />
What effect do different speech patterns have on t<strong>he</strong> characters and on t<strong>he</strong> story? On<br />
t<strong>he</strong> l<strong>in</strong>es below, write some of t<strong>he</strong> ideas you tried and t<strong>he</strong> effect t<strong>he</strong>y had.<br />
Speech patterns Effect<br />
NA 3.1 NSW 2.1 Communicates and <strong>in</strong>teracts for specific purposes with students <strong>in</strong> t<strong>he</strong> classroom and <strong>in</strong> t<strong>he</strong> school community us<strong>in</strong>g a small range of text types.<br />
NA 3.3 NSW 2.4 Uses common spoken language structures and features appropriately for express<strong>in</strong>g and <strong>in</strong>terpret<strong>in</strong>g ideas and <strong>in</strong>formation.<br />
Blake Education Fully Reproducible 133
<strong>BLM</strong> 101 Name _________________________________________ Date _______________<br />
T<strong>he</strong> Little Old Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
T<strong>he</strong> narrative elements<br />
T<strong>he</strong> dialogue, or t<strong>he</strong> words spoken by t<strong>he</strong> characters <strong>in</strong> t<strong>he</strong> playscript, tells a story <strong>in</strong><br />
much t<strong>he</strong> same way as a narrative does. In this playscript what is:<br />
T<strong>he</strong> orientation<br />
T<strong>he</strong> complication<br />
1st event<br />
2nd event<br />
Because this is only an extract, some of t<strong>he</strong> steps <strong>in</strong> t<strong>he</strong> narrative are miss<strong>in</strong>g.<br />
What are t<strong>he</strong>y?<br />
134<br />
NA 3.5 NSW 2.5 Reads a wide range of written and visual texts and <strong>in</strong>terprets and discusses relationships between ideas, <strong>in</strong>formation and events.<br />
NA 3.10 NSW 2.13 Recognises and discusses how own texts are adjusted to relate to different readers, how t<strong>he</strong>y develop t<strong>he</strong> subject matter for particular<br />
purposes and audiences.<br />
Blake Education Fully Reproducible
<strong>BLM</strong> 102<br />
Name _________________________________________ Date _______________<br />
T<strong>he</strong> Little Old Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
Hot seat<br />
Imag<strong>in</strong>e that you are a reporter. You want to know why t<strong>he</strong> K<strong>in</strong>d Fairy and<br />
t<strong>he</strong> Little Old Lady acted as t<strong>he</strong>y did. What questions might you ask t<strong>he</strong>m?<br />
Plan your questions <strong>in</strong> t<strong>he</strong> space below.<br />
Questions for t<strong>he</strong> K<strong>in</strong>d Fairy<br />
Questions for t<strong>he</strong> Little Old Lady<br />
Work <strong>in</strong> a group of four. One of your group members is to<br />
take on t<strong>he</strong> role of t<strong>he</strong> K<strong>in</strong>d Fairy. T<strong>he</strong> rest of t<strong>he</strong> group<br />
members are reporters. T<strong>he</strong> K<strong>in</strong>d Fairy is <strong>in</strong> t<strong>he</strong> hot seat and<br />
must answer t<strong>he</strong> reporters’ questions! W<strong>he</strong>n t<strong>he</strong> K<strong>in</strong>d Fairy<br />
has answered all t<strong>he</strong> questions, swap roles so that t<strong>he</strong> Little<br />
Old Lady is <strong>in</strong> t<strong>he</strong> hot seat.<br />
NA 3.1 NSW 2.1 Communicates and <strong>in</strong>teracts for specific purposes with students <strong>in</strong> t<strong>he</strong> classroom and <strong>in</strong> t<strong>he</strong> school community us<strong>in</strong>g a small range of text types.<br />
NA 3.3 NSW 2.4 Uses common spoken language structures and features appropriately for express<strong>in</strong>g and <strong>in</strong>terpret<strong>in</strong>g ideas and <strong>in</strong>formation.<br />
Blake Education Fully Reproducible<br />
135
<strong>BLM</strong> 103<br />
Name _________________________________________ Date _______________<br />
T<strong>he</strong> Little Old Lady Who Lived <strong>in</strong> a V<strong>in</strong>egar <strong>Bottle</strong><br />
136<br />
You f<strong>in</strong>ish it<br />
This play needs f<strong>in</strong>ish<strong>in</strong>g! Work <strong>in</strong> a group of six or seven to:<br />
PLAN additional events, t<strong>he</strong> resolution and t<strong>he</strong> f<strong>in</strong>al comment.<br />
DRAFT your play on chart paper, remember<strong>in</strong>g this play’s special<br />
features such as t<strong>he</strong> poetry, recurr<strong>in</strong>g patterns <strong>in</strong> t<strong>he</strong> text and<br />
<strong>in</strong>structions to t<strong>he</strong> actors.<br />
REVISE, EDIT and PROOFREAD your draft.<br />
PUBLISH your f<strong>in</strong>al copy, properly formatted as a playscript.<br />
Our Plan<br />
NA 3.1 NSW 2.1 Communicates and <strong>in</strong>teracts for specific purposes with students <strong>in</strong> t<strong>he</strong> classroom and <strong>in</strong> t<strong>he</strong> school community us<strong>in</strong>g a small range of text types.<br />
NA 3.12a NSW 2.9 Uses strategies to plan, review, proofread and publish own writ<strong>in</strong>g with awareness of audience and written language features.<br />
NA 3.11 NSW 2.10 2.14 Able to produce a clear text us<strong>in</strong>g correct sentence structure, most grammatical features and punctuation conventions of t<strong>he</strong> text type.<br />
NA 3.10 NSW 2.13 Recognises and discusses how own texts are adjusted to relate to different readers, how t<strong>he</strong>y develop t<strong>he</strong> subject matter for particular<br />
purposes and audiences.<br />
NSW 2.12 Writes us<strong>in</strong>g consistent shape, size, slope and formation. Demonstrates basic desktop skills on t<strong>he</strong> computer.<br />
Blake Education Fully Reproducible