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The Death of Christian Britain

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— Men in Discourse and Narrative 1800–1950 —<br />

Longer tracts <strong>of</strong> eight or sixteen pages took time to embrace men’s<br />

culture with an authentic voice. One dealt with the moral dialectic at Epsom<br />

on Derby day: ‘the roar and rush <strong>of</strong> life’ with ‘bookmakers, tipsters, costers,<br />

backers, the purse-trick gentlemen’. ‘<strong>The</strong> showmen on the hill are shouting<br />

– “Walk in gents, no children admitted; wonderful freak <strong>of</strong> nature, walk<br />

in sir;” and the preachers on the course are singing “O Calvary, dark<br />

Calvary, where Jesus shed His blood for me.”’ <strong>The</strong> whole Hogarthian scene<br />

was a pan-class moral joust:<br />

<strong>The</strong> whole scene is a panoramic medley, the sound a perfect Babel,<br />

a mixture <strong>of</strong> culture and cruelty, <strong>of</strong> blue blood and blatant blackguardism;<br />

a mingling <strong>of</strong> peer and peasant, <strong>of</strong> duke and dustman; <strong>of</strong><br />

prince and plebeian; from castle and from cottage, from the court and<br />

the camp; autocracy and democracy hobnobbing in the ignoble sport<br />

<strong>of</strong> gambling; the cream <strong>of</strong> society and the scum <strong>of</strong> the earth rubbing<br />

shoulders with each other. 35<br />

Tracts were socially levelling, targeting men <strong>of</strong> substance as well as <strong>of</strong><br />

poverty: ‘Quickly, ye men <strong>of</strong> business and might! Your life is more than<br />

half gone already. You have passed the crest <strong>of</strong> the hill, and are looking<br />

towards the sun-setting.’ 36 Tracts attacked merchants who gave short<br />

measures or adulterated produce; true religion would banish ‘pebbles from<br />

the cotton-bags, sand from sugar, chicory from c<strong>of</strong>fee, alum from bread, and<br />

water from the milk-cans’, and ‘looks on a man who has failed in trade, and<br />

who continues to live in luxury, as a thief’. 37 Tracts were written and distributed<br />

for specialist sinners: drinkers on the way to the pub, gamblers,<br />

smokers, the ‘impure’, theatregoers, New Year revellers, Sunday traders. In<br />

the theatre were to be found ‘wicked men, pr<strong>of</strong>ligates, pr<strong>of</strong>ane swearers,<br />

debauchees, prostitutes’. 38 One tract aimed at London theatregoers said you<br />

would find ‘the scum <strong>of</strong> vicious poverty’ in the gallery, ‘the froth <strong>of</strong> vicious<br />

mediocracy’ in the pit, and ‘the cream <strong>of</strong> aristocratic pride, vanity, and scandal’<br />

in the boxes. 39 Tracts for every occasion and occupation were available:<br />

tracts for railway travellers, cabmen, tram-drivers, publicans, even ‘backsliding<br />

pr<strong>of</strong>essors’. Tracts for and featuring miners and fishermen were common,<br />

and notably stories <strong>of</strong> real-life pit disasters. Six weeks after a disaster<br />

at Hartley which killed two hundred men, the British Messenger used it as<br />

an example for sinners, speaking <strong>of</strong> how the ‘the bodies <strong>of</strong> the miners were<br />

nearly all found clustering close by the root <strong>of</strong> the old closed shaft’: ‘In the<br />

prison <strong>of</strong> our spiritual death’, it continued, ‘most <strong>of</strong> those who miss eternal<br />

life perish in the very act <strong>of</strong> struggling to force a way that has been closed.’ 40<br />

<strong>The</strong>re were tracts which attacked ‘our respectable young men, our young<br />

men <strong>of</strong> most gentlemanly manners and appearance, members <strong>of</strong> most honourable<br />

pr<strong>of</strong>essions’ who though ‘free from the brand <strong>of</strong> open pr<strong>of</strong>ligacy or<br />

avowedly infidel principles’ were yet addressed as ‘thoroughly licentious<br />

alike in sentiment and conduct, and alike regards morals and religion’. 41<br />

95

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