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The Death of Christian Britain

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— <strong>The</strong> End <strong>of</strong> a Long Story —<br />

the year 2000 it is still modernism that is acting upon us as the agent <strong>of</strong><br />

secularisation in an unbroken line stretching back to the late eighteenth or<br />

early nineteenth centuries. It is still the Enlightenment paradigm that they<br />

promulgate, that rationality was hostile to popular religion and the ‘religious<br />

self’. To the supporters <strong>of</strong> post-modernity, this is fundamentally<br />

wrong. It is a failure to understand the nature <strong>of</strong> the evangelical age and<br />

the duration <strong>of</strong> its legacy. Instead <strong>of</strong> rationality and religion clashing in the<br />

Enlightenment, it is the story <strong>of</strong> the Enlightenment’s boost to <strong>Christian</strong><br />

religion, already well told, that needs to be more widely accepted. 5<br />

Meanwhile, there are still too many scholars who misread the secularising<br />

impact <strong>of</strong> industrialisation and urbanisation, despite all the revisionist<br />

research <strong>of</strong> the 1980s and 1990s. <strong>The</strong> cumulative effect is that scholars from<br />

a wide variety <strong>of</strong> backgrounds falsely conflate our secularisation with what<br />

they think was the secularisation <strong>of</strong> the nineteenth century. <strong>The</strong>y have failed<br />

to perceive the robustness <strong>of</strong> popular religiosity during industrialisation<br />

and urban growth between the 1750s and the 1950s.<br />

This failure is caused by a focus on ‘structures’ (such as churches and<br />

social classes) to the neglect <strong>of</strong> ‘the personal’ in piety. <strong>The</strong> ‘personal’ is<br />

intrinsically wrapped up with language, discourses on personal moral<br />

worth, the narrative structures within which these are located, and the<br />

timing <strong>of</strong> change to these. Around 1800, with the fading <strong>of</strong> coercive religion<br />

(or what Charles Taylor calls ‘background’ religion, and ‘the great<br />

chain <strong>of</strong> being’), religiosity became overwhelmingly discursive, dependent<br />

on bringing an evangelical narrative <strong>of</strong> the life story to the foreground <strong>of</strong><br />

personal identity. <strong>The</strong>se discourses were fundamentally gendered as,<br />

perhaps, they had always been, but where before 1800 <strong>Christian</strong> piety had<br />

been located in masculinity, after 1800 it became located in femininity.<br />

Paeans <strong>of</strong> praise were heaped on women’s innate piety whilst brickbats<br />

were hurled at men’s susceptibility to temptation. Enforcement <strong>of</strong> ‘hypergoods’<br />

(again drawing on Taylor) was transferred from external agencies<br />

(the state churches) to the internal <strong>of</strong> the individual. Identity became<br />

something incredibly personal, a matter for deep personal enforcement,<br />

negotiation or neglect. In this ‘system’, women were the key, for it was<br />

their religiosity that mattered. It was their influence on children and men,<br />

their pr<strong>of</strong>ession <strong>of</strong> purity and virtue, their attachment to domesticity and<br />

all the virtues located with that, which sustained discursive <strong>Christian</strong>ity in<br />

the age <strong>of</strong> modernity.<br />

This age lasted a century and half, from about 1800 to about 1960.<br />

Though these things are never instantaneous, the age <strong>of</strong> discursive<br />

<strong>Christian</strong>ity then quite quickly collapsed. It did so, fundamentally, when<br />

women cancelled their mass subscription to the discursive domain <strong>of</strong><br />

<strong>Christian</strong>ity. Simultaneously, the nature <strong>of</strong> femininity changed fundamentally,<br />

shedding its veneer <strong>of</strong> piety and respectability, and becoming<br />

disjoined from the romance which provided women’s personal narrative<br />

195

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