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The Death of Christian Britain

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— Notes to pages 176–185 —<br />

32 Marwick, <strong>The</strong> Sixties, pp. 145–6, 265, 357, 679–724; B. Osgerby, Youth in<br />

<strong>Britain</strong> since 1945, Oxford, Blackwell, 1998, pp. 82–103.<br />

33 T. Ali, 1968 and After: Inside the Revolution, London, Blond and Briggs, 1978;<br />

Marwick, <strong>The</strong> Sixties, p. 4.<br />

34 On historians and postmodernity, see K. Jenkins (ed.), <strong>The</strong> Postmodern History<br />

Reader, London, Routledge, 1997, esp. pp. 3–5.<br />

35 Jean-Francois Lyotard, ‘<strong>The</strong> postmodern condition’, ibid., p. 37.<br />

36 A. McRobbie, ‘Jackie: An Ideology <strong>of</strong> Adolescent Femininity’, Centre for<br />

Contemporary Cultural Studies, University <strong>of</strong> Birmingham, Occasional Paper<br />

no. 53, April 1978, pp. 1, 3, 14, 17–19, 25.<br />

37 White, Women’s Periodical Press, p. 27.<br />

38 Ibid., p. 15.<br />

39 Ibid., pp. 56–8.<br />

40 It is impressive what a high proportion <strong>of</strong> television and radio comedy material<br />

in the sixties was aimed at the military.<br />

41 ‘In the electric age man seems to the conventional West to become irrational.’<br />

M. McLuhan, Understanding Media: <strong>The</strong> Extensions <strong>of</strong> Man, orig. 1964, Cambridge,<br />

Mass., MIT Press, 1994, p. 15.<br />

42 This analysis involved classifying the lyrics <strong>of</strong> 167 Beatles songs into romance/<br />

non-romance, using the lyrics <strong>of</strong> the songs (excluding instrumental pieces) by<br />

Lennon–McCartney and Harrison in <strong>The</strong> Beatles Complete (London, Wise<br />

Publications, n.d.). <strong>The</strong> classification focused on the ‘obvious’ theme or signification<br />

<strong>of</strong> the lyrics to a non-expert in the ‘real’ or ‘hidden’ meanings <strong>of</strong> the lyric<br />

writer. I was much assisted in this by consulting Macdonald, Revolution in the<br />

Head.<br />

43 <strong>The</strong> Beatles Complete p. 178. ‘She’s Leaving Home’. Words and music by John<br />

Lennon and Paul McCartney © 1967 Northern Songs. Used by permission<br />

<strong>of</strong> Music Sales Ltd. All rights reserved. International copyright secured.<br />

44 Ray Davies speaking on the compact disc, Ray Davies: <strong>The</strong> Storyteller, 1998,<br />

Guardian Records, EMI Records Ltd., end <strong>of</strong> track 13.<br />

45 A. Myrdal and V. Klein, Women’s Two Roles: Home and Work, London, RKP,<br />

1956, p. 26.<br />

46 A clash evocatively recounted in J. Winterson, Oranges are Not the Only Fruit,<br />

London, Pandora, 1985.<br />

47 Reports to the General Assembly <strong>of</strong> the Church <strong>of</strong> Scotland, 1970, pp. 399–410.<br />

After 1972, the Committee confined itself largely to alcoholism, gambling and<br />

domestic violence.<br />

48 QA, FAM, interviewee QD3/100/FAM/23.<br />

49 QA, FAM, interviewee QD3/100/FAM/24.<br />

50 QA, FAM, interviewee QD3/100/FAM/25.<br />

51 In order, the testimony <strong>of</strong> QA, FAM, interviewees QD3/100/FAM/115<br />

(b. 1922), /74 (b. 1945) and /75 (b. 1969).<br />

52 A good example is QA, FLWE interviewee 99, pp. 13–50, who stopped going<br />

to church at the age <strong>of</strong> thirteen in the 1910s.<br />

53 QA, FLWE interviewee 65, p. 15.<br />

54 SOHCA, respondents 006/Mrs G.3 (b. 1925) and Mrs I.2 (b. 1907).<br />

55 SOHCA, respondent 006/Mrs C.2 (b. 1912), pp. 22–3.<br />

266

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