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Invocation 08 - Auroville

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No. 8, August 2000<br />

She came to him in silent anguish and clasped,<br />

And he cried to her, "Savitri, a pang<br />

Cleaves through my head and breast as if the axe<br />

Were piercing it and not the living branch.<br />

Such agony rends me as the tree must feel<br />

When it is sundered and must lose its life.<br />

Awhile let me lay my head upon thy lap<br />

And guard me with thy hands from evil fate:<br />

Perhaps because thou touchest, death may pass."...<br />

But now his sweet familiar hue was changed<br />

Into a tarnished greyness and his eyes<br />

Dimmed over, forsaken of the clear light she loved ...<br />

But once before it faded wholly back,<br />

He cried out in a clinging last despair,<br />

"Savitri, Savitri, O Savitri,<br />

Lean down, my soul, and kiss me while I die."<br />

And even as her pallid lips pressed his,<br />

His failed, losing last sweetness of response;<br />

His cheek pressed down her golden arm. She sought<br />

His mouth still with her living mouth, as if<br />

She could persuade his soul back with her kiss;<br />

Then grew aware they were no more alone. (p. 564 - 565)<br />

There is another presence, a third presence, and the two concluding lines<br />

of the canto tell us who this presence was:<br />

She knew that visible Death was standing there<br />

And Satyavan had passed from her embrace. (p. 566)<br />

Satyavan is dead, the God of Death is facing them and another character is<br />

introduced in this epic poem: Yama, the Lord of Death. Now a great deal<br />

has been said about the God of Death, in the Puranas, in the Upanishads, in<br />

the Gita, in the Vedas and so on. But Sri Aurobindo's characterisation or<br />

understanding of the God of Death here is in many ways unique. In the<br />

Vedas Yama is very often given as another name for the Supreme Lord; and<br />

he has also very often been described as 'the controller of dharma',<br />

dharmaraja. He is the one who controls righteous conduct. These two<br />

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