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The Death of Christian Britain

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— Postscript —<br />

aged by sociologists. 35 He deprecated the sense <strong>of</strong> inevitability and longevity<br />

built into the process, and the way in which it has caused (and continues to<br />

cause) historians studying every stage <strong>of</strong> modern history to be ‘[b]rowbeaten<br />

into thinking that religion must be, by definition, in recession’. 36 Historical<br />

inquiry has been compromised, the sting plucked from it by a sociological<br />

inevitability and a disinterest in timing and causes. In one sense, the historian<br />

has been reclaiming the story <strong>of</strong> religion from sociology.<br />

Indeed, Nash points to the uses <strong>of</strong> an older-fashioned historical method<br />

to be exploited in chasing out the historical flaws in the history <strong>of</strong> secularisation.<br />

Nash is happy with the advent <strong>of</strong> a postmodern method, and a focus<br />

on lived lives and the narratives that shape and provide self-understanding,<br />

but is less happy with the remaining sense <strong>of</strong> my describing what he calls<br />

‘an irremovable moment that has passed’; I may have changed the history<br />

<strong>of</strong> the process, he says, but the inevitable endpoint remains in <strong>The</strong> <strong>Death</strong> <strong>of</strong><br />

<strong>Christian</strong> <strong>Britain</strong> (the title as well as the text). To better this, he thinks my<br />

argument does not go far enough. He calls for an end to endpoints in secularisation<br />

studies – to study where religion and religious narratives have<br />

survived the ‘death <strong>of</strong> <strong>Christian</strong> <strong>Britain</strong>’ in, he argues, ‘slimming culture in<br />

the West’ and in therapy and new age culture, in drug and substance-abuse<br />

rehabilitation regimes, supported by celebrities who search for ‘therapybased<br />

salvation’. 37 Nash is one <strong>of</strong> a number who point to the residue <strong>of</strong><br />

<strong>Christian</strong> narratives <strong>of</strong> redemption and conversion in post-sixties <strong>Britain</strong>,<br />

indicating, it is proposed, something less than the secularised culture I imagined<br />

in this book. 38 I am happy to think about ways <strong>of</strong> removing endpoints,<br />

inevitabilities and the ineluctable from the historical narrative. But the death<br />

<strong>of</strong> a dominant discourse is still that – a death. It might survive as one competing<br />

narrative in a multicultural society <strong>of</strong> many faiths and lots <strong>of</strong> n<strong>of</strong>aiths<br />

(however we label these). But that does not negate the passing <strong>of</strong> the<br />

time when a <strong>Christian</strong> discourse was hegemonic. And are post-1960s secularised<br />

narratives <strong>of</strong> <strong>Christian</strong> conversions – including ‘therapy-based salvation’<br />

– evidence enough to suggest a survival <strong>of</strong> <strong>Christian</strong> narrative? <strong>The</strong>se<br />

are residues, not salient <strong>Christian</strong> narratives that continue to engineer British<br />

society and morality; they have been rendered de-<strong>Christian</strong>ised – in some<br />

parts atheist, in most parts religiously indifferent. A conversion narrative is<br />

merely a structure, not in itself a discourse. Just because Christmas is the<br />

structure <strong>of</strong> a pagan festival does not signify that <strong>Britain</strong> today worships<br />

paganism. <strong>The</strong> study <strong>of</strong> changing discourses within rituals and narrative<br />

structures has long been a productive area <strong>of</strong> historical inquiry, and I have<br />

gone further recently in exploring the gendered nature <strong>of</strong> the evangelical<br />

conversion narrative and the period when it held indomitable sway. 39 But<br />

there is little sensible religious comparison to be drawn between, on the one<br />

hand, the evangelical <strong>Christian</strong> conversion and, on the other, a conversion<br />

narrative in an atheistic novel, in holistic alternative therapy or (as I will<br />

come on to) in feminism. If narratives do not serve <strong>Christian</strong>ity, they are<br />

207

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