21.03.2013 Views

The Death of Christian Britain

The Death of Christian Britain

The Death of Christian Britain

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

— <strong>The</strong> Salvation Economy —<br />

brought the making <strong>of</strong> music within the reach <strong>of</strong> not only middle-class<br />

families but, by the 1850s and 1860s, many working-class communities as<br />

well. 68 From the 1850s, and more especially the 1870s, came the dramatic<br />

rise <strong>of</strong> the brass band, the vast bulk <strong>of</strong> which used predominantly religious<br />

and temperance music. Brass and silver bands were initially associated with<br />

temperance organisations, but by the 1880s many congregations, especially<br />

Nonconformist ones, had bands playing as part <strong>of</strong> worship. <strong>The</strong>se bands<br />

together with the bands <strong>of</strong> the Salvation Army, factories and town councils<br />

took their music to the streets, public parks and festive occasions,<br />

especially on Saturdays and weekday evenings. Bands toured working-class<br />

areas, standing on street corners, as a symbolic evangelisation, playing overwhelmingly<br />

religious and temperance tunes which remained from the 1880s<br />

to the 1920s a prominent feature <strong>of</strong> the popular culture <strong>of</strong> working-class<br />

communities. 69<br />

Religious music was a vital part <strong>of</strong> the growing popularity <strong>of</strong> music in<br />

Victorian and Edwardian popular culture. Music symbolised so much <strong>of</strong><br />

the character <strong>of</strong> the evangelical discursive culture. It was loud, powerful<br />

(and, as we shall see in a later chapter, masculine), uncompromising in its<br />

auditory symbolism <strong>of</strong> battle with evil (especially drink), richly militaristic,<br />

and at the same time resolutely communal in its role in streets and bandstands<br />

<strong>of</strong> public parks. It was a clarion call which reminded the hearer<br />

unequivocally <strong>of</strong> the complex discourses on religiosity which we explore<br />

in the next two chapters. And above all it bred esprit de corps in the<br />

evangelical ranks.<br />

Music also symbolised something greater about the salvation industry:<br />

its optimism. <strong>The</strong> religious magazines <strong>of</strong> the nineteenth century held<br />

pr<strong>of</strong>oundly optimistic general views <strong>of</strong> ‘progress’. Optimism was doctrine:<br />

‘How rapid is the progress <strong>of</strong> time! How fast eternity approaches! How<br />

soon will the period arrive when our opportunities for religious improvement<br />

in this state will be for ever gone! . . . During the past year, it has<br />

pleased the Sovereign Disposer <strong>of</strong> all events, to continue to us the outward<br />

means <strong>of</strong> grace.’ 70 In 1835, the Congregationalist minister in Pentonville,<br />

John Blackburn, told the London Missionary Society that moral evils had<br />

declined over the previous hundred years and that ‘a national reformation’<br />

was being achieved by evangelical action. Violence and venality had<br />

decreased, sales <strong>of</strong> Bibles were booming, and ‘<strong>The</strong> social vices <strong>of</strong> pr<strong>of</strong>ane<br />

swearing – Sabbath breaking – drunkenness – and <strong>of</strong> brutality, as once<br />

displayed in popular sports and pastimes; are, in my judgement, greatly<br />

decreased.’ 71 In 1867, the Wesleyan <strong>Christian</strong> Miscellany summed up the<br />

previous thirty years:<br />

Drunkenness has decidedly decreased, and habits <strong>of</strong> sobriety and<br />

moderation have become much more general among all classes. Duelling<br />

is abolished. <strong>The</strong>re is far less <strong>of</strong> horrid pr<strong>of</strong>anity and blasphemy.<br />

<strong>The</strong>re are few open exhibitions <strong>of</strong> brutal passion and disgusting vice.<br />

55

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!