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The Death of Christian Britain

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— Personal Testimony and Religion 1800–1950 —<br />

told the melodramatic discovery <strong>of</strong> the drunken cook with his mother’s<br />

‘great ceremony’ <strong>of</strong> pouring the gin down the sink. However, the house’s<br />

moral rules and the cook’s fall from grace are recounted with a cynic’s<br />

post-teetotal, post-puritan ‘edge’. It is a story drawn straight from the narratives<br />

<strong>of</strong> early twentieth-century puritan teetotalism, but in its telling in 1970<br />

it is ‘cynicised’ for consumption by a younger listener, someone assumed<br />

alien to the world <strong>of</strong> the description. <strong>The</strong> story works because it is<br />

recounted within its historical, early twentieth-century puritan discourse,<br />

permitting the evangelical ‘narrative machine’ to move relentlessly between<br />

its polarities. If the cynicism were to be removed, it reads exactly like a<br />

teetotal tract.<br />

This is an oral-history interviewee moving between two discursive<br />

worlds: that <strong>of</strong> the evangelical discourses <strong>of</strong> his youth in the 1900s and<br />

1910s and the non-evangelical discourses <strong>of</strong> 1970. At the age <strong>of</strong> 68 years,<br />

Ronald Walker is sharing with a younger interviewer the ‘strange’ world<br />

<strong>of</strong> his past, a world which for its time was hegemonic upon his life, and<br />

to which as a young man he owed an unquestioning allegiance. He is sharing<br />

with the interviewer a window on the past, and assuming (perhaps rightly)<br />

that the interviewer would be fascinated and educated by this revelation.<br />

It is a confessional memory rooted in that moment in 1970 when the discursive<br />

world <strong>of</strong> his youth was not just anachronistic to his listener but was,<br />

on the face <strong>of</strong> it, anachronistic to him also.<br />

Yet, his testimony reveals the evangelical narrative as far from anachronistic<br />

to the way in which he constructs his past. His entire and very lengthy<br />

interview develops from this early start into an exploration <strong>of</strong> the discursive<br />

gap between present (1970) and past (1900s, 1910s and early 1920s). It<br />

is intense in its exploration <strong>of</strong> the evangelical moral structure <strong>of</strong> his childhood<br />

and youth.<br />

Q: Did your parents bring you up to consider certain things important<br />

in life?<br />

A: Yes, in a narrow Nonconformist tradition. Lying was the unforgivable<br />

sin, so I’m afraid I’ve been unforgiven a few times.<br />

Turning the other cheek was regarded as a good thing. <strong>The</strong>y<br />

would have been pleased if I’d shown any interest in the<br />

Methodist ministry which, <strong>of</strong> course, I didn’t. ... And respect for<br />

elders. I’m talking about the usual Victorian traditions, which was<br />

common. 11<br />

<strong>The</strong> young man was being raised by parents with a high expectation for<br />

his piety. <strong>The</strong> family met round the family piano on Sunday evenings for<br />

hymns and carols, read Dickens, Thackeray and Scott, and magazines <strong>of</strong> a<br />

light but mostly ‘improving’ character, with mother taking the ‘the family<br />

magazines, you know, the predecessors <strong>of</strong> the present glossies’: Home Chat,<br />

Pearson’s Weekly, Titbits, Chums, <strong>The</strong> Scout and the Boy’s Own Paper.<br />

119

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