„To end this unholy Rebellion“: German-speaking immigrants as ...
„To end this unholy Rebellion“: German-speaking immigrants as ...
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26. Juni 2008<br />
Dancing to Connect<br />
Eröffnungsveranstaltung der<br />
American Days in Stuttgart<br />
Wilhelma Theater<br />
Neckartalstr. 9<br />
70376 Stuttgart
PROGRAMM<br />
Begrüßung / Welcome<br />
Rudolf Böhmler Staatssekretär a.D.,<br />
Mitglied des Vorstands der<br />
Deutschen Bundesbank,<br />
Vorstandsvorsitz<strong>end</strong>er des<br />
Deutsch‐Amerikanischen Zentrums/<br />
James‐F.‐Byrnes‐Institut e.V.<br />
Heribert Rech MdL Innenminister, Baden‐Württemberg<br />
Grußworte / Greetings<br />
Jo Ellen Powell Generalkonsulin<br />
Amerikanisches Generalkonsulat<br />
Frankfurt/Main<br />
Dr. Wolfgang Schuster Oberbürgermeister<br />
Landeshauptstadt Stuttgart<br />
Christian Hänel stv. Leiter Programmbereich<br />
Westeuropa, Amerika, Türkei,<br />
Japan,Indien;<br />
Robert Bosch Stiftung<br />
Einführung / Introduction<br />
Jonathan Hollander Artistic Director<br />
Battery Dance Company, New York<br />
Dance Program<br />
Steigschule Jungle Moves<br />
Nadine Pfeiffer, Mariangela De Bl<strong>as</strong>io, Jennifer Pöhler, Nicole Marklewitz, Sibel Asan,<br />
Resida Pandzi, Delia Bugea, Elvira Eminovic, Georgia Kitzali, Ajet Limanaj, Hacer Özdemir,<br />
Teresa Long<br />
Supervision: Iris Hammer, Regina Hannebauer<br />
Dance artists: Carmen Nicole Smith, Sean Scantlebury (Battery Dance Company)
Luginslandschule As Serious <strong>as</strong> Your Life<br />
Gülsah Koca, Nadine Mangstl, Eray Aytekin, Memduh Balaban, Dennis Flaig, Sara Pinheiro<br />
Fernandes, Vera Monteiro da Silva, V<strong>as</strong>iliki Pantoussi, Laura Huber, Domenico Celozzi,<br />
Fardin Wahidi<br />
Supervision: Frau Eising, Frau Holoch‐Karpf, Frau Möller, Frau Va<strong>as</strong>, Frau Weichert<br />
Dance artists: Robin Cantrell, Bafana Matea (Battery Dance Company)<br />
Königin‐Olga‐Stift Color3<br />
Jenny Cantz, Anna Koll, Lisa Comb, Leontien Best, Nathalie Priya Agarw, Felix Baumberg,<br />
Jacob Wägerle, Klea Flinspach, Isabel Gareis, Erna Heck, Franziska Brellochs, Isabel Sum,<br />
Qu<strong>end</strong>resha Muskolvay, Sonja Bevanda, Perihan Moustafoska<br />
Supervision: Uli‐Christin Völker, Marjatta Rohen<br />
Dance artists: Mayuna Shimizu, Paul Blackman (Battery Dance Company)<br />
Dr<strong>as</strong>tic Action Snare Tide<br />
Choreography: Aviva Geismar in collaboration with the performers<br />
W<strong>as</strong>ik Music: MANOISECA w/ source material by Sheila Chandra and Luna Extravagante<br />
Dancers: Sophie Bortolussi, Allesandra Larson, Cara Liguori and Kathy W<strong>as</strong>ik<br />
Schickhardt‐ Realschule Finding the One<br />
Xheneta Haxhani, Batseba Yebio, Kristina Kera, Kristina Tkalec, Nadine Heller, Vera Ciljevic,<br />
Zuhal Babali, An<strong>as</strong>t<strong>as</strong>ia Tegonikou, Gül Öztürk, Berna Bozkus, Bogdana Gavric, Lisa Genge,<br />
Stefanie Genge, Vanessa G<strong>as</strong>smann, Efthimia Dilopulu<br />
Supervision: Iris Faller, Ines Kurilj<br />
Dance artists: Kathy W<strong>as</strong>ik, Sophie Bortolussi, Aviva Geismar (Dr<strong>as</strong>tic Action)<br />
Oscar‐Paret‐Schule We are Team<br />
Sabrina Reiner, Maike Zimmermann, Jessica Simm<strong>end</strong>inger, Lisa Schöck, Sarah Föll, Nadine<br />
Campos, Elisa Holoch, Manuel Fröhlich, Thorsten Wildermann, Lee‐Ann Tüzün, Carmen Große<br />
Supervision: Susanne Steinegger, Judith Kern<br />
Dance artists: Alessandra Larson, Cara Liguori (Dr<strong>as</strong>tic Action)<br />
Battery Dance Company I'll Take You There<br />
Choreography: Jonathan Hollander<br />
Commissioned Musical Score: Polarity/1, Lighting and Production Design: Barry Steele<br />
Video Effects: Barry Steele and David Bengali, Costumes: Aaron M<strong>as</strong>tin<br />
Dancers: Robin Cantrell, Carmen Nicole Smith, Mayuna Shimizu, Paul Blackman, Bafana<br />
Matea, Sean Scantlebury<br />
Artistic Director: Jonathan Hollander<br />
Production Design: David Bengalin, des
DANCING TO CONNECT<br />
in einem einwöchigen Workshop haben Jug<strong>end</strong>liche von 5 Stuttgarter Schulen mit Tänzern<br />
der New Yorker Dance Companies „Battery Dance Company“ und „Dr<strong>as</strong>tic Action“ eigens<br />
choreographierte Tänze eingeübt, die sie zur Eröffnung der American Days heute darbieten.<br />
„Dancing To Connect“ bedeutet Kompetenzentwicklung durch die Integration von Tanz,<br />
Musik und Englisch als Arbeitssprache. Den mitwirk<strong>end</strong>en Schülerinnen und Schülern<br />
eröffnet sich im Rahmen dieses deutsch‐amerikanischen Kulturprojekts die Möglichkeit, ihr<br />
kreatives Potenzial, ihren Teamgeist und ihre Toleranz zu entdecken sowie ihre<br />
Englischkenntnisse spielerisch zu verbessern.<br />
For thirtythree years, Battery Dance Company h<strong>as</strong> followed its quest for artistic excellence<br />
and social relevance. Whether performing on the worlds’ stages, teaching in New York City<br />
public schools or fostering international cultural exchange, Battery Dance is a collaborative<br />
team that gains through the creative vision, commitment and talent of its various members<br />
and partners. Founded and led by choreographer Jonathan Hollander, a Fulbright Lecturer,<br />
Battery Dance began working in <strong>German</strong>y in 2006 through the award‐winning “Dances for<br />
the Blue House” project in Breisach and Freiburg. „Dancing to Connect“ (DTC) followed in<br />
2007 in Freiburg, featured <strong>as</strong> the grand finale of the Theater Freiburg Se<strong>as</strong>on. Now, in<br />
2008, Battery Dance h<strong>as</strong> developed DTC projects in Stuttgart, Berlin and Freiburg, in which<br />
18 high schools will take part.<br />
DRASTIC ACTION is a New York City‐b<strong>as</strong>ed modern dance company under the<br />
artistic direction of choreographer Aviva Geismar. Geismar‘s dances stem from a f<strong>as</strong>cination<br />
with the nuances and paradoxes of human behavior. In July 2006 Dr<strong>as</strong>tic Action, in<br />
partnership with the Battery Dance Company, led „Dances for the Blue House“, a<br />
performance and education project focusing on the legacy of the Holocaust. Geismar<br />
created a site‐specific piece in the streets of Breisach, <strong>German</strong>y, the birthplace of her<br />
grandparents, which paid tribute to the town‘s lost Jewish community and the work by local<br />
residents to memorialize that community. The company is delighted to be back in <strong>German</strong>y<br />
for a third summer of teaching and performing.<br />
D<strong>as</strong> Deutsch‐Amerikanische Zentrum/James‐F.‐Byrnes‐Institut e.V. dankt den Förderern und<br />
Sponsoren für ihre großzügige Unterstützung dieser Veranstaltung.
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